Æon Flux ist eine mysteriöse und amoralische Geheimagentin aus dem Land Monica. Ihre Motive oder Hintergründe bleiben ungeklärt, ebenso wie die ihres Gegenspielers/Geliebten, Trevor Goodchil... Alles lesenÆon Flux ist eine mysteriöse und amoralische Geheimagentin aus dem Land Monica. Ihre Motive oder Hintergründe bleiben ungeklärt, ebenso wie die ihres Gegenspielers/Geliebten, Trevor Goodchild.Æon Flux ist eine mysteriöse und amoralische Geheimagentin aus dem Land Monica. Ihre Motive oder Hintergründe bleiben ungeklärt, ebenso wie die ihres Gegenspielers/Geliebten, Trevor Goodchild.
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I'll spare you the standard review and assume that you've already accepted that Aeon Flux is bloody awesome. What follows is a guide to getting the full bloody awesomeness out of this experience.
If at all possible, take it in chronological order since the first 6 shorts are what set the stage. Essentially all rules are bent, broken, defecated upon and then handed back to us with a hint of Snuggle fabric softener. This is no mere cartoon; this is a revolution in storytelling.
The best way to describe the shorts is to say they are visual puzzles for us to solve. It ain't easy, either. I highly recommend watching the short, feeling like an idiot, and then watching it again with Peter's commentary. He doesn't always spell out the solution, but he gives some good hints that allow you to appreciate it on its intended philosophical level.
I'll give you just one example without really ruining anything. In the episode "War", we see a bunch of people killing people, getting killed, and more of the same. But there's much more to it than that. What Chung does is play on our fickle sympathies to make us change loyalties over & over. Without noticing, we start out rooting for the black team, then the white team, back to black, white, black, etc. You can surmise what sort of statement he's making about the act of war & society's attitudes. I can't help but wonder if Peter Chung was a fan of the 19th century French writer Maupassant ("Tell the people to vote for the Emperor and they'll vote for the Emperor. Tell the people to vote for the Republic and they'll vote for the Republic.")
Bloody awesome.
Other episodes are more abstract but just as deliberate & defined. In "Tide" we're presented with some seemingly arbitrary, repeating scenes. But actually it's a very carefully orchestrated show. The scenes, each exactly 2 sec long, repeat in a scripted sequence that can only be described as mathematical (or as Peter says in the commentary, "musical").
Bloody bloody awesome.
OK, I'm probably losing some of you, and that's to be expected. After all, what's interesting about political, mathematical & metaphysical themes? The answer: a hot assassin chick in a vinyl bikini with boobs that defy Newton's Laws of Physics, that's what.
What's the word I'm looking for? Oh right: bloody freaking whacktastic awesome.
After the initial 6 shorts comes the Pilot which is also without dialogue and highly expressionistic as well as philosophically jam packed. However when the actual series followed, MTV took more of an active role making changes that weren't always for the best. The biggest change is that the characters speak. Another big change is that Aeon develops more of a consistent personality and morality (unlike in the shorts where she was an Existentialist to the max). Some of the episodes are still very good--the ones written by Peter Chung--but others were given to different writers who didn't have a clear grasp on the artistic concept. The result was more plot driven, linear, humorous at times & random at times. At the same time, some of it became more poetic in a literal sense. In all, a very different flavour but still very enjoyable, even if the episodes aren't the brain-teasers we had seen at first.
That's about all I have to say, so I'll close by saying we need more women dressing up as Aeon Flux at halloween parties. Ladies, if you do that you win hands down. Well except for maybe the green star trek chick.
If at all possible, take it in chronological order since the first 6 shorts are what set the stage. Essentially all rules are bent, broken, defecated upon and then handed back to us with a hint of Snuggle fabric softener. This is no mere cartoon; this is a revolution in storytelling.
The best way to describe the shorts is to say they are visual puzzles for us to solve. It ain't easy, either. I highly recommend watching the short, feeling like an idiot, and then watching it again with Peter's commentary. He doesn't always spell out the solution, but he gives some good hints that allow you to appreciate it on its intended philosophical level.
I'll give you just one example without really ruining anything. In the episode "War", we see a bunch of people killing people, getting killed, and more of the same. But there's much more to it than that. What Chung does is play on our fickle sympathies to make us change loyalties over & over. Without noticing, we start out rooting for the black team, then the white team, back to black, white, black, etc. You can surmise what sort of statement he's making about the act of war & society's attitudes. I can't help but wonder if Peter Chung was a fan of the 19th century French writer Maupassant ("Tell the people to vote for the Emperor and they'll vote for the Emperor. Tell the people to vote for the Republic and they'll vote for the Republic.")
Bloody awesome.
Other episodes are more abstract but just as deliberate & defined. In "Tide" we're presented with some seemingly arbitrary, repeating scenes. But actually it's a very carefully orchestrated show. The scenes, each exactly 2 sec long, repeat in a scripted sequence that can only be described as mathematical (or as Peter says in the commentary, "musical").
Bloody bloody awesome.
OK, I'm probably losing some of you, and that's to be expected. After all, what's interesting about political, mathematical & metaphysical themes? The answer: a hot assassin chick in a vinyl bikini with boobs that defy Newton's Laws of Physics, that's what.
What's the word I'm looking for? Oh right: bloody freaking whacktastic awesome.
