Wolf - Das Tier im Manne

"He was a killer, a thing that preyed, living on the things that lived, unaided, alone, by virtue of his own strength and prowess, surviving triumphantly in a hostile environment where only the strong survive."

That, of course, is a description of a wild dog from the menagerie of San Francisco's great storyteller Jack London. But it can also be a successful book editor in today's wolf-eat-wolf world of big- time book publishing.

In Mike Nichols' enchanted 1994 movie, Wolf, we meet a failing book editor, Jack Nicholson, who, sorry to say, would rather purr than bark. Because he's a goat staked out for the kill, meek and mild Jack is about to succumb to the claw and fang of the monsters around him -- not the gibbering ogres that hide behind bookshelves in editorial offices, and come out at night to hide author contracts, mix-up manuscripts and insert misspellings and inaccuracies in freshly proof-read books – but assassins who can kill a career with an e-mail or fax.

In his case, Nicholson has two creatures to deal with: the jackal- like James Spader, as vicious and as smiling a villain as one might find in a Grimm's fairy tale or an MBA executive program, and the nightmarish Christopher Plummer, the nastiest and most treacherous boss since Genghis Khan, the sort of corpse-eating, bone-crunching sneak who gives hyenas a bad name. Both actors are at the top of their game, and it's a delight to watch them work their nastiness.

Fortunately for the Nicholson character, he gets bitten by a werewolf, and we all know what that means, kiddies.

Like one of Jack London's canines on the prowl: "He became quicker of movement... swifter of foot, craftier, deadlier, more lithe, more lean with iron like muscle and sinew, more enduring, more cruel more ferocious, and more intelligent."

All this without having to spend a minute on a tread mill or give up steak ("I said bloody rare!") . Sometimes there is justice in this world.

As if this wasn't enough of a bonus for getting nibbled by a werewolf, he falls in love with a dirty-minded Little Red Riding Hood, the toothsome Michelle Pfeiffer. And his ill-wishers soon find out they've bitten off more than they can chew.

Ingenious Mike Nichols has trapped the old werewolf legends – as told in the Universal Pictures Lon Chaney movies – and given them a new, giggle-filled twist.

But if you have a feeling that we're not in tranquil Transylvania any more, you're right. This is New York City, where the pointy skyscrapers look like fangs against the midnight sky, and a chill wind at the stroke of 12 can suddenly come howling down Broadway. Even so, a newly minted werewolf in Gotham has appointments to keep and rivals to slay. And to do the job properly, he's now armed with useful new office skills, like the ability to hear whispered workplace gossip blocks away and a sensitive nose that tells him who's been sipping tequila at the breakfast table.

However, he can't be a 9-to-fiver forever. A wolf-man needs to make time for fun, like one of Jack London's animal heroes: "But especially he loved to run in the dim twilight of the summer midnights, listening to the subdued and sleepy murmurs of the forest, reading signs and sounds as a man may read a book, and seeking for the mysterious something that called -- called, waking or sleeping, at all times, for him to come."

As you might expect, evening is chow-down time in the Big Apple. But what happens in Central Park stays in Central Park, minus a hand or two.

Blending chills, kills and giggles, Mike Nichols has created a marvelous tale for our time. And with the wondrous Jack Nicholson, who can be both blithe and bloodcurdling at the same instant, he has a creature any monster-maker would be proud of. Glorious special effects, great ensemble acting, and laugh-out-loud wit – the sort of insightful and caustic comments that over the years Mike Nichols rewarded us with, like so many jalapeño-flavored candy bars -- make Wolf an engaging fable for grownups ... but one that you might not want to view just before bed-time; especially if you sleep with an open window with the moon shining down.

(A tip of the old Davy Crockett coonskin cap to perennial best- seller Jack London, an acute observer of wild animals and wild writers, whose century-old canine heroes would do very well in modern Manhattan ... if it ever came down to the crunch.)

Here's a werewolf movie done with some style and some class. This may be the only werewolf-business world combination. It features effective villains played by James Spader and Christopher Plummer. I've always found Spader an easy guy to dislike, in any film.

Jack Nicholson is the lead guy, however, and is refreshingly low-key, especially for him. I don't believe he ever raised his voice in this movie, acting very subdued throughout.

There isn't as much action as you see in most modern-day horror movies but yet this is such an intense story that you don't lose interest. It's pretty good in the visual department, too, and it doesn't hurt to ogle Michelle Pfeiffer.

Even though the profanity is pretty low for a '90s film, when it's there it's needless. They could could have done this movie, believe it or not, without any and it still would have been good. I'm not complaining. I still recommend this, but not for people who are looking for an action--packed vampire film.

I like this film. It is different as a horror movie, because it really isn't a horror movie - and yet here we have a man turning into a wolf, he starts killing people at night, and we have the rabid horror music stalking our ears when the wolf is on the prowl.

I like the characters, I like the slow pace and the calm moments and I especially like Jack Nicholson when Randall's senses start to come alive. He is extremely well cast for this film, I don't think many others would actually convey the animal inside like he does. Pfieffer's character is, although formulaic, a relief among all the hard-assed men of this film. The ending is a bit silly, but nonetheless odd and intriguing.

Yep.I like this movie. It's fun to watch and it's great to see Nicholson act like the animal we all really think he is but don't dare to find out.

There is nothing better than the original starring Lon Chaney. There is no two ways about it. This film is however outstanding. The plot centers on Will Randall (Nicholson), an aging, past his prime publisher, who is struggling to keep his job as Chief Editor at a publishing house which is being taken over by a wealthy investor name Raymond Alden (Christopher Plummer.) His marriage is also on the skids and he is contending with a pompous, brown-nosing, sleazy protégé (Spader) for his future at the publisher. While on a business trip to retain a client on a snowy road in Vermont, Randall hits a wolf and is bitten. After his encounter and assurances from his doctor Randall notices heightened senses and finally gets a hold on what is going on in his life. Along the way he meets a mysterious and interesting woman (Michelle Pfeiffer) and seeks the advice of an alternative healer (Om Puri.) This movie is not terribly scary or really very horrifying, it portrays the wolf as being like mankind, "...evil if the person who is bitten is evil..." And in the dog-eat-dog world of business, really speaks about the urban jungle that is work and business every day. (Who are the real monsters? Werewolves? Or is it the people who wear suits and decide the destinies of people who work in corporate America?) Action comes in at points in small doses and culminates in the end with a final showdown. Overall the makeup was good; it was reminiscent of the classic, and done in the spirit of being an good homage to the original, and thankfully, it didn't come off as too campy. The dialogue was fair and what little profanity there was didn't seem necessary. Overall, a good film, I like to watch it from time to time. It will be too slow for viewers who do not appreciate a more dramatic thriller.

A cool new take on a werewolf story. Will Randall(Jack Nicholson)is your every day nice guy, who does'nt seem throw many punches, his best friend and coworker Stuart Swinton(James Spader) steals his job Has Senior Publisher, and his wife Charlotte(Kate Nelligan) is cheating on him. But something interesting happens to him. While driving home after a business trip, he accidently hits a wolf, and when he gets out of his car and tries to touch it, the wolf bites on the hand. Suddenly Wills senses start working in overdrive, He starts seeing farther then normal,and hearing farther also. And he starts able to smell things other people can't. He starts feeling great enough to fight back, And he will now start throwing punches. But happens when Will's Wolf instincts start taking over? One of the best werewolf movies in a long time. Jack Nicholson was great, really to perfect for this role. A different take on the werewolf story. Its a howling classic.