Der letzte Ritt

Granted, both the original Lonesome Dove novel and film are unique works of extremely fascinating classic story telling. Streets of Laredo obviously has a great deal to live up to and, when viewed or read in conjunction with Dove, it does suffer in the sense that our familiarity is slightly snubbed. Of course not much can measure up to the original, and so obviously this is something that cannot be helped. This sequel is far more brutal and violent that its predecessor. Violent death or at least the threat of it is an ever present character awash on Laredo's landscape much more than Dove.That said, Streets of Laredo as a film stands firmly upon its own merits which are quite impressive.Firstly, the cast is sublime. James Garner, always a vastly underrated actor, creates a stoic yet tragic Call. His final scene is at once heart breaking and resonating with strong quiet hope. His performance is all about what film acting aspires to become: he moves mountains without words.The rest of the cast is on equal footing with Garner. Playwrite Sam Shepard's Pea Eye, although losing much of Tim Scott's original Bentonesque forlorn rube, is filled with earthy heroism and and poetry. Sissy Spacek, as the whore re-incarnated as a schoolmarm Lorena produces the tough backbone needed to survive the Texas prarie. Comedian George Carlin's finely drawn panhandle scamp solidifies the theory that the border between comedy and tragedy is narrow at best. These are just a few of the excellent standouts in the sound ensemble.Secondly, there is the very narrative itself. It plays like a Sunday funeral dirge-ever aware of the passing of an era, yet peering into a glimmer future of simple optimism and hope. In McMurtry's frequently brutal world, everyone has a shot at redemption. Grace isn't free but it is availble to all willing to run the gauntlet, as long as they have a pure heart. In this film, pure of heart may not necessarily mean pure of deed, but at least evil is evil and good is good.This film bravely balances the aformentioned violence with scenes of wry humour and gentleness. In that regard, Laredo comes the closest anyone has come to honoring Peckinpah's greater works.The film, because it was produced for television is already mostly forotten by the minnions, but richly deserving of an audience. Enjoy and Savor.

Is this better than Lonesome Dove? Depends on who you ask. I think that viewed objectively it is indeed a better mini-series. Two things complicate this in many people's minds. First, when it comes to the books I think most people think Lonesome Dove is a better book. Second, the first mini-series was so one of a kind that it really left an impression with people. Really got in their heads. By the time this came out people didn't find a western mini-series as groundbreaking. But if you watch them back to back now I think this one comes out on top. It features some great performances and, as others have commented, is a bit darker in tone and feel than the previous mini-series. If you liked Lonesome Dove this is a slam dunk for you to like.

Streets of Laredo is a fine western. It's just that Lonesome Dove set too high a standard to compare any other western with. Maybe the problem lies with the story itself....can anyone who saw LD imagine Lorena marrying Pea Eye and having a passel of kids???? Recall that Lorena wouldn't have anything to do with Lippy and yet she marries Pea Eye. Diane Lane and Tim Scott, together!?! No way! Streets of Laredo simply inverts the visuals embedded in our brains from LD: now Pea Eye(Sam Shepherd) is actually better looking than Lorena(Sissy Spacek). That's just too much of a stretch. I never thought I'd criticize Sissy Spacek but she just doesn't have any of Diane Lane's elegance and sensuousness. Ms. Lane was charming and endearing but Spacek's Lorena just grates on the nerves. Also for a sequel we are left mystifyingly in the dark as to why the main characters are back in Texas. Newt, who was the actual "lonesome dove" in LD, is never mentioned. What happened to Call's cattle ranch in Montana??? No clue. I realize the novel probably answers these questions but hell, this was a miniseries! The screenwriters should have had time to develop what happened since the end of LD. I also don't like the introduction of historical figures Roy Bean and John Wesley Hardin who are used as stage props to prove how fearsome Joey Garza is. Garza was so tough even the Apaches grew to fear him. Give me a break! The character Joey Garza merely strikes me as a punk who can shoot well. As a rule I don't like villains with pencil necks, no upper body strength, and who don't shave yet; it's just too hard to take them seriously. He doesn't inspire fear, but rather seems a nuisance we wish someone would eliminate. On the positive side, James Garner is marvelous as Woodrow Call. He won't replace Tommy Lee Jones in my mind as Call but then again, who could? Garner seems more stoic, more matter-of-fact than Jones was. Jones' portrayal had a lot of quiet emotion churning beneath the surface, unfortunately Garner has no Gus to play off of. Still he shines brighter in this movie than anyone else. I guess the main test that ranks Streets of Laredo unfavorably with LD is the affect it produces with time. It doesn't stay with one like LD. Scenes are not memorable and unforgettable as they were with LD. The bittersweet irony is missing. I don't have the sense it will involuntarily become part of one's psyche with time.

I bought first the lonesome dove DVD and then the collection of Return to Lonesome Dove, Streets of Laredo and Dead man Walking I think it was.

I have seen all but the last now.

Streets of Laredo this is the worst of the three. I loved the first one and also enjoyed the second but this just got to much the same and too stereotypical.

Every women is a whore or used to be. Every character is so one dimensional. 95 % of the men are pigs whereas the last 5 % is gentlemen???. A lot of talk about children going bad but they don't reflect much about it... It's like they can't think ahead. It's like watching aliens.

Really don't like the Joey Garza character. and overall it was little in this mini series that interested me.

One of the first things I do after watching a movie I really like, is checking reviews of others...professionals and amateurs, as listed here. It's very frustrating reading some of them. Why do people compare them? Why do they look for faults? Why do they not see and praise the positive aspects and ease up on critical commentary? It's like comparing apples & oranges & bananas & strawberries, etc. Comparing a film to the book or a previous film seems overly critical to me. It always bothered me when Siskel & Ebert & Roeper, et al. rated films as bad or good...thumbs up or down...see it or don't see it. Streets of Laredo is a perfect example. A lot of superb work was put into this fascinating sequel by the director, the cinematographer, the actors, the music composer, the art directors and more. It deserves more than comparisons with the equally superb mini-series Lonesome Dove and its fabulous other sequels. James Garner's Woodrow Call was terrific, so was Tommy Lee Jones' but is it fair to compare them? Cissy Spacek's Lorena was just as good as Diane Lane's as were Sam Shephard's and Tim Scott's Pea Eye interpretations. How do you rate cake and pie? Is one better than the other? Should you condemn it to thumbs down or tell others to avoid it? Maybe to some people this is the way. One constant in all the LD sequels is Larry McMurtry's brilliant characterizations. And don't complain about character development. It takes time to develop a character's nuances and profile. E.G Archie Bunker, Mary Richards, Barney Miller and friends. How long a movie do you want to watch? To wrap it up, Streets of Laredo is a superb film with great acting, directing, cinematography, and a stirring musical score and more. So was Lonesome Dove, Return to Lonesome Dove, Dead Man's Walk, Comanche Moon and the TV series. They're all different but great!