Stargate

I first saw STARGATE about seven years ago and left with memories of thinking that it was in some way an old fashioned movie . I couldn't put my finger on why I thought this was an old fashioned movie but after seeing it again tonight I can perhaps explain it better now

STARGATE isn't so much as " old fashioned " , it's just got a rather old type of plot that's versatile . It's almost like a Tarzan movie from the 1940s where a bunch of good white guys ( In movies in those days bad guys were usually white - The good guys were always white ) team up with the king of the jungle in order to fight a bunch of evil slave traders . The story could easily be reworked with a bunch of 18th century good guys led by Errol Flynn getting shipwrecked on an island where they meet noble natives and defend them from evil pirates . Rewatching this movie again after a gap of several years I often forgot that I was watching a far fetched SF blockbuster and thought I was watching a historical drama , something that's not to be taken as a criticism . I also became aware of subtle plot points that I'd missed on first viewing . For example I thought the death of O'Neil's son was so underdeveloped that it was totally unnecessary to include this in the movie but there's a couple of scenes where it is important to the plot later on . I also knew that the movie wasn't going to be an ALIENS type of movie , something the original trailers confused me about . let's face it , a special forces team creeping about a dark pyramid . It's got be similar in tone to ALIENS . If that's what you think STARGATE is going to be about you'll be as disappointed as I was first time I saw it

Of the cast Kurt Russell and his special forces group are slightly wooden but I won't criticise the cast since these type of characters always lack flair in these genre movies . James Spader is slightly unconvincing as hero Dan Jackson due to wimpish nature and effette hairstyle ( Was Jackson conceived as a female character ? ) but Jaye Davidson is absolutely superb as Ra . This is the same Jaye Davidson from THE CRYING GAME and I was totally shocked to find this was the second and last feature film he appeared in . According to the trivia section of STARGATE it appears he's difficult to work with but someone cast him in more movies please

As for the Roland Emmerich / Dean Devlin partnership there are a few faults . One is the opening of the script that contains no hook and fools the audience into thinking they'll be watching a RAIDERS OF THE LOST ARK type movie which they won't be . The script also contains a few unlikely plot holes such as the special forces team taking some GPS equipment with them something that wouldn't work on a planet where humanity had never been , and also discovering in an unlikely scenario that they won't be able to return to Earth thanks to Jackson . There is a very interesting point to the subtext however and that is that if there is a god it doesn't necessarily mean he'll be benign or good . Food for thought . Thankfully Emmerich doesn't go overboard on the CGI while he also had the good sense ( Say it again ) to cast Jaye Davidson as Ra

By no means a classic SF movie STARGATE is solid entertainment and is rather more enjoyable on second viewing

What grabbed me about this movie was the potential it had. There was just so much that could be done with this dynamite idea. That alone made this an essential part of my movie collection.

The movie itself is quite average and while worth seeing, isn't going to knock your socks off. The acting is from adequate to good; the effects were well done and quite nicely not overdone.

So it's a fantastic idea that wasn't ruined, but isn't spectacular. The actors carry themselves well and this is a worthy addition to any sci-fi collection (especially those who like the idea of alternate history for mankind - See Alien vs. Predator).

I normally don't write such quick reviews, but this is what I felt about the movie and I think that much more would give away too much for those who haven't seen it.

In 1928, in Egypt, a strange device is found by an expedition. In the present days, the outcast linguist Dr. Daniel Jackson (James Spader) is invited by a mysterious woman to decipher an ancient hieroglyph in a military facility. Soon he finds that the device was developed by an advanced civilization and opens a portal to teletransport to another planet. Dr. Jackson is invited to join a military team under the command of Colonel Jonathan 'Jack' O'Neil (Kurt Russell) that will explore the new world. They find a land that recalls Egypt and humans in a primitive culture that worship and are slaves to Ra, the God of the Sun. But soon they discover the secret of the mysterious "stargate".

"Stargate" is still a fantastic sci-fi after almost twenty years and watching it at least six times. The story is intriguing and entwines action with humor and romance. The cast is excellent, with Kurt Russell and James Spade in the top of their careers. The special effects are still great after almost twenty years. And the haunting music score completes this timeless classic sci-fi with a touch of class. My vote is nine.

Title (Brazil): "Stargate - A Chave para o Futuro da Humanidade" ("Stargate – The Key for the Future of Mankind")

Note: On 18 May 2017, I saw this film again.

Stargate's plot, acting, and score all contribute beautifully to the mysterious ambiance that is the essence of this enthralling and suspenseful film. While your disbelief definitely needs to be suspended to cover some inconsistencies, the atmosphere and action of the movie make it worth your while. Not only does Stargate combine science fiction with history, but it weaves them together in a way that remains exciting the entire film, despite major changes of environment. Upon hearing some major elements of the film, one might think that aliens, ancient Egypt, and atomic bombs could only come together in some kind of bizarre montage. However, this film is strongly plot-driven, and while this does make it typical in some respects, the plot itself is remarkable. Hardly artsy, the score is in many places Hollywood-ish, presenting emotion in a straightforward manner, yet it too is enjoyable. None of the acting is spectacular, but this is made up for by the characters' wholesome qualities and ability to change (however slightly) over the course of the movie. To summarize, while nothing in the film is a complete divergence from the standard, it follows the Hollywood style in a manner that is original enough to make a solid and enjoyable adventure. This is the actualization of the potential within the Hollywood film "template": a good story told well in all respects. [9/10]

When scientists and historians finally figure out the meaning of an ancient Egyptian artifact, it opens a portal to another planet.

Stargate was panned by the critics on its release, no A list stars they cried, a plot line that bore a resemblance to a 1970 film called Erinnerungen an die Zukunft, and apparently caught between being an adult picture and a child friendly blockbuster. Those critics were forced to eat their words as Stargate promptly went on to be a monster smash, making $196,567,262 worldwide, and spawning a hugely popular TV series. It is for sure a no brain popcorn piece, suspension of disbelief should be at the forefront of any prospective first time viewer, but it's great fun and snazzy in all its set piece work.

Led by square jawed Kurt Russell as an on the edge Colonel, our band of merry men adventurers face peril in their new world via the weather, language barriers with the locals, oh and something a touch more sinister!. James Spader does an impressive turn as a geeky Egyptologist, on who's fate the groups survival may well rest, while Jaye Davidson serves a reminder that yes, he did act in movies many years ago. It's cliché ridden, and most of it is hacked together from far better pictures in the genres that Stargate wants to emulate, but it's damn entertaining and looks fabulous in High Definition. 7/10