Nostradamus - Prophezeiungen des Schreckens

Michel de Nostredame, generally known as Nostradamus, was a sixteenth-century French physician, but is better known today as a reputed prophet and seer. His fame rests on a series of gnomic quatrains which, it has been claimed, contain predictions of future world events, including wars, political changes and natural disasters. The problem is that his quatrains are written in a language so obscure that they can be interpreted to mean virtually anything. Those who seek to interpret them generally do so with the benefit of hindsight, seeking to prove that Nostradamus predicted World War II, the atomic bomb, 9/11 or whatever; those seeking to use his works to foretell events which have not yet happened tend to come badly unstuck. Even when a particular quatrain can be "proven" to have predicted a particular event, this is normally done with the help of some creative rewriting or creative mistranslating of his words. (Anyone with any knowledge of the French of the period can find some spectacular examples of this on the internet, particularly those interpretations which try to prove that by "Hister"- a Classical name for the River Danube- Nostradamus meant "Hitler").

The obscurity of Nostradamus' prophecies was quite deliberate; had he clearly and unambiguously foretold specific events which then failed to occur, his reputation as a seer would have been destroyed for ever. The film, however, would have us believe that he deliberately obscured his meaning in order to ward off the attentions of the Church, although in the sixteenth century attempts to foretell the future were not forbidden and, indeed, astrology was regarded as an intellectually respectable, and theologically permissible, science.

As might be clear from my opening paragraph, I personally do not believe that Nostradamus possessed a supernatural power to foretell the future. (Indeed, I do not believe that any human being possesses or has possessed such a power). In the original French, his verses have a certain surrealist inventiveness, but I have never seen any reason to attribute any other significance to them. This film, however, is quite openly made on the assumption that its hero did indeed possess prophetic gifts; I was left with the definite feeling that Roger Christian was asking me to accept that Nostradamus really was a man tormented by horrifying visions of the future and whose prophecies were intended as warnings to mankind of the fate that awaited them.

Now I normally leave my scepticism about the supernatural at the cinema door; I have never, for example, allowed the fact that I do not believe in witchcraft to prevent me from enjoying the Harry Potter films. Suspension of disbelief, however, is something I find easier to accomplish in the context of a wholly fictional story than in the context of a biography of a real individual. Neither J K Rowling nor the makers of the "Potter" films are, after all, asking me to accept that witchcraft has any existence outside the realm of fiction, but when a film-maker asks me to give credence to the writings of a sixteenth-century charlatan I find it difficult to take his film seriously.

"Nostradamus" has other weaknesses, quite apart from its flawed central premise. Unlike many period dramas, this one is not particularly visually attractive, with dull, muddy colours. The action is slow-moving and at times difficult to follow. I understand that Tchéky Karyo is a well-known and respected actor in France, indeed the winner of a Cesar Award, so I presume that he can act in his own language far better than he can in English. (I have never seen any of his French-language movies apart from "Le Retour de Martin Guerre", in which he only had a small part). In the leading role here he is absolutely horrible, dull and wooden without any convincing attempt to convey emotions. Some of the supporting cast are better, including Julia Ormond as Nostradamus' wife, although I was left with the feeling that F. Murray Abraham had come down a long way since "Amadeus" and Rutger Hauer equally far since "Blade Runner". This was the first of Roger Christian's films I have seen, and I cannot say that it has inspired me with any great desire to explore his work further. 4/10

This is a real great movie about the Life of Nostradamus,if true or not, well that`s another question,but here you have some real great actors in very good roles first of all T.Karyo as Nosdradamus,he played the way as somebody who`ve lived all those things.In another role you have Rutger Hauer one of the best and underestimated actors in the Whole world in my opinion(have a look at Hitcher,Blade Runner,Soldier of Orange),he stars as the mystik monk only appears a few minutes but impresses a lot more.The Cast was filled up with F. Murray Abraham,A. Plummer and a lot more ofgreat actors,this all was mixed with some very good special effects(Nostradamus Visions)and good screenplay,wonderfull combine to an excellent picture by R.Christian(who also worked on Star Wars).A clear 10 out of 10 for me.

Most Nostradamus movies have him as an older man, a gloomy sort constantly predicting doom. This movie doesn't. Tcheky Karyo plays a very involved, interesting, and engaging version of Michel de Nostredame. I particularly liked the "vision" sequences, where he suddenly is dropped into the future to observe. I thought the part of the movie where he is confronted by the Inquisition was effective as well. The movie is flawed; it moves slowly, and finicky history buffs will find a few bumps. But overall this features a fine performance by Tcheky Karyo, beautiful photography and sets, and (I have to say) a sex scene with Julia Ormond that manages to be really hot and very tasteful at the same time. Summing up, "Nostradamus" has some strong performances, and a good (if slow) story. It kept my interest all the way through. I'm looking forward to getting it on DVD.

NOSTRADAMUS, aka: Michel de Notre Dame (1503-1566) is an enigmatic, elusive character in history books and dusty old biographies. What this excellent biopic does is make him a real flesh-and-blood person with passions, desires, fears and dreams, and the extremely talented European actor Tcheky Karyo (The CORE, 2002) carries the film admirably from start to finish. He makes Nostradamus a living, breathing human being, a Christian Jew who is seeking to understand his place in the Universe and is an open-minded seeker of truth and a true scientist and physician, a dedicated man of science who invented the first chewable Vitamin C tablet made with rose hips as an effective cure for the Black Plague in its early stages. Of course there was no cure once the plague had spread in the body, so it must have been especially a cruel twist of fate for Michel when his dear first wife Marie and their two children died of the plague and he could not even save them! The casting, acting, production, story and script, and lush cinematography at fascinating locations (filmed in Romania and Europe in 1993) are all first-rate. All aspects of this production are extremely well-handled. Especially good are flawless performances by Julia Ormond, Assumpta Serna, Amanda Plummer, Rutger Hauer, Anthony Higgins, and F. Murray Abraham as the remarkable Dr. Julius Caesar Scalinger (1484-1558), a wealthy friend of both Nostradamus and Dr. Rabelais of Paris, the most noted physician of his day in Europe. The visual effects are a bit shaky here and there, but in all everything works well to a satisfying look into the life of one of the greatest mystery men of the early Renaissance. His prophecies are fascinating and penetrating, as a latter-day prophet. One thing I would love to know is where that beautiful mansion of Dr. Scalinger is, and more about it. If it was built during the life of Nostradamus, it certainly was one of the most modern structures in the world, in its day! An interesting site, with its ornate topiary garden.

The music score by Barrington Pheloung is captivating and should be available on CD. This film deserves a wide-screen DVD release! Classic epic drama, although episodic, with true European realism in its depiction of vignettes from Michel's love life, showing us the world as it really was in the plague-ridden Roman Catholic-dominated 16th Century Europe. Highly recommended, worth several viewings to take all of it in.

I must say I enjoyed this film, but I agree with the other comments that it was horribly disjointed. It was absolutely gorgeous to look at (I would rate it up there with Elizabeth or Rozencranz & Guildenstern are Dead in that respect), but it is pretty hard to follow. Having read a short bio on Nostradamus recently, it seems that they got their facts right (there was some speculation, but isn't there always in such films?), but it seems rushed, like the director is trying to fit too much into the time alloted. Overall an enjoyable picture.