Zwei Singles machen noch kein Paar

This movie is a pleasure to watch. Its pace, storyline and characters keep the viewer involved. The premise is almost cliché, but this particular movie brings a humanistic/realistic aspect. This movie reminds me a lot of Mel Gibson's 'what women want.' However, with major differences. First and foremost its made in the UK. This means that none of the Hollywood producers were involved. As a result the movie is honest and realistic instead of fake and over-hyped. Secondly it brings something like ESP to an everyday level. In one scene the main character, while in the company of her boyfriend, reads a mans mind and doesn't like what she 'hears' so she slaps the man and walks away. Of course the man is dumbfounded, so her boyfriend shrugs his shoulders and calmly states 'she's got ESP.'

In London, the wolf Daniel Becker (Mark Frankel) prepares executives to have attitude based on their body language. His best friend is Harry (Jason Isaacs), who is married with a child with Caroline (Maryam d'Abo). The paleontologist Katie Burrough (Amanda Pays) researches with her Indian coworker Sandip Tamar (Roshan Seth) at the museum of London. Katie is a beautiful woman capable of reading minds and she creates problems with men everywhere since they are always thinking how desirable she is. When they meet each other, they have a date and Daniel falls in love with her. After many problems, she agrees to be blindfolded since she can not mind with her eyes covered. Daniel proposes Katie to get married but she is a dedicated scientist and together with Sandip, they have made a discovery and she needs to travel to India. What will she do?

"Solitaire for 2" is an original and charming romantic comedy where she gorgeous Amanda Pays performs the role of a woman capable to hear what other people is thinking. Mark Frankel shows great chemistry with Amanda Pays that is in the top of her beauty and despite the silly story, the film is a good entertainment. The stylish music score is magnificent since Daniel is fan of classical music. In 2000, "What Women Want" uses the storyline of capability to read minds in a successful film with Mel Gibson in the lead role. My vote is six.

Title (Brazil): "Pensamentos Perigosos" ("Dangerous Thoughts")

I watched this movie because I wanted to see Jason Isaacs. I was new to his movies and so wasn't overly familiar with him (outside of Harry Potter) and I had to watch the movie twice through to figure out which character was him. I was stunned at his lack of British accent. If it hadn't been for his eyes I STILL wouldn't have known it was him.

Anyway, as for the movie itself, I found it unrealistic, and the main character, harsh, bitter, and totally unsympathetic. She walks around for most of the movie with a horrid chip on her shoulder and how she ever got past this to enter into a relationship with her co-character I will never understand. Maybe it's the fact that I'm probably just a dim-witted American that doesn't understand British humor, but considering I love British comedies such as Fawlty Towers, Are You Being Served?, Upstairs/Downstairs, and even Red Dwarf, I don't think so.

I just felt that this movie was badly written and not even good British actors could manage to salvage it.

This film was quite fun. It is similar in some respects to a more recent swathe of this genre specialising in over the top humour, but in this case without completely loosing a sense of normality. For example in a later film by Gary Sinyor called "The Bachelor", an army of brides chase the leading man. In this film there are some 'situations' like this, the hostage taking for example. The difference here though is that the scenes do not depart entirely from reality because the incredible side of the situation remains connected more or less entirely with the roles of each part. In other words it is the characters who see the extraordinary and incredible as opposed to in other films where the viewer sees the same as 'matter of fact' e.g. 1000 women in wedding dresses. Personally I prefer this in some ways though typically the other, near slapstick lunacy has its place. Notably in this particular case it is not simply because the plot is therefore more down to earth and as a result engaging but also that it makes sense in terms of the subject matter; being able to read minds has little bearing on the solitude of love and then the crazy situations we can find ourselves in when attempting to pursue the object of one's affection.

Another review on IMDb points out that the leading lady appears to have a chip on her shoulder. There is a reason for this which should be fairly straight forward to pick up,.. as the cover and tag line perhaps indicate she has esp and is surrounded by men with rather lurid thoughts. This facet of the story is used to create fantastically embarrassing situations which overall appear to be applied in order that the viewer can draw a better picture of how the character thinks.

While this film is not really anything truly special I spent quite some time looking for a way to obtain the soundtrack to this film. I really like the saxophone solo and some of the other instrumental parts. Unfortunately I could not find it and contacting David A. Hughes directly is not as easy as popping to a music store.

I watched this back in 96 (I think) on VHS. I was a student in those days, and Richard Curtis style romantic comedies based in twee shire towns or fantasy London Boroughs populated, of course, by loveable English middle class eccentrics, were still pretty much in vogue.

Solitaire for 2 differs slightly from the norm because our leading lady, Katie (Amanda Pays), happens to be a psychic with the uncanny ability to read minds. This makes forging a relationship rather difficult, given that she can finish other peoples sentences before they do and knows exactly what others (especially men, wink wink) are thinking.

As a premise, it's not a bad one. Unfortunately, rather than driving the plot, Katie's talent (or curse) quickly becomes a one trick pony that tires after half an hour. Katie may be attractive, and whilst the plot does raise issues about female objectification and male desire, I think it's a bit steep to assume that *every* bloke she meets would want to automatically sleep with her?

If anyone's interested, there's a cameo by long forgotten British band Right Said Fred. Otherwise there's little else to recommend an wearisome romcom that quickly outstays its welcome.