Wyatt Earp - Das Leben einer Legende

Wyatt grows up a young man who loves the law. When his wife dies early in their marriage he goes off the rails and becomes a drunk and a thief. When he is offered a chance at redemption he takes it and becomes a deputy. His legend spreads and he is offered the chance to be the deputy for Dodge City. He has great success but is removed from the job for being too brutal. When his replacement is killed as the law falls away in Dodge, Wyatt returns before moving on to Tombstone but finds his initial run-in with the Clantonhas left harbouring resentments.

When I saw this in the cinema, it was hassled by the fact that another, more multiplex-friendly version of the story had just been released shortly before. Viewed separately years later it fares better without the comparison to Tombstone, which is, in fairness, more of a fun bang-bang affair, although now it struggles because Costner's reputation is not even at the level it was when this film was released. The plot is good and is supposedly a true telling of the legend, although the film is careful to pepper the running time with hints that stories get changed with the telling.

The very honest and respectful telling of the story means that it gets told in a very deliberate and careful manner. This means on one hand that we get a good picture over Wyatt's life as opposed to the events in Tombstone, however it also means that the film itself is a little dull and overlong. It is overly deliberate and doesn't flow as well as it should - flowing more like syrup than water at times. Where some three-hour running times fly by, here it does feel like at least three hours - not always a good thing! The filling out of the characters doesn't always work either - I knew more about Wyatt but I didn't understand his character much more, also I was surprised that I was none the wiser about why he and Doc became friends considering how long was spent with them. A big failing of the film is that it assumes the status of an epic rather than earning the status. What I mean by this is that it tries too hard to be an epic - with constant sweeping music where it didn't need it. I still thing the film has an epic sweep to it, but it didn't need the cinematic tricks to achieve it; in fact, it could have down played it and let the sweep of the film do it for itself.

The cast is pretty good and also pretty deep. Costner may not be seen as a star anymore but that doesn't mean he can't act and can't hold the attention. He is a reasonable Wyatt but he suffers from being too deliberate and too shut off at times. I understand he needed to do it for the character but it contributes to the film feeling slow. The other brothers are played well by Madsen, Ashby and Andrews. Maybe it is because of Costner's drab Wyatt, but Quaid really lightens things up as Doc Holliday. His colourful character stands out easily against the old west types. The support cast is deep and includes faces such as Hackman, Fahey, Harmon, Pullman, Sizemore, Rossellini, Williams and O'Hara.

Overall this is a film that requires patience - if you prefer your films to contain action more than story then Tombstone may be more for you - but, for all it's failings, this is still a solid western and a good telling of the legend with more emphasis on background than action and fluidity.

"Wyat Earp" had the misfortune to be released not long after the classic "Tombstone," which told the same story. Nevertheless, "Wyat Earp" is a laudable effort and well worth the time to sit through its three hours and fifteen minutes running time.

The performances were uniformly good, with a skeletal Dennis Quade particularly fine as the doomed Doc Holliday. In fact, I thought that Quade's funny and moving performance as Doc Holliday was in the same class as Val Kilmer's portrayal of the same character in "Tombstone." The women playing the Earp wives, Catherine O'Hara, JoBeth Williams, Mare Winningham, and Betty Buckley, were also very effective. The beautiful Joanna Going was a pleasure to watch as Josie Marcus, the woman who Wyat Earp spent the last 47 years of his life with. Unfortunately, her acting skills did not match her beauty.

The thing that makes the film rise above the mediocre to me is its stunning visual and aural beauty. Its 5.1 Dolby Digital soundtrack is world class, and its outdoor photography is evocative.

Recommended, 7 out of 10.

The timing of this version of the venerable saga was highly disadvantageous, its release being so very close to "the other Wyatt Earp," Tombstone. That said, it's a completely different movie. While "Tombstone" relied on more dramatic license and cinematic bombast, this one was far more historically accurate, right down to the decidedly period dialog. However, it was far too long for most viewers, with a pace that left much to be desired, suffering more from its extended length than any other issue with the film itself. The acting was good, with Costner his typically unemotional self. However, his supporting cast was especially good, particularly in the case of the Earp Women. Dennis Quaid was excellent, in a stunning transformation over his usual roles. Once again, his version will be certainly be compared to the superb Val Kilmer, but once again, in terms of history, one would have to describe it as more accurate. Again, a drastic editing would have made this a far better overall film experience.

