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Die Sonne, die uns täuscht

Originaltitel: Utomlennye solntsem
  • 1994
  • 12
  • 2 Std. 15 Min.
IMDb-BEWERTUNG
7,8/10
16.887
IHRE BEWERTUNG
Die Sonne, die uns täuscht (1994)
Trailer
trailer wiedergeben1:04
1 Video
99+ Fotos
DramaKrieg

Füge eine Handlung in deiner Sprache hinzuIn the USSR in 1936, shadows of Stalin's repressions fall on a famous, revolutionary hero. The accusations of him being a foreign spy are nonsense, and everyone knows that. However, a slow p... Alles lesenIn the USSR in 1936, shadows of Stalin's repressions fall on a famous, revolutionary hero. The accusations of him being a foreign spy are nonsense, and everyone knows that. However, a slow process of his downfall has already started.In the USSR in 1936, shadows of Stalin's repressions fall on a famous, revolutionary hero. The accusations of him being a foreign spy are nonsense, and everyone knows that. However, a slow process of his downfall has already started.

  • Regie
    • Nikita Mikhalkov
  • Drehbuch
    • Nikita Mikhalkov
    • Rustam Ibragimbekov
  • Hauptbesetzung
    • Nikita Mikhalkov
    • Ingeborga Dapkunaite
    • Oleg Menshikov
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    16.887
    IHRE BEWERTUNG
    • Regie
      • Nikita Mikhalkov
    • Drehbuch
      • Nikita Mikhalkov
      • Rustam Ibragimbekov
    • Hauptbesetzung
      • Nikita Mikhalkov
      • Ingeborga Dapkunaite
      • Oleg Menshikov
    • 85Benutzerrezensionen
    • 19Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 4 Gewinne & 9 Nominierungen insgesamt

    Videos1

    Burnt By The Sun
    Trailer 1:04
    Burnt By The Sun

    Fotos228

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    Topbesetzung32

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    Nikita Mikhalkov
    Nikita Mikhalkov
    • Sergey
    Ingeborga Dapkunaite
    Ingeborga Dapkunaite
    • Marusya
    • (as Ingeborga Dapkunayte)
    Oleg Menshikov
    Oleg Menshikov
    • Dmitriy
    Nadezhda Mikhalkova
    Nadezhda Mikhalkova
    • Nadya
    • (as Nadya Mikhalkova)
    Vyacheslav Tikhonov
    Vyacheslav Tikhonov
    • Vsevolod Konstantinovich
    Svetlana Kryuchkova
    Svetlana Kryuchkova
    • Mokhova
    Vladimir Ilin
    Vladimir Ilin
    • Kirik
    Alla Kazanskaya
    Alla Kazanskaya
    • Lidiya Stepanovna
    Nina Arkhipova
    • Elena Mikhaylovna
    Avangard Leontev
    Avangard Leontev
    • Shofer
    André Oumansky
    André Oumansky
    • Filipp
    • (as Andre Umanskiy)
    Inna Ulyanova
    Inna Ulyanova
    • Olga Nikolaevna
    Lyubov Rudneva
    Lyubov Rudneva
    • Lyuba
    Vladimir Ryabov
    Vladimir Ryabov
    • Ofitser NKVD
    Vladimir Belousov
    Vladimir Belousov
    • Sotrudnik NKVD
    Aleksey Pokatilov
    Aleksey Pokatilov
    • 2-oy sotrudnik NKVD
    Evgeniy Mironov
    Evgeniy Mironov
    • Leytenant
    Tamara Akopova
      • Regie
        • Nikita Mikhalkov
      • Drehbuch
        • Nikita Mikhalkov
        • Rustam Ibragimbekov
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen85

      7,816.8K
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      Empfohlene Bewertungen

      trpdean

      Powerful yet Subtle and Original Look at Totalitarianism

      I just watched and loved this movie.

      It originally portrays the contrast in character, personality, viewpoint, and the relative consequences of the Revolution upon two people -

      a) Mitya, a handsome, charming, romantic, poetic, musical, child-loving man who before the movie began, lived in rural Russia, grew up with a girl who was 7 when he was conscripted into World War I, and deeply loved her parents, cousins, aunts, uncles and the household servants, and

      b) Kotov, an older man, military, probably more courageous and less intelligent, bluff and physical, sentimental and less artistic, stronger but simpler, equally child-loving, from a poorer background.

      Enemies in the Revolution, their behavior toward each other begins with cruelty by Kotov toward Mitya, Mitya's forced cruelty to others, and a changed and cruel man now (and knowing it) Mitya's cruelty to Kotov. And yes, a woman is also in the mix. The story is told as much through Kotov's eyes as through Mitya's.

