Sister My Sister

Of the films that I have seen over the past 2 years, I have been displeased with how homogenized they've been. But when I rented this movie, I was totally shocked by the power of it. I was completely enthralled the entire time. The darkness of it was both scary and intriguing. The surprise element for me was the sisters' escalating relationship from loving to obsessive. I absolutely loved this movie as it explored the depths of lonely souls and the drowning effect that never ending servitude and isolation can bring.

A film featuring lesbian incest and violence could easily descend into a sensationalist mess. This film avoids such pitfalls and is exceptionally good.

The atmosphere throughout the film is extremely dark and is absolutely fitting for such a disturbing tale. Very rarely do any of the characters smile. Tension, guilt and suspicion are present throughout. Most of the film takes place in dark interiors and even the outdoor scenes are marked by grim weather.

There are only four significant characters and all are splendidly written and acted. The direction and design are very strong. Very sensibly, explicit sex and violence scenes are avoided to allow concentration on character and atmosphere.Particular commendation should also go to Stephen Warbeck for his melancholy, sparse, music which fits the action perfectly.

This is a notable film in another respect. No male character is seen at all - there are a couple of male voiceovers but otherwise this is an exclusively female performance. This is a bold move, but very successful. "Sister My Sister" should certainly appeal to any discerning viewer who appreciates thoughtful drama.

Long, long time ago people used to care what was happening to others. Today people just don't bother to think about anybody but themselves. Maybe it's because the populations is growing and communications bring whole world in our homes. We got used to big stuff. If it's an earthquake it must peak at least 8 on Richter scale. If a plane crashes it must be a 747. If a murder happens, only massacres or terrorist attacks reach the audience.

But there are still parts of world where people are not so used to big events, still live in their small local community and if something shatters it they still ask themselves - how could it have happened? 'Sister, My Sister' analyzes a crime, a murder that today wouldn't be heard of further than district or maybe a (smaller) state border. But back in 30's, more than for cruelty itself, people were shocked because of circumstances, it was committed where no one could expect it. Two girls raised by nuns, working for a respected family that never have complained, in fact was even proud how good servants they had, suddenly murdered mother and daughter they've been working for. Being a drama and not a crime movie, this film doesn't let us know something so drastically would happen till the very end. In ordinary crime movie we would see a murder scene in opening sequences and than some detective or forensic would investigate till, at the end of the movie, a whole puzzle could be revealed and a long flash-back would show us what preceded the crime. In this movie, however, we see everything grow, develop, boil in a pot with no valve to let any steam out. Four woman with hidden or undeveloped emotions fail to build any human relations. Mother and daughter just live under the same roof, in same room, but don't contact further than aristocratic rules permit. Daughter has nothing to do with servants, though she is a bit attracted to younger sister. Mother won't talk to them unless a special occasion occurs. Even when not pleased with their work she just shows with finger in a glove what has to be done better. In a great scene she talks to her daughter for a few minutes what should be done or corrected, not a single word addressed to servants who were standing next to her. Sisters, suffering from lack of love and emotions till early childhood, rejected first by mother, than by nuns, and having no chances to meet anyone in such environment, turned their emotions to each other crossing a line of sister's love. This relationship leads them to break the last connections with family, and hide in a shell of their room.

Three interesting, different characters in a hermetically closed hypocritical house. Nothing should be changed, such a world must stay calm for centuries, or otherwise it loses its position in its hypocritical community. The trouble is that four characters are credited, and one of them, Isabelle, the daughter, is a weak corner of a square. Nothing interesting, just a few scenes and lines, she is there like a piece of furniture. But, then, maybe it's not a failure in a script, but one more strong accusation against such a society. She was the only one born in the house. She had no chance to become different from a stylistic chair or a piece of expensive tea set. She had no chance to become a person. And that is the most terrible thing in forming of a human being. Children raised to be objects of an exhibition, praised by other same-type parents who expect praises for same-type children they have.

Lea and Christine had emotions deprived throughout their childhood. In this environment their emotions became free but uncontrolled, in a wrong but only possible way. In forbidden relations and in crime. Their emotions, as Paul Simon wrote, "echoed in the wells of silence". And this echo was too strong, again as all the years before. Mother didn't listen. Nuns turned their back. This echo committed the murder.

This is the best all-woman movie I've ever seen. Only one man I can think of is capable of doing this type of movies. If you like Chabrol, don't miss this one: his legacy lives. If you're an action-movie lover suffering from insomnia, buy this one instead of Valium. It's healthier. You won't get addicted.

It could be said that good acting is that which requires a minimum of words to convey its idea or stir up the viewer's emotions. In this way, Jodhi May has proven herself as an astounding actress. Meek, yet passionate in her role as a sweet repressed sister, she steals the show with a third the dialogue of her costars. The movie demonstrates how facile the wealthy can be in their overestimation of the subservient's tolerance for callousness and mistreatment. This is a quiet movie that seems to soak in the sound around its viewing space like air through a partially open door---a phantom moving silent through the room, but not without leaving its indelible footprints behind.

I loved Sister, My Sister...in fact, I bought it without having seen it first based on recommendation alone, and I haven't regretted it one bit. I think that the acting was great, by the entire cast; I felt that the storyline (based on an actual murder case and subsequent play), though revisited in this film, is still relevant in that it addresses issues of classism, oppression, and societal stigmatization. To dismiss this film as merely an incestuous, murderous lesbian romp is a mistake. Even though the lesbian subject seemed to be a large factor, there is a definite timidity to the photography of the sex scenes, in that there was more in the way of well framed shots than fleshy action given the intensity of feeling portrayed. So probably, the film isn't as offensive as the description might imply. I feel that the film was evenly handled throughout. Even the murders, while fairly gruesome as described in the voiceover of the trial, weren't disgustingly splatter film-like, they, like the sex scenes left much to the imagination. I recommend this film highly, it's not at all fluffy feel-good schlock, it's disturbing, dark and painful - that's what makes it so good!