Frank Drebin kommt aus dem Ruhestand, um der Polizei zu helfen, eine Bande von Terroristen zu infiltrieren, die planen, bei den Academy Awards eine Bombe zu zünden.Frank Drebin kommt aus dem Ruhestand, um der Polizei zu helfen, eine Bande von Terroristen zu infiltrieren, die planen, bei den Academy Awards eine Bombe zu zünden.Frank Drebin kommt aus dem Ruhestand, um der Polizei zu helfen, eine Bande von Terroristen zu infiltrieren, die planen, bei den Academy Awards eine Bombe zu zünden.
- Auszeichnungen
- 3 wins total
K.L. Segal
- Purse Woman
- (as Karen Segal)
Zusammenfassung
Reviewers say 'Naked Gun 33 1/3: The Final Insult' offers Leslie Nielsen's signature deadpan humor and slapstick comedy, though many find it relies too much on recycled jokes. The parodies and star-studded climax are praised, but the change in director is noted to affect the tone. Despite mixed opinions, the film's self-awareness and cameos provide enough laughs, though it's often seen as the weakest in the trilogy.
Empfohlene Bewertungen
10Mister-6
It's rare for a cop movie to combine elements from "The Untouchables", "Thelma & Louise" and "The Brady Bunch".
Unless, of course, the lead character has a tendency to run his car into parking meters.
"The Naked Gun 33 1/3: The Final Insult" brings the lofty trilogy to a close with the same old cast (Kennedy, Simpson, Presley) and slapstick antics involving a prison breakout, terrorist plot and the Oscars. And there in the center is Lt. Frank Drebin (Nielsen) on the verge of retirement and fighting with bad guys, shopping carts and Weird Al Yankovic while trying convince lovely wife Jane (Presley) that the spark in their relationship is still there.
How can you talk down a movie like this; it's as useless as putting up a tent in a windstorm, so they say. You have to enjoy stupidity, one-liners, gags and visual puns, as created by the ZAZ boys (Zucker, Abrahams, Zucker) and delivered by a cast of pros (including Fred Ward and Pia Zadora!!), all with the tone of adolescence and insanity you've come to know and love.
And if you don't, why are you reading this?
Kudos go to Anna Nicole Smith, who makes her debut in movies here in a big way (sorry) and shows she is at her best when laughing at herself. Good job, Anna.
Favorite scene? I lost count after the first 10 minutes; it's an exercise in futility, every scene will make you chuckle, laugh, guffaw, roar and/or howl with delight. Besides, why spoil the fun?
And as for Nielsen...as always, he is THE MAN! Even when throwing up in a tuba.
Ten stars for a great "Final" trip down into Dumbville. And one star more for the very last scene - classic!
Thanks, Frank.
Unless, of course, the lead character has a tendency to run his car into parking meters.
"The Naked Gun 33 1/3: The Final Insult" brings the lofty trilogy to a close with the same old cast (Kennedy, Simpson, Presley) and slapstick antics involving a prison breakout, terrorist plot and the Oscars. And there in the center is Lt. Frank Drebin (Nielsen) on the verge of retirement and fighting with bad guys, shopping carts and Weird Al Yankovic while trying convince lovely wife Jane (Presley) that the spark in their relationship is still there.
How can you talk down a movie like this; it's as useless as putting up a tent in a windstorm, so they say. You have to enjoy stupidity, one-liners, gags and visual puns, as created by the ZAZ boys (Zucker, Abrahams, Zucker) and delivered by a cast of pros (including Fred Ward and Pia Zadora!!), all with the tone of adolescence and insanity you've come to know and love.
And if you don't, why are you reading this?
Kudos go to Anna Nicole Smith, who makes her debut in movies here in a big way (sorry) and shows she is at her best when laughing at herself. Good job, Anna.
Favorite scene? I lost count after the first 10 minutes; it's an exercise in futility, every scene will make you chuckle, laugh, guffaw, roar and/or howl with delight. Besides, why spoil the fun?
And as for Nielsen...as always, he is THE MAN! Even when throwing up in a tuba.
Ten stars for a great "Final" trip down into Dumbville. And one star more for the very last scene - classic!
Thanks, Frank.
I have to say that this is one of the greatest comedy trilogies I have ever seen. Leslie Neilson has never stopped with the laughter and his fearless performance as Frank. Presilla does a fantastic job and her Thelma and Louise with Ellen Green was just memorable and fun to watch. OJ Simpson, the "downfall" I like to call it, because three months later came the murder trials.
Anna Nicole Smith was actually amusing in this film, I loved the crying game parody. There are a lot of great spoofs and jokes in the film. I think anyone who needs a good laugh or loves the Naked Gun movies should watch 33 1/3, it's just guaranteed of a good time.