      And guess what? With all this cruelty, Kotov and Mitya are both people you'd love to spend the day with.

      It's beautifully photographed - the same wonderful languor as watching say, Turgenev's A Month in the Country, the child is enchanting, the story is absolutely fascinating - far more original than such other "political" movies as The Conformist or The Garden of the Finzi-Continis. The movie is about social class, temperament, and how freely people make decisions in their lives, about love for the opposite sex, children, and country. It's compelling - you will truly always remember this movie.
      10perica-43151

      A heartwarming look at tragic times

      Despite its dark subject matter, this is a very positive and heart warming movie. It shows Stalinism without the Western propaganda, through the lens of great Soviet people that made everything good even under Stalin possible. An ode of love to the great Russian and Soviet nation. Definitely recommended.
      10francheval

      A palpable feeling of Russian genius

      "Burnt by the Sun" is a powerful example of what a genuinely Russian movie can be when it uses the good sides of western film-making : a coherent plot, professional camera work, and freedom of expression, all things that were rare for the cinema of Soviet times. Of course, it is not surprising that it was made by Nikita Mikhalkov, one of the few Russian directors who achieved lasting world success during communism, and therefore he had the right contacts abroad to get a decent budget. Though, "Burnt by the Sun" is way better than Mikhalkov's pompous "Barber of Siberia", which was alloted more money than any other film in the history of Russian cinema.

      In "Burnt by the Sun", Mikhalkov was able to give us a palpable feeling of the beauty and genius of Russia. The lighting is magnificent all the way through, and the ripe and wide wheat fields shine like gold. The action takes place in a cozy dacha among the birch trees, a house which seems to be the nest of a bunch of gentle and carefree eccentrics, all in an atmosphere that reminds pleasantly of Tchekov.

      Yet, you can tell from the start that "Burnt by the Sun" is not going to be just a comedy, as the first scene opens on a man cutting his veins in a bathtub while the telephone is ringing. However, this first forewarning soon gets forgotten throughout most of the film, which keeps a warm, light-hearted, slightly nostalgic tone almost all the time. It is only towards the middle you realize that it starts looming slowly towards predictable tragedy, and this only gets obvious in the very last moments.

      It turns out that the characters we see are all members of an old aristocratic family who were spared the horrors of the revolution because the younger daughter, Marusia, married a Red Army colonel, much older than she is. Thus, they keep on living as they ever did, playing cards, drinking tea from samovars, making private jokes in French. They even have a maid and a parrot. They seem totally oblivious of the reality around them. Except for innocent looking balloons with Stalin's face on them and a few parading pioneers, the communist regime is visible almost only through the presence of colonel Kotov, brilliantly played here by Nikita Mikhalkov himself.

      Colonel Kotov impersonates a character very familiar to the Russian mentality : he is tall, strong, authoritarian, but at the same time protective, warm-hearted, charming and prone to jokes. He is about just as sympathetic as the gruff milkman with a heart of gold in "Fiddler on the Roof". Although he is a military, he is not the kind of guy you think as having blood on his hands. But of course Lenin and Stalin's aura over Russian people was also partly due to the fact that they represented strong and protective father figures.

      The story takes a sudden turn with the arrival of an enigmatic character disguised as a Santa Claus in the middle of summer. He turns out to be known by everyone in the house, as he is the adoptive child of the late grandfather. In fact, he was Marusia's childhood companion, and her lover in the first place, but was evicted by Kotov, who protected henceforth the whole family from repression. It soon becomes clear that the man, called Mitya, has come to take revenge for his shattered life.

      All performances here are good, even though Nikita Mikhalkov, as an actor, still manages to steal the show. But one will not either forget the performance of his then six-year old daughter Nadya , who also plays his daughter in the movie. A charming, energetic and witty child performance which impersonates the innocence of the family about to be lost.

      The French title for the movie was "Deceitful Sun", and I find it more appropriate. Although the film bathes in quiet sunlight, it deals with one of the darkest eras of Russian/Soviet history : Stalinism. In the early 1930's, Stalin decided to eliminate much of the newly arisen communist elite whom he did not trust anymore, and hired former enemies of communism, or half-criminals, to eradicate his own official allies. Thus, colonel Kotov remains self-righteous and sure of himself almost until the end because he simply cannot believe that Stalin will not protect him.

