IMDb-BEWERTUNG
7,8/10
16.455
IHRE BEWERTUNG
Der Film verbindet drei Liebesgeschichten zwischen London und Mazedonien während der ethnischen Konflikte in Jugoslawien.Der Film verbindet drei Liebesgeschichten zwischen London und Mazedonien während der ethnischen Konflikte in Jugoslawien.Der Film verbindet drei Liebesgeschichten zwischen London und Mazedonien während der ethnischen Konflikte in Jugoslawien.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 29 Gewinne & 4 Nominierungen insgesamt
Grégoire Colin
- Kiril
- (as Gergoire Colin)
Empfohlene Bewertungen
10occtipus
I was forced to watch this movie for a college class, and it instantly became one of my favorite movies of all time. The story is exceptional, and the directorial brilliance of its creators brings the tragedy of an entire country to life. It contrasts the folly of war and hatred with beautiful images of the people and places that they destroy.
8wacd
This story marks the essence of what's happened in Balkans (former Yugoslavia) in past few years, and especially the circular plot of the movie is very significant. I was really shocked with certain moments of this film!
There's more lines in the plot - the story of native war photographer living in London, who wants to return to homeland - the movie itself starts with some kind of Romeo and Juliet war story - there's also a harsh killing scene in London restaurant, which is made by one of war radicals - very funny shot is that, when the UN inspection car stops at the hill far before the village, and after moment it returns back, while the village is guarded and divided by it's armed citizens - and maybe one missed telephone call could warn Alexander, who just returns to his birth village, and stop it all...
After some moments the lines of this more complex movie cut through and the circle of violence comes to its finale. But we're just on the beginning chronologically, so it seems everything is just starting again...
There's more lines in the plot - the story of native war photographer living in London, who wants to return to homeland - the movie itself starts with some kind of Romeo and Juliet war story - there's also a harsh killing scene in London restaurant, which is made by one of war radicals - very funny shot is that, when the UN inspection car stops at the hill far before the village, and after moment it returns back, while the village is guarded and divided by it's armed citizens - and maybe one missed telephone call could warn Alexander, who just returns to his birth village, and stop it all...
After some moments the lines of this more complex movie cut through and the circle of violence comes to its finale. But we're just on the beginning chronologically, so it seems everything is just starting again...
The very structure of this film perfectly describes its philosophy - a never ending circle. And it's the structure that makes this film work so powerfully. From the shattering opening section, to the startling second part, to the third story that brings it all together, this is a great film. It's been overlooked for some reason, mentioned rarely in film magazines and in best of the decade lists. But it's a phenomenal work, one that needs to be seen.
Beautiful, hard hitting, but still both simple and realistic. One of the most beautiful movies I've ever seen. I saw it the first time in 1997 I think and I've seen it at least twenty times so far and it grows bigger every time. I love this movie and can't give any bad comments about it. Some amy say there are some
beautiful scenes here and some ugly scenes there, but I love it just like it is and it's hard to change that.
Firs, the the acting is excellent and the main character Rade Serbedzija does a wonderful work as a cynical, down-to-earth photographer, who knows he can't
escape his destiny and identity, Katrin Cartlidge does an equally impressive job, as well as a lot o the Macedonian bad and good guys of the film.
Secondly, the cinematography wonderfully depicts the harsh Macedonian
landscapes and sceneries, as well as the torn souls of the land. The music has the same impact and feels so natural with the cinematography.
Finally, I could never complaint about the directors excellent work. This was his debut if I'm not wrong and that was very promising, but I suppose this was his "Citizen Kane" and it'll probably be impossible to make anything similar.
One rarely sees anything from Macedonia.But this is not only good for
Macedonian cinema, it should have won the Oscar that year.
beautiful scenes here and some ugly scenes there, but I love it just like it is and it's hard to change that.
Firs, the the acting is excellent and the main character Rade Serbedzija does a wonderful work as a cynical, down-to-earth photographer, who knows he can't
escape his destiny and identity, Katrin Cartlidge does an equally impressive job, as well as a lot o the Macedonian bad and good guys of the film.
Secondly, the cinematography wonderfully depicts the harsh Macedonian
landscapes and sceneries, as well as the torn souls of the land. The music has the same impact and feels so natural with the cinematography.
Finally, I could never complaint about the directors excellent work. This was his debut if I'm not wrong and that was very promising, but I suppose this was his "Citizen Kane" and it'll probably be impossible to make anything similar.
One rarely sees anything from Macedonia.But this is not only good for
Macedonian cinema, it should have won the Oscar that year.
This movie is by far, the most touching movie i've ever seen. I think it impressed me just the same as "Merry Christmas Mr.Lawrence", though "Before the Rain" is a much more beautiful movie. It's a raw depicture of the Balkans conflict, but also a beautiful one. One with loads of violence but growing from this violence, there's love and compassion.The most touching movie i've ever seen.
Wusstest du schon
- WissenswertesVor dem Regen (1994) was the first feature made in the newly declared republic of Macedonia, part of the former Yugoslavia. It was also the first Macedonian film to be nominated for an Oscar.
- PatzerIn the restaurant, over 30 shots are fired with a pistol without reloading.
- Zitate
Father Marko: Time never dies. The circle is never round.
- Crazy CreditsThe film begins with a pan over a Macedonian sky covered by dark clouds at dusk. We hear sounds of thunder, when an epigraph from the novel "Dervis i smrt" (The Dervish and Death) by Mesa Selimovic appears on the screen, while a voice is heard reading it: "With a shriek birds flee across the black sky, people are silent, my blood aches from waiting". Afterwards, the titles appear.
- VerbindungenReferenced in The 67th Annual Academy Awards (1995)
- SoundtracksTime Never Dies
Kaval by Dragan Dautovski
Psaltery by Cengis Ibraim
© 1994 PolyGramComposed By by Anastasia
Arranged and produced by Anastasia
(P) 1994 PolyGram
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- Budget
- 1.900.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 763.847 $
- Weltweiter Bruttoertrag
- 763.847 $
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