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Der lange Weg aus der Nacht

Originaltitel: Out of Darkness
  • Fernsehfilm
  • 1994
  • PG-13
  • 1 Std. 40 Min.
IMDb-BEWERTUNG
7,5/10
430
IHRE BEWERTUNG
Der lange Weg aus der Nacht (1994)
BiographieDrama

Füge eine Handlung in deiner Sprache hinzuA paranoid schizophrenic woman finds treatment to her mental illness after 18 years of suffering.A paranoid schizophrenic woman finds treatment to her mental illness after 18 years of suffering.A paranoid schizophrenic woman finds treatment to her mental illness after 18 years of suffering.

  • Regie
    • Larry Elikann
  • Drehbuch
    • Barbara Turner
  • Hauptbesetzung
    • Diana Ross
    • Ann Weldon
    • Rhonda Stubbins White
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    430
    IHRE BEWERTUNG
    • Regie
      • Larry Elikann
    • Drehbuch
      • Barbara Turner
    • Hauptbesetzung
      • Diana Ross
      • Ann Weldon
      • Rhonda Stubbins White
    • 19Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Nominierungen insgesamt

    Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung34

    Ändern
    Diana Ross
    Diana Ross
    • Paulie Cooper
    Ann Weldon
    • Virginia Cooper
    Rhonda Stubbins White
    • Zoe
    Beah Richards
    Beah Richards
    • Mrs. Cooper
    Carl Lumbly
    Carl Lumbly
    • Addison
    Chasiti Hampton
    Chasiti Hampton
    • Ashley
    John Marshall Jones
    John Marshall Jones
    • Albert Price
    Juanita Jennings
    Juanita Jennings
    • Inez
    Maura Tierney
    Maura Tierney
    • Meg
    Lindsay Crouse
    Lindsay Crouse
    • Kim Donaldson
    Rusty Gray
    Rusty Gray
    • Bartender
    • (as Rusty Schmidt)
    Patricia Idlette
    • Policewoman
    Barbara Howard
    • Triage Officer
    Cathy Raymond
    • Leola
    Angelina Fiordellisi
    Angelina Fiordellisi
    • Social Worker
    Stack Pierce
    Stack Pierce
    • Dr. Brook
    Donzaleigh Abernathy
    Donzaleigh Abernathy
    • MHA
    Annie Waterman
    • Woman #1
    • Regie
      • Larry Elikann
    • Drehbuch
      • Barbara Turner
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen19

    7,5430
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    Empfohlene Bewertungen

    Sergio Vicente

    A portrait on how to get back on the track by Diana Ross

    TV movie "Out of Darkness" allows us to experience the turns on Pauline Cooper's life, an afro-american Medicine student who at the height of her student life is caught by paranoid-schyzophrenia, at the age of 23. Action starts on a usual day of Pauline's life and takes the viewer to a critical phase on the character life. The story also shows us the daily struggle of living with someone who is not the owner of its own will, due to mental illness, and how it can affect an entire family. The movie most inspirational scenes are those of the attempts of Pauline to restart her normal life, after endless hospital treatments and experiences with new drugs to treat the disease. The most important message of the film is a kind of a tribute and a positive inspiration to all those who fight mental problems. Diana Ross put her movie career back on the track after several years without movie appearences (since "The Wiz" in 1978). Miss Ross wisely found this project and produced it trough her ANAID Film Productions as the perfect veycule for a movie comeback. One of the most interesting aspects of the movie is that Ross is not playing a singer (as usual), and does not contributes with songs to the soundtrack, making it a plain acting-ability show, reminding us that being one of the greatest show women alive, requires more than playing singers in trouble. "Out of Darkness" is also an open door to other drama projects by Diana Ross, leaving the viewer with high expectation for more projects starring Diana Ross on the so-called serious matters of life. It is also the evidence that Diana Ross is not the distant diva at all.
    7yusef67

    Diana denied....

