Martin Chuzzlewit

What an ensemble cast, every one committed and enthusiastic, every one knowing their Dickens, too! Tom Wilkinson is superb --- an actor of many roles, but in this he is fantastic as Pecksniff. Young Martin is perfect (I once saw Ben Walden in Julius Caesar at the Globe)--- a rather spoiled and righteous young man whose tantrums reminded me of Daniel Day Lewis's tantrums in THE NAME OF THE FATHER! Hardest to accept right off are the two Pecksniff sisters, but that's because they are so Dickensian and we are simply no longer accustomed to women being portrayed this way. In the 'small roles', Joan Sims as Betsy Prigg, Elizabeth Spriggs as Mrs Gamp, and Graham Stark as Nadgett -- all hugely-experienced veterans of British broadcasting --- are pure gold. This production did the best it could with such a long book, in dealing with the American episodes -- mostly via letters being read. Nothing more could be done to resolve this difficulty. The late Pete Postlethwaite is a juicy Montague Tigg, as villainous as Keith Allen is terrifying in his Jonas role. There is not a bad casting in it, so let's finish by praising Philip Frank as Tom Pinch -- a role he does so well, so honestly, so unembarrassed, that his many other later appearances on TV are a shock (eg police inspector in "Heartbeat".

This was a novel about dishonesty. Dishonesty ranging from mild deception to robbery and murder most foul. And it is the dishonest who are the most memorable characters in the book - and in this TV adaptation. The tone too, ranges from comic to the most sombre shade. At its most comic is Sairey Gamp, grubby drunken "nurse" to the sick and helpless. Her dishonesty is as much self deception: the constant good opinion of herself held by the mysterious never to be seen "Mrs Harris" which Sairey Gamp endlessly quotes to the increasing irritation of her partner in nursing (and in drink) which leads to an explosive comic confrontation between all - three? Remarkable actor Pete Postlethwaite performs a remarkable transformation from down and out Tigg Montague to grandest of swindlers Montague Tigg, founder of The Anglo-Bengalee Assurance Company whose prospectus promises a paid up capital of "a two and as many oughts as the printer can get in the line". Dishonesty of another kind is represented by one of Dickens greatest creations: the odious sanctimonious hypocritical serial-forgiver and would be seducer Pecksniff (excellently played by Tom Wilkinson). Finally dishonesty of the blackest kind is represented by Jonas Chuzzlewit, murderer for money -with poison and bludgeon. When justice catches up with Jonas, actor Keith Allen vividly portrays a man suddenly in the shadow of the noose. In comparison the good, the prudent and the merely imprudent (Tom Pinch, Old Martin Chuzzlewit, and young Martin) are in comparison and perhaps inevitably - as in the book - a little colourless.) The silly recklessness of Mercy Pecksniff and the sour realism of her sister are particularly well brought out. Finally the dialogue - its unobtrusiveness as it goes between Dickens' original and David Lodge's own is exemplary. So too is the distinctive music - often with a loping rhythm suggestive of careful and wary footsteps.

A really excellent and entertaining production with a fine cast giving full measure to the most memorable characters and scenes. It is difficult to imagine it being bettered.

I was absolutely stunned by this BBC-miniseries: it's almost perfect in every way. It succeeded in producing the exact atmosphere of Dickens' novel as I recall it, with all the fine irony, the dark and the good sides of human nature, the description of the beautiful countryside as well as the ugly corners of the big city, the sumptuous costumes, I could go on and on, everything seemed to be in perfect place and exactly right.

Due credit should go to the director and of course to the writer, who did a great job in translating some 700 pages of Charles Dickens into a manageable script. The fact that the whole American section of the novel is left out, didn't bother me that much. In the book it's almost a novel within a novel, and since with the adaptation of novels of this scale one always has to make some concessions, it seemed a sensible choice to comprise the American adventure to one or two short scenes.

As to the actors, they really deserve the highest credit, it's unbelievable how a whole cast can be of such high standards. Tom Wilkinson as the hypocritical, greedy en pompous Pecksniff is absolutely great; equally good and entertaining is Pete Postlethwaite, and I also should mention Elizabeth Spriggs as the scruffy, boozing and ad-libbing Mrs. Gamp, the "nurse" who you wouldn't trust with your worst enemy let alone with a patient! Julia Sawalha (Absolutely Fabulous) and Emma Chambers (Notting Hill) as the Pecksniff-offspring are not only hilarious, but also develop their part in a very convincing and in the end touching way. On the other, more dark side of the spectrum of Dickens-characters, Keith Allen as the ominous Jonas Chuzzlewit is blood-chilling in his portrayal of a cruel and relentless son and husband. And so I could go on, until even such small parts as the spicy young Bailey (Paul Francis - how DO they get such a young kid to play so natural and easy?!).