I have just watched back to back these two movies and ranked both an 8. Kevin Costner, Dennis Quaid, Gene Hackman Etal made me feel that their movie was closer to history and also brought pride in their perceived honor. The chronicle from childhood to the 20th Century felt complete. BUT Then came Kurt Russell, Val Kilmer, Sam Elliott and Powers Boothe (Deadwood 93) etal and left me entertained to the ninth degree. The sheer pace of this one leaves you breathless.

These movies should be seen back to back and not compared as they tell two different stories occurring at the same time and place. Costner as Wyatt was more believable But Russell's Earp was more fun. Quaid was Doc Holiday but Kilmer had a holiday with the role. I will concede that Sam Elliott made Virgil his and nobody is going to take it away. Rent or buy both movies as it a worthwhile investment of your time.

WYATT EARP, the second of the epic films about the legendary lawman released between 1993-94, lacked the commercial values that made TOMBSTONE successful, but was a far riskier film, with higher aspirations. Writer/Director Lawrence Kasdan, whose previous Western, SILVERADO (1985), had paid homage to Hollywood's Western clichés, wanted, with WYATT EARP, to cut through the myths, and create a film that would honestly examine an all-too-human Earp's life in the 'real' West, set against vistas of that were nearly overpowering in their immense size and beauty. Unfortunately, the result was a mixed bag; while the film is beautiful to look at (with one of the most majestic film scores of recent years, composed by James Newton Howard), the characters (with the exception of Dennis Quaid's 'Doc Holiday') lack charisma, with Kevin Costner's portrayal of Earp so flat that it is difficult to arouse much interest in him (it would be nearly ten years before he finally 'got it right', in OPEN RANGE). The film ultimately comes across as overblown and overlong, with it's memorable moments nearly lost amid panoramic views of the West.

I still think, however, that WYATT EARP has a few redeeming qualities which make it worth viewing. Foremost is Dennis Quaid, giving the performance of a lifetime as the dying Doc Holiday. The actor lost over forty pounds to play the role, and is physically the closest in appearance to the dentist-turned-gambler/gunfighter of all the actors who have ever portrayed him. Gaunt, dripping sarcasm with a Southern accent between hacking tubercular coughs, Quaid seizes each scene he's in, and certainly deserved Oscar consideration. It is ironic that his performance had to follow TOMBSTONE's flamboyant 'Doc', Val Kilmer, who created such an over-the-top, audience-friendly character, that Quaid's more realistic portrayal would be forgotten.

Another reason to watch WYATT EARP is it's presentation of the infamous Gunfight at the O.K. Corral, and it's aftermath. With the exception of John Sturges' HOUR OF THE GUN, no Westerns before TOMBSTONE and WYATT EARP had told the full story of the events, from the brief but deadly shootout, through the subsequent murder trial against the Earps, and Ike Clanton's vengeance, afterwards, resulting in Morgan Earp's murder, and Virgil Earp being crippled for life. Wyatt's bloody vendetta against Clanton and his allies was a grim reminder of 'frontier justice' and his ruthlessness even appalled Doc Holliday. The film doesn't attempt to gloss over or glorify Earp's actions, but does try to explain it, as an obligation to his family, who were the cornerstone of his life. Unfortunately, it took WYATT EARP nearly two hours to finally reach Tombstone, by which time audiences were fidgeting in their seats!

Uneven, but at times powerful, WYATT EARP was a major box office failure when released, and it never achieved the 'Classic' stature TOMBSTONE has, over the years. But it isn't a bad film, and Kasdan should be credited for his willingness to take an original look at a Western legend. It will be interesting to hear his comments, if a 'Director's Cut' DVD is ever released!