After the initial 6 shorts comes the Pilot which is also without dialogue and highly expressionistic as well as philosophically jam packed. However when the actual series followed, MTV took more of an active role making changes that weren't always for the best. The biggest change is that the characters speak. Another big change is that Aeon develops more of a consistent personality and morality (unlike in the shorts where she was an Existentialist to the max). Some of the episodes are still very good--the ones written by Peter Chung--but others were given to different writers who didn't have a clear grasp on the artistic concept. The result was more plot driven, linear, humorous at times & random at times. At the same time, some of it became more poetic in a literal sense. In all, a very different flavour but still very enjoyable, even if the episodes aren't the brain-teasers we had seen at first.
That's about all I have to say, so I'll close by saying we need more women dressing up as Aeon Flux at halloween parties. Ladies, if you do that you win hands down. Well except for maybe the green star trek chick.
If you're looking for the series that breaks Japanimation's stranglehold on quality mature cartoons, this is it. Aeon Flux is Peter Chung's twisted brainchild, a fantastic future world where everyone and no one are everything they seem, and more, and less. This is not the series you want if you're looking for easily acceptable doses of comprehensible violence and sex. Aeon Flux attacks your brainpan directly through your optic nerve, inducing afterthought in the brain. If you are ready to go beyond, to enjoy boundary-cracking animation that switches in and out of characterization, plot, action, and even dialogue, then go find this tape. Buy it. You'll thank me later.
I rewatched this little series lately and I just can state: Aeon Flux is still pushing boundaries regarding storytelling for a sci-fi animation show. With its own visual style and story (ideas) plus the sometimes weird storytelling techniques still a pleasure to watch. Such kind of experimental stuff they do only very rare these days - just look what MTV has become...
Having first seen Aeon Flux as MTV shorts I was instantly captivated, breaking free from the constraints of the "standard" method of story telling, so much is left in the mysterious and unknown, with very imaginative and surreal atmosphere, in some cases one feels like they have just been dropped in the middle of a story with no real explanation of what is going on, its not needed it adds to effect. An interesting format that the heroine is killed off only to be reincarnated in the next short, almost like a video game in some contexts.
This format was eventually abandoned and a more story like series followed, which might lead one to believe that the initial shorts might of been proof of concept or tests? These episodes are very similar in the same surreal atmosphere but with a little more story line and plot driven in to make them more durable.
A highly imaginative animation series that is worth inclusion in anyones collection especially those seeking something a little off the beaten path.
This format was eventually abandoned and a more story like series followed, which might lead one to believe that the initial shorts might of been proof of concept or tests? These episodes are very similar in the same surreal atmosphere but with a little more story line and plot driven in to make them more durable.
A highly imaginative animation series that is worth inclusion in anyones collection especially those seeking something a little off the beaten path.
It's a futuristic "White Rabbit" that comes to mind whenever I recall any episode of this "Liquid TV" born legend. The style wasn't bubbly or cute like 75% of the Anime you witness, it's lines were crude, bodies were awkward but it's feel was seductive.
I personally feel that the creators wanted to give the audience a constant view into the side of what we don't see all that often. Such movies as "Total Recall" and "Blade Runner" danced just outside of those unseen elements using them as sight-gags, AF exploited them in an incredible way....if you didn't understand what you were watching, it was only a matter of a partial storyline before you understood it.
When it was originally created, Aeon herself was silent, an occassional moan, groan or sigh - the TV series added new elements giving that much needed dialog and shedding evil light onto an already unimaginable world.
The action is intense, the storylines are fluid and entrancing, the voice acting is top-notch and it's lifespan was cut short to make way for the new generation clot with teenie-boppers, hip-hoppers and wannabes. If AF proved anything, aside from it's jaded stance on a futuristic world that puts "Mad Max" to shame - it's that MTV DID INDEED SELL-OUT....for those of us who spent countless hours trying to get the station to even rekindle just ONE MARATHON of "Liquid TV", know the heartache.
I personally feel that the creators wanted to give the audience a constant view into the side of what we don't see all that often. Such movies as "Total Recall" and "Blade Runner" danced just outside of those unseen elements using them as sight-gags, AF exploited them in an incredible way....if you didn't understand what you were watching, it was only a matter of a partial storyline before you understood it.
When it was originally created, Aeon herself was silent, an occassional moan, groan or sigh - the TV series added new elements giving that much needed dialog and shedding evil light onto an already unimaginable world.
The action is intense, the storylines are fluid and entrancing, the voice acting is top-notch and it's lifespan was cut short to make way for the new generation clot with teenie-boppers, hip-hoppers and wannabes. If AF proved anything, aside from it's jaded stance on a futuristic world that puts "Mad Max" to shame - it's that MTV DID INDEED SELL-OUT....for those of us who spent countless hours trying to get the station to even rekindle just ONE MARATHON of "Liquid TV", know the heartache.
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- WissenswertesBegan as a series of short films for MTV. Each of these films, plus a couple of full episodes, ended with Aeon Flux being killed, with continuity being "rebooted" in the following episode. The 2005 Æon Flux (2005) live action movie explained that Aeon is cloned each time she is killed. This angle was phased out over time. Plans for a fourth season were discussed, but never fulfilled.
- Zitate
Trevor Goodchild: That which does not kill us, makes us stranger.
- Alternative Versionen2005 DVD release features modified versions of several episodes, with improved special effects and coloring, and alternate versions of some scenes substituted for the original televised versions. In addition, newly written and produced scenes were added to some episodes in order to improve continuity. All dialogue by the character Clavius was re-recorded by another actor for the DVD release.
- VerbindungenEdited into Creating a World: Aeon Flux (2006)
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