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IMDbPro

Verführung der Sirenen

Originaltitel: Sirens
  • 1994
  • 12
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
5,9/10
11.968
IHRE BEWERTUNG
BELIEBTHEIT
4.474
4.518
Hugh Grant, Elle Macpherson, Sam Neill, Tara Fitzgerald, and Tziporah Malkah in Verführung der Sirenen (1994)
Trailer
trailer wiedergeben0:31
1 Video
99+ Fotos
DramaKomödieRomanze

Wenn ein Gemälde als blasphemisch bezeichnet wird, besuchen ein junger Minister und seine Frau den Künstler.... und die drei mit ihm lebenden sexuell verspielten Models.Wenn ein Gemälde als blasphemisch bezeichnet wird, besuchen ein junger Minister und seine Frau den Künstler.... und die drei mit ihm lebenden sexuell verspielten Models.Wenn ein Gemälde als blasphemisch bezeichnet wird, besuchen ein junger Minister und seine Frau den Künstler.... und die drei mit ihm lebenden sexuell verspielten Models.

  • Regie
    • John Duigan
  • Drehbuch
    • John Duigan
  • Hauptbesetzung
    • Hugh Grant
    • Tara Fitzgerald
    • Sam Neill
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    11.968
    IHRE BEWERTUNG
    BELIEBTHEIT
    4.474
    4.518
    • Regie
      • John Duigan
    • Drehbuch
      • John Duigan
    • Hauptbesetzung
      • Hugh Grant
      • Tara Fitzgerald
      • Sam Neill
    • 95Benutzerrezensionen
    • 21Kritische Rezensionen
    • 64Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 4 Nominierungen insgesamt

    Videos1

    Sirens
    Trailer 0:31
    Sirens

    Fotos102

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    Topbesetzung22

    Ändern
    Hugh Grant
    Hugh Grant
    • Anthony Campion
    Tara Fitzgerald
    Tara Fitzgerald
    • Estella Campion
    Sam Neill
    Sam Neill
    • Norman Lindsay
    Elle Macpherson
    Elle Macpherson
    • Sheela
    Portia de Rossi
    Portia de Rossi
    • Giddy
    Tziporah Malkah
    • Pru
    • (as Kate Fischer)
    Pamela Rabe
    Pamela Rabe
    • Rose Lindsay
    Ben Mendelsohn
    Ben Mendelsohn
    • Lewis
    John Polson
    John Polson
    • Tom
    Mark Gerber
    • Devlin
    Julia Stone
    • Jane
    Ellie MacCarthy
    • Honey
    Vincent Ball
    Vincent Ball
    • Bishop of Sydney
    John Duigan
    • Earnest Minister
    Lexy Murphy
    • British Bulldog Girl
    Scott Lowe
    • Station Master
    Bryan Davies
    Bryan Davies
    • Barman
    Lynne Emanuel
    • Barmaid
    • Regie
      • John Duigan
    • Drehbuch
      • John Duigan
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen95

    5,911.9K
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    Empfohlene Bewertungen

    7cestmoi

    A quite imperfect enchanting film

    It is not the bosoms, really. No, there is an earnest quality here that is dependent on performances and landscapes and an essential moral tale than on the bounteousness of bums and bosoms frolicking in Australia. Neil is always good, Tara Fitzgerland is fine, and that often one-note Hugh Grant works perfectly as a priggish English priest who opens up ever so slightly when all is said and done. And much is said and some is done. There is some absolutley wonderful photography and some perfectly awful and obvious photography that would make Hallmark blush. Pretty good script with the story wandering about more than a bit. Shorter would have been better and the blue shots of nude statuary of indifferent quality by this nice but hardly profound Australian artist(on whose life and an episode therein, is it based)could have been a one-shot affair for my money. But I liked it for the performances.
    keltek

    ...almost everyday for 1 1/2 years, I watched "Sirens"...

    I personally believe this film is "so" subtle that it cruises under the scope of the average person - no insult intended! So many say they "liked this film but..." just goes to show how subtle this film really is. The photography is absolutely breathtaking. Film stills would make such a collage - oy! The acting is so right on and precise from each and every actor - the characters so well defined. The story is so exquisitely told...! During the whole movie, I kept expecting that statue (you know the one!) to take off walking. At the end, in the dream sequence when the statue stepped down from her pedestal and walked off into the mist, it nearly blew my mind! The way the story switches back & forth between conscious & unconscious day-to-day experiences so seamlessly amazes me. I fell totally in love w/this movie. I went thru a stage of watching it at least once a day for about 1 1/2 years - almost w/out fail! I am married to an artist. I have been his model. I am a woman. This film speaks to these matters with such clarity it's truly amazing. The transition Tara Fitzgerald's character goes thru in waking up to her womanhood is also an integral and major part of the story. The symbolism of the painting of the dual woman - and her being awakened each night by something in the natural/instinctive world calling her to consciousness. Lucid dreaming - becoming conscious thru internal knowledges calling forth her true nature. Please forgive me for not writing in complete proper syntax. I'm usually much better at expressing myself than this. But my relationship with this film is so very personal as to be abstract in tho't. Plus, I've never tried to express my feelings about "Sirens" before. I am almost shocked when I read that some of you think it was less than a "10"! "Predictable"?! Maybe you are more on the ball than I am and than I am giving you credit for. Pardon me please! This is "one" of the all time best movies ever - for me anyway! And - really! - when the preacher & his wife arrive - one of the first people to greet them on their mission is the old fella on the car bumper with,"Get f***ed!" Ya gotta love that!
    6=G=

