Krieg der Knöpfe

I watched "La Guerre des Boutons" around 1970. It was a very enjoyable movie. Well I married a war buff, but not of the kind of war of this movie is about, but the Pacific Theater of World War II. I have been looking for the tape of "La Guerre des Boutons" for years. I wanted my husband to see the black and white movie where a bunch of kids speaking French engages in their own type of warfare. Interestingly and strangely enough both movies were practically unknown in the States. I never found the tape of "La Guerre des Boutons" but when I realized that "The War of the Bottoms" was out, I immediately had to buy it. My husband loved the movie, and so did I.

It is so much fun watching those kids engaging in warfare. They get ideas from their school teacher and come up with all kind of strategies and plans. They have a leader, meet after school, and have to work to get ammunition, war it is quite serious business for those Irish Kids. They are prepared! One bunch of kinds are all "preppie," the typical "suits"! The other group is a bunch of poor kids wearing their jeans. When the poor guys realized that buttons were expensive and they can get their butt spanked for losing their buttons, they show up for their fight already naked, which really scared their adversaries. They meet in their little fort, where they kept their ammunition. They even dance and have a party when they win a little battle, just like the big boys. Jerome is my favorite of the bunch of characters. He is one of the opposition but he is such a little gentlemen and is so cute! I can also identify with Maria, because most of my friends for most of my life have been male. I found it interesting that the one of the producers was David Puttnam (The Killing Fields, Midnight Express, Memphis Belle, The Mission) who produced "Chariots of Fire" with the late Dodi Fayed, Princess Diana's boyfriend. Another fascinating fact is that this is supposed to be the first movie all of the kids had done. They were not "trained actors," but what a performance! This movie I presume is well known around the world but not in the U.S. I watched the movie first outside the U.S. I just wonder why such a classic is not known here? I recommend this movie to anyone. It is just adorable. What is it with the distributors here? My favorite scene: When the little guy gets royally drunk. He is hilarious. The kids stopping the war to care for the little rabbit.

My favorite quotes: "Fergus": "What are we going to cut off first?" The little kid goes: "His willie, cut off his willie."

This is a very fun and light-hearted film that is impossible not to like. Based on a French novel that has also been adapted a couple of times in France, the story is transported to Ireland and concerns the rivalry between the kids from two villages. Carrickdowse and Ballydowse are separated by a bridge, and in the evenings after school, mobs of boys meet in the fields and fight each other with sticks and rocks and set new and ever-changing border lines. The 'war' reaches new levels when a new form of trophy-taking comes into play, whereby the groups capture a member from the opposing village and cut off the buttons from his shirts and rip his clothes. In order to fight this war, the Carrickdowse leader Fergus orders his soldiers to assemble all buttons and threads they can find, so that they aren't punished by their parents if they are captured and then return home without any clothes. "War of the Buttons" is something of a family-classic in Ireland these days. Watching it all these years later I can appreciate the fine cast of actors that the film was able to gather. This was by no means a low-budget movie, it's more along the lines of "The Commitments" in terms of the international investment it received than anything else made in Ireland. It was produced by David Puttnam, who had produced a Best Picture Oscar-winner with "Chariots of Fire" in the 80s, and the screenplay was written by Colin Welland, who also won an Oscar for that one. That was quite a considerable pedigree behind it. Amongst the cast there is Liam Cunningham, who was only really starting out on the screen in 1994, and the always solid Colm Meaney. The young cast all did a great job, too, and the cinematography was spot-on in visually reconstructing an Ireland from the 1960s/70s.

Ireland is developing quite an interesting film industry. In "War of the Buttons", the children from rival towns are always sparring over buttons. They come up with every neat way to get revenge on each other. One of the reasons that this movie was so interesting was because it wasn't one of these situations where against all odds the ragtag team beats the big guys with all the money; in this case, they were equally matched. Also, we get to see how the Irish are trying to revive their culture: the schools are teaching the native Irish language. The only two cast members whom I recognized were Colm Meaney and Milo O'Shea, but the the whole cast did quite well. An excellent movie.

Wonderful, interesting story of a growing rivalry between young boys in two neighboring Irish small towns. This film is supposed to be based on the book, "La Guerre Des Boutons" by Louis Pergaud. The story, casting, acting and locations were perfect. One strong suit is the beautiful scenery filmed on location in Ireland. I really like this film. It seems few people who reviewed it actually watched it as none of the reviews I read even matched the film's content. I would have liked to have seen the one big battle scene played down as it seemed a bit over the top but other than that this was a pure joy to watch.

I didn't expect much from this film when I rented it. Another Improbable Hero Kid movie?

The fine point of it is: No. If you run screamin' at the mention of Home Alone or Goonies, you needn't be afraid of a movie like this.

The kids impart a genuine, unself-conscious mood to everything in the film, contributing in large part to its subtle and pervasive good humor. I marvelled at the creativity of the Ballydowse kids, and was at the same time satisfied that their rivals were never reduced to mindless obstacles to rouse our sympathy.

As we can see the war from the kids' view, we can see its reflection in their parents, and of course, in adults everywhere. But the film keeps its subtlety here too; we're never beaten over the head with the analogy, but given the right views to delight in it - their creativity and intelligence belongs to all ages.

My one reservation is the soundtrack; it's manipulative and lacks the subtlety of the rest of it.

Three favorite scenes: Little Con breaking his eggs and marooned for a bit with the Carrick boys, the teacher translating Riley's passed note, and the carousal and tractor.