8/10
Anna Nicole Smith was actually amusing in this film, I loved the crying game parody. There are a lot of great spoofs and jokes in the film. I think anyone who needs a good laugh or loves the Naked Gun movies should watch 33 1/3, it's just guaranteed of a good time.
8/10
The law of diminishing returns really starts to kick in with The Naked Gun 33 1/3: The Final Insult. It's definitely got the lowest gag ratio of the three films but there's still enough here to warrant the return. The shorter run time really helps with the lower gag ratio and the jokes that do land still have that same gleeful stupidity.
Leslie Nielsen's gifts are needed more than ever before. Even if the film around him is faltering he never is as he really carries this. Frank briefly becoming the stay at home wife then going undercover gives him plenty of new material to work with and the reaction shots of Nielsen looking baffled will never get old.
Peter Segal's direction doesn't falter straight away as it opens with the funniest opening of the three and the strongest credits sequence. For better and worse, this one's humour feels broader compared to the others as it adds a lot of references to other films in between the slapstick and visual gags. There's still a lot of memorable stuff here, it just luls occasionally.
Leslie Nielsen's gifts are needed more than ever before. Even if the film around him is faltering he never is as he really carries this. Frank briefly becoming the stay at home wife then going undercover gives him plenty of new material to work with and the reaction shots of Nielsen looking baffled will never get old.
Peter Segal's direction doesn't falter straight away as it opens with the funniest opening of the three and the strongest credits sequence. For better and worse, this one's humour feels broader compared to the others as it adds a lot of references to other films in between the slapstick and visual gags. There's still a lot of memorable stuff here, it just luls occasionally.
Retirement has not been good for Frank Drebin. His marriage is on the rocks and he feels emasculated as he no longer has the power of the law or the ability to shot bad guys. When he is offered the chance to help out with some undercover work, Frank jumps at the chance even though Jane storms out. When the info Frank finds points to imprisoned bomb expert Rocco Dillon he agrees to go into the jail and infiltrate his gang in order to find out his plan.
Despite the fact that the second part was a little bit of a dip from part 1, Debin was brought back for a final insult and managed to produce a very enjoyable conclusion to the series. Opening with one of the best moments from all three films (a hilarious expansion of The Untouchable train station scene) the film keeps up a very consistent tone that has plenty of big laughs as well as lots of little things that will keep you chuckling. Its not that the film has no misses (it does) but they are covered by the sheer weight of hits that it includes. The plot is fairly simple but is well done to include a few basic set ups the prison, the break out and the Oscars; each part is very funny if you're in the mood for it and, hey, even if you're not it is pretty infectious.
The writing is good it is easy to forget how hard it is to write a good spoof, but recent attempts have shown had easy it is to misjudge the film and just be silly rather than funny. Another big part of the film working is yet another great performance from Leslie Neilsen, who makes it all look so easy! Ward is a great addition to the cast and is much better than the bad guy from the second film Ward plays it gruff and straight, making it all the funnier. Presley is so-so, with her character kind of shoe-horned into the film to her detriment, but she does have some good moments. Freeman is good value and Smith, well, Smith has a good body and that's about it but fair play to her for sending herself up like that, it's not like she needed the money after all.
Overall, this is a very enjoyable film as long as you are in the mood. Even if you aren't roaring with laughter you'll still be chuckling along. The material is hardly the height of wit or intelligence and some viewers may find it to be all a bit broad but fans of the genre will love it and get plenty of laughs from the material and the mostly good performances.
Despite the fact that the second part was a little bit of a dip from part 1, Debin was brought back for a final insult and managed to produce a very enjoyable conclusion to the series. Opening with one of the best moments from all three films (a hilarious expansion of The Untouchable train station scene) the film keeps up a very consistent tone that has plenty of big laughs as well as lots of little things that will keep you chuckling. Its not that the film has no misses (it does) but they are covered by the sheer weight of hits that it includes. The plot is fairly simple but is well done to include a few basic set ups the prison, the break out and the Oscars; each part is very funny if you're in the mood for it and, hey, even if you're not it is pretty infectious.
The writing is good it is easy to forget how hard it is to write a good spoof, but recent attempts have shown had easy it is to misjudge the film and just be silly rather than funny. Another big part of the film working is yet another great performance from Leslie Neilsen, who makes it all look so easy! Ward is a great addition to the cast and is much better than the bad guy from the second film Ward plays it gruff and straight, making it all the funnier. Presley is so-so, with her character kind of shoe-horned into the film to her detriment, but she does have some good moments. Freeman is good value and Smith, well, Smith has a good body and that's about it but fair play to her for sending herself up like that, it's not like she needed the money after all.
