Eine Weihnacht

I'm not sure how some others arrived at a negative conclusion after seeing this movie. I checked it out from the library,having found out it was the last thing Hepburn ever did on film. Hepburn is basically by this time playing herself (and except for her most extreme movie roles) I think she always had to some extent.

Her charm in the movie is simple and easy. Hers is really not the main role in the movie,that would be Buddy and his father. (Played by my favorite actor Henry Winkler.) While his character is obviously not aware that his best efforts in being Buddy's dad are only hurting him more,he is really just a man trying to re-connect with his boy.

Buddy is not a brat but a child filled with hurt and confusion. (With a dad like he has,that is crooked and an embarrassment before the town it's no wonder! ...but all becomes rectified by the end I wont say how). It is after all,a holiday film. One watch is all it took to make me want to see it again....at Christmas.

(Interesting to note: Kate's first movie "A Bill Of Divorcement" & last movie "One Christmas" both take place at Christmas.

Some of Truman Capote's childhood memories are the basis for One Christmas in which a film legend took her final curtain call.

Young T.J. Lowther all of 10 years old has been living in the custody of his aunt Julie Harris in rural Alabama. Harris is a kind and loving, but way too overprotective of the lad.

But one holiday season during the Great Depression the boy gets a chance to spend some time with his father Henry Winkler. Winkler is a self described promoter and entrepreneur, but is actually just a conman who lives high on the hog on other people's money. That's a profession that had even less respectability during the Depression. He's busy trying to promote an air race, and not an honest one.

The boy's very naiveté has an effect on Winkler and all around him, including the women and its women he usually is trying to fleece. He goes after them young and old with the vigor and zest of Zero Mostel as Max Bialystock from The Producers. One of them is Swoosie Kurtz who falls for Winkler and even her formidable dowager aunt Katharine Hepburn is affected by him.

Winkler and Kurtz are the stars, but as befitting a film legend, first billing goes to Katharine Hepburn. We barely see any of Hepburn in the first 2/3 of the movie. It's only in the last third when she nearly runs a runaway Lowther down and brings him to her home to explain some of the facts of life to him. No, not those facts of life. Poor Kate was really showing the tremors of Parkinson's Disease, but trooper that she was made it through the film. It was a nice farewell performance.

I wonder what memories young Mr. Lowther now approaching 30 has of working with two acting legends, Katharine Hepburn and Julie Harris. One Christmas isn't all warm and fuzzy like Miracle On 34th Street or A Wonderful Life. Still it's a more realistic type of coming of age at Christmas story in which the whole cast acquits themselves well.

Truman Capote's story rises above some mediocre acting. I love his writing so I watched this. I didn't enjoy it as much as his Thanksgiving story, but it had its moments.

I felt Winkler was badly cast. He seems like a New Yorker among Southerners, not sure if this was on purpose. Katherine Hepburn is fine despite her failing health.

The boy was not a brat, as some reviewers have said. He is a troubled boy who Misses his mother and wants to know where she is. Sadly, his father does not tell him the truth, and this causes him to wish to be back with his aunt.

Julie Harris is wonderful as his aunt.

All in all, it's worth watching if you can overlook some of the performances.

One Christmas (1994)

** (out of 4)

Made-for-TV adaptation of Truman Capote's short story about an 8-year-old boy (T.J. Lowther) who goes to New Orleans to stay with his estranged father (Henry Winkler). Soon the boy starts to realize that his dad is a con man and his ideas of what life is all about are changed. I'm not familiar with the short story that this here is based on so I really can't comment on how good or bad it is but it certainly didn't make for a very good movie. The movie really made me think of a story that might have had a major impact on Capote as a child but it's just important to him and there's nothing really in the story that is going to connect with everyone. From what I've read, the boy in this film is based on Capote's own experiences and I can see how this story might have played a major role in his life but to me there just wasn't much going on here. I found the various situations to be rather boring and never thought they really added up to much. We've basically got a child whose been told lies all his life and now he's having to face the truth and it's something he doesn't like. The con man father isn't much better because it's simply a role we've seen too many times before and nothing new is done with it here. There are a few good moments in the film including the ending but there's not enough to keep it entertaining throughout. I thought the performances were quite good with both Winkler and Lowther doing nice work and having a strong chemistry together. The one thing this film will be remembered for is featuring the final performance of screen legend Katharine Hepburn. She's not given too much to do but she gets a couple good scenes and it's certainly great seeing her. Those wishing to see Hepburn in her final role are going to be about the only ones who will want to sit through this as overall the film just never really adds up to much.

I can't really enjoy a film if I do not care for the main character. This one is a bratty little kid named Buddy who gets sent to live with his father during the Depression-era Christmas season. Buddy had previously been living with some older-by-about-60-years cousin(the only character I kind of liked) due to the fact that his father is basically a scheming criminal. The father(Henry Winkler) pretends to be some great success for Buddy, but Buddy doesn't really buy it and neither does the rest of the town, which looks down on the dad. Although the father makes an enormous effort with Buddy, Buddy the monster never really accepts his father or his new living situation. This means Buddy yells, complains and has outbursts similar to annoying Kevin Arnold's at the end of a Wonder Years episode. Instead of people yelling at Buddy and teaching him to appreciate his life, constant praise is heaped upon him and it is clear that Buddy is supposed to be some wonderful, charming child. I didn't buy it and did not appreciate being subjected to the little brat! (for the record, the rest of the film is disinteresting, slow-moving and not worth investing one's time in)