Die letzte Kriegerin

I've been reading the comments that people have made on this brilliant piece of film making that makes me proud to be a kiwi. Although I'm not Maori, I have somewhat of an understanding of, and a very deep appreciation for Maori culture. It is after all a major contributor to the uniqueness of New Zealand, and it's what a lot of the tourists come here to see/experience.

Some people have commented that the character of Beth is "descended from Maori royalty" and that the character of Jake is "descended from slaves". That's not quite correct. Although there is a Maori monarch; (Dame Te Atairangikaahu, the current Maori queen lives at the Turangawaewae Marae in Ngaruawahia, her official residence.) the Maori monarchy only goes back to the 19th century, and its not really representative of all Maori as it only really affects Waikato iwi/hapu, (tribe/sub tribe) It is more likely that Beth would be descended from chiefly linage, and hence she and her whanau, (extended family) would be very much aware of and in tune with their whakapapa or ancestry. Beth's line near the end of the movie that her people "once were warriors" is an indicator of this.

(The facial and body tattoos, or Moko that one sometimes sees Maori wearing are in fact representative of their whakapapa. Also, the carvings that feature on Marae and other carved Maori buildings/gates etc are representative of tribal ancestors, much like Indian Totem poles.)

Jake on the other hand is obviously urbanized. He would most probably know little or nothing about his whakapapa, and in addition he probably would not even be able to identify with an iwi or hapu. This would explain why he makes several references to "Maori bulls***". He is disenfranchised from his culture, and probably doesn't even speak Maori that well. (Although Temurera Morrison himself speaks fluent Maori.) His family have obviously been living in Auckland for so long, and there has been such tribal intermingling, that he doesn't know whether he's Arthur or Martha. And what's more, he doesn't care either.

(For those of you who are interested, the motorway shown at the start of the movie is the Southern Motorway which runs right through South Auckland, which is where *a lot* of Maoris and Pacific Islanders live.)

As other people have said, this kind of thing is sadly not unique to Maori, as American/Canadian Indians and Australian Aborigines can testify. Likewise domestic violence itself is not only limited to minority ethnic groups.

This is easily one of the best movies that I have ever seen. So if you haven't had the privilege of seeing it yet, then I highly recommend that you do so. George Henare's stirring Taiaha scene alone is well worth the cost of getting the movie out.

(A Taiaha is a Maori spear. To use one of these, one must have immense mana, or importance. As Henare's character said, the British *feared* the highly skilled Taiaha warriors.)

There are films where you can see extensive carnage and it doesn't move you. This is a film where you see a man hit his wife and it hits you in the gut like you're being hit yourself. An excellent depiction of the impact of anger and violence on the members of a poor family. In this case, they happen to be Maoris living in New Zealand. The father dominates the family because he is so powerless in the other facets of his life. He's addicted to boozing and carousing and the only way he can really express himself is with his fists. The wife fights back, but can be beaten into submission. But she's also allowed herself to be seduced by the boozy lifestyle and fears responsibility. The center of the family is the oldest daughter (13), who is really the only one who can communicate with all the other members. The boys are either lost in life or lost in their own rage. The youngest daughter is simply too small and clings to her sister. It takes a tragedy to allow some of these individuals to reach out for each other and try to re-create a form of family life. A very powerful film, not for the faint of heart.

This movie is based on a modern day New Zealand family, dealing with near poverty and violence from all sides, including the often inebriated father.

The acting in this movie was just plain amazing. I was hooked from beginning to end, entranced with the wide range of feelings and emotions the movie evoked in me.

You will cry, laugh, sing, and rage right along with the characters, and you will find it hard not to restart the movie just to watch it again.

This is just one of the few movies that stayed with me all these years, since first seeing it back in 1995. I will never forget this movie, and if you watch it, I can guarantee that neither will you.

"Once Were Warriors" tells of one woman's struggle to free herself and her family from the fist of abuse, the grip of oppression, and the slow assassination of self esteem at the hands of an alcoholic husband. This film's story of a Maori (indigenous New Zealanders) underclass family shows the male turning to violence and self destruction to vent frustration with his plight while the female draws strength from her cultural heritage in an attempt to save her children and restore their dignity. Gripping, intense, and powerful, "Once Were Warriors" is a critically acclaimed must see for anyone into serious human drama. (A)

OWW is a truly great film. However I feel that people have missed one of the main ideas of the film. That is the fact domestic violence is truly horrifying. And it doesn't just happen in Maori families, it happens all over the world! I am Maori myself and first saw this film at the theatres with a mostly Maori audience. It was very well recieved. I was surprised to read the commentary by Glamwog when she said all of her Maori friends hate it. Oh and by the way not all Maori are as depicted in the movie!

If you haven't seen this film, do yourself a favour...watch it.