    A whimsical, light drama with subtle charms

    "Sirens" (title refers to Homer's sirens) tells of a young church official who is dispatched to visit a painter at his remote Aussie studio/estate to dissuade him from showing a painting of a nude on a cross. Hugh Grant plays the minister who, with his wife, encounters four beautiful models (one is the artist's wife) who bemuse him with their nude romps and sensual ways. Moreover, he's distressed by his wife's apparent interest in the unabashed frolicking. "Sirens" is a not too serious and somewhat sensual film with a thin plot. The film's appeal is in the moment-to-moment situations, the shangrila "feel" given to the harsh outback locale, the feminist antics of the bevy of babes, etc. Some will find the film tedious while others will be captivated by it's subtle charms.
    Todd M

    A Provocative Moral Statement

    While this film is often not taken seriously because of its explicit nudity, it is in fact one of the most thought-provoking commentaries on religious values I have ever seen on the screen. This film provides us with the stark contrast of the repressed preacher from London and the artist's three models in rural Australia, a throwback to Shakespeare's "Green World." The fulcrum of this contrast is the preacher's wife, being pulled in both the oppressive, "moral" direction by her upbringing and her husband and the free and expressive direction of the artist. The breathtaking cinematography and stunning visual symbolism of this film contribute to make it into a powerful attack on the Christian moral code that dominates western thinking. I have been scoffed at on more than one occasion for praising Sirens, but I left the theater questioning my own views about what is and is not moral. The fact that this film's sexual content seems to invalidate it as art in many people's eyes merely underscores the value of its message. Along with Sling Blade, Sirens to me stands as the most provocative film about morality made in the 1990's. A solid 8 on a scale of 1 to 10.
    8hannahchow

    An erotic little romp

    "Sirens" seems to have touched a nerve here. Some reviewers dismiss it as derivative soft-core drivel. Others love it. It probably helps to know that there's little derivative about the story-it's based on real people and a real incident. Sam Neill's character--Norman Lindsay--was real. Lindsay, a prolific artist and novelist, was also a libertine living a Hugh Hefner lifestyle when the rest of the world was awakening from the Victorian Age. "Sirens" was filmed at the Lindsay home and gallery, a 40-acre estate now run by the Australian National Trust. The artworks are all Lindsay's. And the storyline is based on an incident in which the Anglican Church dispatched a cleric to convey concerns about "The Crucifixion of Venus." As for the plot, it's simply a humorous retelling of what might have been--with lots of voluptuous nudes and erotic symbolism tossed in for good measure. Yes, it's all quite predictable. You know five minutes into the film that the Converters will become the Converted. But it's a fun ride getting to that inevitable destination. `Sirens' is not for everyone. If full-frontal male and female nudity offends, you will be offended. If ridiculing the Church or its values offends, you will be offended. And if the notion that the cure for a boring marriage is a little extra-marital dalliance offends, you will truly be offended. Otherwise, it's a little erotic gem and a great way to start an even better evening. :)

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    Handlung

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    • Wissenswertes
      Although this is a work of fiction, it is about a real person. Norman Lindsay was a real-life artist and author in Australia during the early 1900s. Several of his books have been adapted into movies, including Das Mädchen vom Korallenriff (1969).
    • Patzer
      The beautiful green steam locomotive that is seen in an early scene is a NSWGR 38 class, which first entered service in 1942. ( the movie is set around the year 1930. )
    • Zitate

      Sheela: [Anthony has just gone to the outhouse] I should have warned him about the redbacks.

      Estella Campion: What are they?

      Sheela: Small spiders with big teeth. They live under toilet seats usually.

      Estella Campion: How do you know if they're there?

      Sheela: By the screams.

    • Crazy Credits
      The situations depicted in this film are fictitious and do not represent events in the lives of Rose, Norman, Jane and Honey Lindsay.
    • Alternative Versionen
      According to the Technical Specifications link for this page on IMDB, there are two different versions of this film: "1 hr 38 min (98 min)," and "1 hr 34 min (94 min) (Canada)."
    • Verbindungen
      Edited from A Steam Train Passes (1974)
    • Soundtracks
      Grey Funnel Line
      Written by Cyril Tawney

      Dick James Music, Ltd.

      Performed by Silly Sisters

      Courtesy of Chrysalis Records, Ltd.

    Top-Auswahl

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 15. September 1994 (Deutschland)
    • Herkunftsländer
      • Australien
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Sirenas
    • Drehorte
      • Art Gallery Of New South Wales, Sydney, New South Wales, Australien
    • Produktionsfirmen
      • British Screen Finance Ltd.
      • Samson Productions Pty. Ltd.
      • Sarah Radclyffe Productions - Sirens Limited
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 7.770.731 $
    • Eröffnungswochenende in den USA und in Kanada
      • 34.299 $
      • 6. März 1994
    • Weltweiter Bruttoertrag
      • 7.770.731 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 38 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby SR
    • Seitenverhältnis
      • 1.85 : 1

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