      Needless to say that "Burnt by the Sun" is one of the first Russian movies that deals so openly with the subject. A subject which still remains quite sensitive since millions of people had their lives shattered by those events. Unlike what happened for Nazism, it was not until the end of the communist regime that it was possible to discuss it openly, even though Stalin's deeds had already been condemned officially a long time before. Therefore, this superb drama is also the symbol of a historical breakthrough.
      10Prozacc

      Ochin Horosho.

      Just saw this film as the closing class in my first term Russian language class. It's one of the ten best films I've ever seen. Our professor grew up in the Soviet Union and at the end (no spoilers, I promise) she had to leave because it was too familiar. I wasn't informed until afterwards that it was based on a true story, but it didn't matter. As I watched it I actually forgot that it was subtitled, and my memory of it now is as though it was in English. My point by saying that is that it was so real, so powerfully directed and acted, that the language barrier didn't matter one bit. Stunning film.
      10lolita-19

      Not all the Russians think the same

      You know, here, in Moscow, the critics do their best to show that Nikita Mikhalkov makes popular pictures which aren't to be considered serious. To hear that "The Barber of Siberia" is a stupid sentimental movie is quite common nowadays.

      But the more time passes from his next in turn production, the more a "strange" effect seems to take place: his films at last are rated according to their true value and not to somebody's opinion about them. It is always hard to say that something new is really good, but some time later...

      "Utoml'ennye Solntsem" is not a very emotional movie. I don't suppose you'd cry when watching it. But my opinion is that it's a brilliant one. It is historically authentic (I've studied that period of time quite carefully so I think I have a right to say so). And no-one on this site seems to notice the love story in the film, which actually brought about the whole tragedy (remember, Kotov made Mitya work for NKVD). It was marvellously played by Oleg Men'shikov (my favourite actor) and Ingeborga Dapkunaite, a remarkable Lithuanian actress. And Mikhalkov himself, of course - "Kot" means "cat", by the way. Many people endow him with the characteristics of Kotov which only shows that he played his role well. A good actor is always attributed his character's traits.

      But still, for me the main feature of the film is the world of Mitya's soul created by Men'shikov. A young, talented boy with brilliant prospects is what Mitya was. He gets involved in the war, goes through many ordeals, then comes home and falls in love with the girl he knew from her very birth, Marousya. But their happiness is too short. He is given a choice: to work for NKVD or...to commit suicide. He's only 24, and he wants to live. But hope for future slowly disappears as life goes on, cruel and senseless. When Mitya appears on the dacha of Marousya's parents, his soul is almost a wreck. But the last chance is killed when he sees that, after a suicide attempt, after months of despair, Marousya has married Kotov and doesn't want to go through everything again. Therefore Mitya begins to fulfill his revenge.

      Handlung

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      • Wissenswertes
        One of four Russian films ever to win Academy Award for Best Foreign Language Film. The others are Krieg und Frieden (1965), Uzala, der Kirgise (1975) and Moskau glaubt den Tränen nicht (1980)
      • Verbindungen
        Featured in Namedni 1961-2003: Nasha Era: Namedni 1995 (1999)
      • Soundtracks
        Utomlennoe solntse
        Written by Jerzy Petersburski (as Ezhi Petersburgskiy)

        Lyrics by Iosif Alvek (uncredited)

        Performed by Mark Simkin (singer), Efim Vyshkin (violin), Aleksandr Bashkatov (bayan), and Viktor Agapov (guitar)

        Played by an instrumental quartet during opening credits as a film's theme song

      Top-Auswahl

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      FAQ

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      Details

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      • Erscheinungsdatum
        • 12. Oktober 1995 (Deutschland)
      • Herkunftsländer
        • Russland
        • Frankreich
      • Offizieller Standort
        • Studiya TriTe (Russia)
      • Sprachen
        • Russisch
        • Französisch
      • Auch bekannt als
        • Burnt by the Sun
      • Drehorte
        • Zvenigorod, Moskovskaya oblast, Russland
      • Produktionsfirmen
        • Studio Trite
        • Caméra One
        • Goskino
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Box Office

      Ändern
      • Budget
        • 2.800.000 $ (geschätzt)
      • Bruttoertrag in den USA und Kanada
        • 2.302.338 $
      • Eröffnungswochenende in den USA und in Kanada
        • 60.074 $
        • 23. Apr. 1995
      • Weltweiter Bruttoertrag
        • 2.313.461 $
      Weitere Informationen zur Box Office finden Sie auf IMDbPro.

      Technische Daten

      Ändern
      • Laufzeit
        2 Stunden 15 Minuten
      • Farbe
        • Color
      • Sound-Mix
        • Dolby Stereo
      • Seitenverhältnis
        • 1.66 : 1

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