If any, to me there's only one minor flaw in this production: the role of young Martin Chuzzlewit by Ben Walden. I don't know what to make of it. Here's a young actor with a handsome yet rather uncommon face, an awkward way of acting, and a curious, almost mumbling diction! He seemed a strange choice to play one of the major protagonists in the story. But another reviewer on this site mentioned of him, that he "casts a spell with his eyes and voice", so maybe that's another way of looking at him.

I give this production a heartfelt 10 out of 10.

Martin Chuzzlewit as written by Charles Dickens becomes another of his young men who rise to success stories with a combination of their own perseverance and an unseen hand of fate which seems to be in control of destiny. Others like this are the more well known David Copperfield and Pip from Great Expectations.

There are two Martin Chuzzlewits, the first is the young Dickensian hero who is played by Ben Walden and there is grandfather Martin Chuzzlewit who is Paul Scofield who also plays his own brother Anthony Chuzzlewit.

The old Martin is one rich dude who is a doddering and miserly sort of man worried as to who might deserve the riches he's accumulated in life. Scofield has a flock of relatives who are hanging on every word and every breath hoping to find favor with the old guy. For strangely enough he's cut off young Walden and now the rest of them just think his fortune is up for grabs with his dying breath.

The worst of the Chuzzlewit relatives is a cousin named Seth Pecksniff who is an ostentatiously pious and inwardly scheming individual. He worms his way into Scofield's confidence and tries to undermine everyone else so that he and his daughters may profit. He's not above using his daughters for that end either though the daughters played by Julia Sawalha and Emma Chambers. Pecksniff is one of Dickens's most enduring if villainous characters and here he's played with full unctuousness going on all cylinders by Tom Wilkinson.

One of the daughters in fact at Wilkinson's urging marries an equally villainous cousin Jonas Chuzzlewit played by Keith Allen to further the Pecksniff fortunes. He also takes in 'students' to 'learn' architecture and he's got a lovely racket there in passing off promising student's drawings as his own work and living off the money they pay him to allegedly learn. He deals young Walden dirty that way, but most catch on to him including Walden with exception of good hearted Tom Pinch played by Philip Allen. Even he gets wise at one point.

Martin Chuzzlewit was written after Dickens had returned from an American tour and part of the novel has young Martin and a friend going to America to seek a fortune of his own. Dickens was not happy with what he saw in America and the Americans you see here are a merciless bunch of greedy film flam businessmen. That part of the novel got a short shrift in this production.

Considering how Dickens portrayed some of his own countrymen I can't really fault him for writing what he saw in the USA of the 1840s. Just the Chuzzlewit family or most of them are enough to make you gag.

This is a fine BBC productions impeccably cast and giving us a good picture of the United Kingdom of the early Victorian years. Best in the cast is Tom Wilkinson as Pecksniff. The word itself became a noun in the English language for hypocrite just mccarthyism became a synonym for slanderous accusation without proof.

When one of your characters becomes a noun, that's the greatest success you can have.

This is an excellent adaptation of a fine novel. It is always a pleasure to see Dickens´s novels successfully made into films or TV series, and this version of Martin Chuzzlewit is without question the best adaptation of a Dickens novel that I have seen. Like in most of Dickens´s works the main plot is sometimes a bit difficult to keep track of because of the many secondary plots which attract our attention, but as far as I am concerned this is not a very serious disadvantage, since the far most important element in any Dickens novel is the wide range of interesting and peculiar characters that fill the pages, and since the cast of this TV production of Martin Chuzzlewit manages to make a number of the characters even more fascinating than they are in the book. All the actors and actresses in this TV-series are good; many of them are brilliant. Most remarkable are Tom Wilkinson, Keith Allen, Pete Postlethwaite, Emma Chambers, Philip Franks, Maggie Steed, and Julia Sawalha. Better acting than theirs in this production is not often seen. The entire cast seem in fact to have inspired and brought out the best in each other. An example of a character which has actually become more interesting as a result of the adaptation from novel to TV-series is the character of Jonas Chuzzlewit: Keith Allen´s interpretation lends him an even more profound air of gloomy desperation and twistedness than is expressed by the Jonas we meet in the novel. Pete Postlethwaite´s interpretation of Mr. Montague Tigg is likewise of such high class that it is almost an improvement on the book without being in the least degree unfaithful to it. I really cannot recommend this TV-series enough. People with a taste for Dickens can see it many times and still feel rewarded.