Kleine Sünden unter Brüdern

I just finished watching this on TV. The story is about several weeks in the lives of three bothers. Circumstances (what they are is unimportant) have caused the two younger bachelor brothers to move in with their older married brother and his family. The script explores the relationships between three loving Irish Catholic American brothers, each with a distinctive personality, and the relationships each has with the women in their lives. It's about real love and romance (not the sappy romantic comedy type), fears of commitment, and the twists and turns these men go through in dealing with that aspect of their lives.

Their Catholicism has a lot to do with the story. At one point Patrick says to his Jewish girl friend, "I go to Church every week; you go to Temple only once or twice a year." She replies, "Yes, but your religion is crazy." Although the most religious of the three, Patrick, goes against the Church's teachings in that he uses condoms; but, he worries about going to Hell should he commit other serious sin.

Marriage to all of them means a life-long commitment. Their mother's life set the standard for them. She had lived 35 years in a forced, loveless marriage until her husband passed away. That freed her to go to the man she had been in love with when circumstances caused her to marry the boys' father. Abortion was out of the question, as was divorce.

Ed Burns is credited with writing and directing the film and he also is very credible as the middle brother. While the entire cast made their characters seem real, the actor who in my mind stood out is Mike McGlone, who plays Patrick, the youngest brother who has a kind of altar boy personality. Perhaps Ed Burns' choice of camera angles gets some of the credit for making his performance particularly memorable, but McGlone brought something special to that part.

'The Brothers McMullen', written, directed by and starring Edward Burns (on an extremely low-budget), invites us into the cosy relationship between three Irish-American brothers and their own relationships with God and members of the opposite sex. It is a conventional wisdom that a good story needs a beginning, a middle and an end, yet 'The Brothers McMullen' seems to be all middle - and engagingly so. Burns gives us a glimpse into the lives of these three brothers as they struggle to find their way through personal emotional turning points and re-evaluate their belief systems. The film is dominated by perceptive, sensitive and realistic dialogue throughout. The dilemmas of these three brothers are instantly recognisable to anyone in their twenties or thirties, their inner conflicts easy to identify with. This film is beautifully acted, and particularly likeable is Mike McGlone as the youngest brother who desperately tries to hold on to what he believes is his genuine Catholic conviction whilst searching for 'true love'. Burns' script is witty, warm, honest and wonderfully unpretentious. Burns himself turns in a great performance of the ever-maligned man who is 'afraid of commitment', yet somehow manages to remain intensely appealing and prevents his character from appearing to be a cliché. A rare gem among contemporary movies - one which is fuelled by words and not actions. Refreshing.

I am a man who is of Irish decent, has an older brother who I am still close with but used to fight with (physically) constantly, and grew up in the Northeast, so I felt more of a familiarity towards this film than people in other demographics. For those reasons alone, this film holds a special place in my movie-loving heart than others I have seen before.

Having said that, you don't have to be Irish-American or even male to love this movie. Sure, it looks grainy even on DVD, but any movie fan can tell you that it's not how clear a movie is or how much it costs, but how good the characters are or the story is. For this movie, both criteria was met.

Edwards Burns wrote this film brilliantly, for starters. Burns wrote himself as the funnyman, and he did a great job with that role. He has some very memorable lines, most especially the part where he's talking to his younger brother Patrick (Mike McGlone) about women's ways while using a banana. Other writers would have stooped really low with such a prop, but Burns used it metaphorically in a way that was both funny and smart. He also had great chemistry with Maxine Bahns. Of course, Burns didn't leave all the funny lines to himself.

Mike McGlone is also very good as Patrick, the younger brother who uses his Catholic upbringing as an excuse not to marry his longtime girlfriend. His character is perhaps the most interesting because he's so complex and has many contradictory qualities: he loves but is afraid to commit, he's religious but abides by the rules when convenient, and he's smart but does really dumb things. Contrast that performance to his role in Burns' followup, "She's The One", and you'll see that McGlone is one of the most underrated actors working today.

Of course, with the movie centering around the three brothers, not mentioning Jack Mulcahy as older brother Jack would be blasphemous. Mulcahy played a very good straight man to Burns and McGlone. The movie makes you believe in the beginning that he has everything together, but he eventually loses it. However, he does so in an understated way that seems very realistic in a lot of ways. You'd have to see the movie to find out.

There's not too much else to say about the movie: it just worked! The dialogue was brilliantly written and perfectly executed by the entire cast, the situations were entirely believable, and the on-location shooting in New York was a brilliant move on Burns' part. It's as if New York was its own character. Being from New England, seeing the New York Yankees clothing some of the cast wore got under my skin a little, but I won't get too picky.

Although Edward Burns got his due for this movie (Winner of Best Picture at Sundance, Two Thumbs Up from Siskel & Ebert), he hasn't really gotten the respect he deserves since this film was made. He's directed eight movies as of the date this review has been written, and my guess is that in another ten years, he will earn the same respect as Woody Allen and Albert Brooks from film critics and fans alike. He had a great start as a young independent filmmaker, and I know he'll make more good films as a director as well.

I wound up watching the movie by accident and it turned out to be an experience much like passing road kill: It's so horrid you can't look away.

And because it was so awful, I thought it might be fun to read a few reviews of it (reading reviews of bad movies is somewhat cathartic; you watch something awful and then let someone else vent about your wasted time....). What I found here was somewhat unbelievable. Somebody actually thought it had some redeeming features. It doesn't.

This film did not just have a surfeit of uninteresting characters who spoke extraordinarily turgid dialogue (one character says to the other "I don't think we should see ONE ANOTHER for awhile...." Nobody, really nobody, ever says ONE ANOTHER except in church.) It was also woodenly acted, nonsensically directed and had a plot so boring I kept switching to Tony Robbins infomercials for excitement. Shoestring budget or not, there's no excuse for inflicting this kind of movie on the paying public. Okay, I didn't actually pay to see it because it was on Bravo, but I paid my cable bill and that should count for something.

Bottom line is that this movie isn't funny, isn't sad, isn't thought provoking and isn't interesting. It is annoying.

Three Irish Catholic brothers from Long Island struggle to deal with love, marriage, and infidelity.

This film definitely has the feel of a 1990s independent movie. That is meant as a compliment. Edward Burns may not have received as much attention as Kevin Smith or Quentin Tarantino, but he still made an impact with this film and won at Sundance. Like the other two, he drove the film home with dialogue -- always the way to go on a limited budget.

The story itself is not that interesting, but the interactions between the brothers is. They have different views on their Catholic faith, which affects how they handle their relationships. And, as is often the case, love and passion tend to have a stronger pull than religion when put to the test.