    I remember when I first saw this and thought this is the piece that will re-energize Diana Ross' acting career. An argument can be made that it is her best acting performance ever! even better than "Lady". For the simple reason is that there was no singing, or music for that matter in this film. Diana had to draw on other things to pull this off. And pull it off she did.. Why she didn't receive major accolades for this role is perplexing. Also this made for t.v movie has been locked in a vault somewhere for the last decade. I can't recall ever seeing this replayed again on t.v. The subject matter is very serious and reaches millions of people. It was handle well and with integrity. And the lead performance was as strong as any seen on the small screen.. So why has this performance and film been socio overlooked over the years? Very disappointing...
    john-637

    Compelling, thought provoking work

    Diana gives a wonderful performance in this very important work. Before I saw this, I hadn't thought much about mental illnesses - I found her portrait to be vivid and honest. This is a difficult subject matter, and I thank Diana for having the courage to do this disturbing work.
    9MarieGabrielle

    For anyone interested in realistic portrayal of schizophrenia; very well done...

    This film was very well presented, with good performances. It is sad, and does not distort or exaggerate as many other films have, regarding mental and/or emotional disorders.

    Diana Ross is very good as Paulie, a once brilliant pre-med student, who can no longer function due to paranoid schizophrenia.

    Rhonda Stubbins-White is also very good as the sister, who wishes everything would just "get back to normal". The actress who portrays Ross' mother is also very good. There is also a cameo with Lindsay Crouse, who attempts to help Paulie in a new day treatment program.

    Some of the scenes are disturbing, and anyone who may have experienced situations like this in real life may find it close to the truth. Ross gives the audience an excellent portrayal of the disorder, living in her own world, and enduring many medications and hospitalizations.

    Finally, she is given a new medication which actually works. The scenes are very well-done, as she is sitting outside the medical school, suddenly feeling like she wants to live life again.

    What I particularly appreciated about the message in this film was that, Paulie recovers in her own time; at age 44, she must learn to re-live the rest of her life, even though she lost 18 years in the hospital, due to the illness. The film does not condescend or fault the patient, she is merely doing the best she can to cope with a destructive illness.

    At the conclusion, we see Paulie as she is functioning, ready to finish school. On the way, she sees a homeless woman. She leaves her some food, reflecting on how alienated some people are, and how fortunate she was, to have received effective treatment. 9/10.
    6moonspinner55

    Ross is the reason to watch

    Diana Ross is gripping as a 42-year-old woman just finished with her third year of medical school who is sidelined by a particularly destructive bout of paranoid schizophrenia, a condition she's aware of and has lived with since her mid-20s. The delusions and voices come and go, but when a kindly doctor intervenes with a new drug, Ross has a chance to actually rebuild her life. A sensitive, educational TV-film that strives--and perhaps stresses a might too hard--to teach the viewer something about mental illness (as well as the shame family members feel about the disease, and their eventual acceptance of it). It's a heady acting vehicle for La Ross: she takes on this highly dramatic, unglamorous (and some may say well-trodden) role and gives it bitterness, rage, confusion and, finally, hope. The narrative is engineered to relay the overall goodness of our medical community (which may seem like a stretch to Ross' character, having been hospitalized over 40 times), while the writing is occasionally too flowery. Still, a disturbing and moving effort, with a gem of an ending.

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    Handlung

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    • Wissenswertes
      In an attempt to improvise the "walk" of a homeless indigent, Diana Ross discreetly placed an orange between her skirted thighs and proceeded to hobble along on cue. The effort required to keep the concealed orange in place without using her hands, effected a gait so uncanny that Ross's director, Larry Elikann, later quizzed her about how she walked the "walk." According to Ross, herself, as related to the audience on Inside the Actors Studio (1994) (19 February 2006), she never did disclose the simplicity of her little ruse.
    • Zitate

      Paulie Cooper: Well, it feels like being in a dream... and it feels like a really important dream. But it's not a dream, because you're not asleep. And because you're not asleep you can't wake up.

    • Verbindungen
      Featured in The 52nd Annual Golden Globe Awards (1995)

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    Details

    Ändern
    • Erscheinungsdatum
      • 15. September 1995 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Out of Darkness
    • Produktionsfirmen
      • Anaid Film Productions Inc.
      • Andrew Adelson Company
      • Capital Cities/ABC Video Enterprises Inc.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 1 Std. 40 Min.(100 min)
    • Farbe
      • Color
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.33 : 1

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