Overall, this is a very enjoyable film as long as you are in the mood. Even if you aren't roaring with laughter you'll still be chuckling along. The material is hardly the height of wit or intelligence and some viewers may find it to be all a bit broad but fans of the genre will love it and get plenty of laughs from the material and the mostly good performances.
Now former Lieutenant Frank Drebin (Leslie Nielsen) has a tough time that he is not working with the Police Squad anymore and his wife Jane (Priscilla Presley) is now an lawyer. Although she wants a baby, he has a tough time getting her pregnant. His former partners (Oscar-Winner:George Kennedy and O.J. Simpson) wants Frank to spy on Tanya Peters (The late Anna Nicole Smith), since Tanya is involved with a hired bomb expert Rocco Dillon (Fred Ward). Which Dillon is in prison, at first Frank was supposed to get her address but he lost it. When Jane leaves him, thinking that Frank was fooling around with another woman. Frank decides to go undercover as a prisoner to get closer on Dillon. Frank knows that Dillon is planning to destroy and kill many of innocent people for a price but where ?
Directed by Peter Segal (The Nutty Professor 2:The Klumps, Anger Management, Tommy Boy) made an entertaining spoof comedy, based on the short-lived TV series back in the early 1980's. Nielsen is always an hoot in the lead. The cast seems to be having an great time. Although the reviews were mixed and at the box office was less promising than the first two but still, this was an major success on video. There's some lively cameos throughout the feature. If you are fan of these type of silly comedies or "The Naked Gun" movies, you will certainly enjoy it. Written by Pat Proft (The Naked Gun:From the Files of Police Squad!, Hot Shots! Part Deux, Scary Movie 3 & 4), David Zucker (An American Carol, High School High, Top Secret!) and Robert LoCash (CB4). (****/*****).
Directed by Peter Segal (The Nutty Professor 2:The Klumps, Anger Management, Tommy Boy) made an entertaining spoof comedy, based on the short-lived TV series back in the early 1980's. Nielsen is always an hoot in the lead. The cast seems to be having an great time. Although the reviews were mixed and at the box office was less promising than the first two but still, this was an major success on video. There's some lively cameos throughout the feature. If you are fan of these type of silly comedies or "The Naked Gun" movies, you will certainly enjoy it. Written by Pat Proft (The Naked Gun:From the Files of Police Squad!, Hot Shots! Part Deux, Scary Movie 3 & 4), David Zucker (An American Carol, High School High, Top Secret!) and Robert LoCash (CB4). (****/*****).
Wusstest du schon
- WissenswertesReal biker gangs were hired in order to get the look of real prisoners for the prison fight scene. It was unknown at the time, but there were four rival gangs in the scene. However, no incidents occurred.
- PatzerWhen Frank arrives home for his "special evening," there's an old portrait hanging next to the front door. A few minutes later when Jane leaves, it's a similar, but different, portrait. The use of items being substituted, moved, and placed incongruously is one of the trademark touches used by the Zucker, Abrahams, Zucker team in all their comedies. It is intentionally done, not a goof.
- Zitate
Frank Drebin: Like a midget at a urinal, I was going to have to stay on my toes.
- Crazy CreditsIn the middle of the credits: DON'T LEAVE YET
- Alternative VersionenA number of scenes were deleted (later added) for network TV viewing. Some of the scenes are:
- An extended scene of Drebin and Norberg discussing a TV soap opera when Norberg and Ed come to visit.
- An extra scene at the Karlson Clinic where after Drebin's encounter with the dominatrix, he is shown afterwards in a wheelchair being pushed to the desk by a male nurse (Michael Boatman) who asks him to fill out the visitor forms. When Drebin is writing down his name, he sees Tanya receive a phone call and tries to get near her to listen in. When the male nurse returns, Drebin hides on a gurney covering himself with a sheet and the male nurse inadvertently wheels the gurney into an O.R. which says "penile implants."
- The scenes of Drebin's arrival undercover at the prison show additional prisoners in cells, including a real lion, and a mime in a cell with no bars and mimicking holding onto the imaginary bars.
- The scene in the cell with Rocco Dillon and Tyrone where Drebin introduces himself as Nick "The Slasher" McGerk, Junior, II saying that he's killed the previous McGerks and more dialogue of him insulting Rocco.
- During Drebin's encounter with the big hairy convict in the shower, the hairy convict comments how pretty Drebin is, and Drebin rubs the hairy convict's back with soap as a token of appreciation.
- Drebin and Rocco's escape tunnel digging is longer, featuring them disposing of the dirt in various jars in the mess hall, as well as feeding it to a long line of convicts during meal times.
- A scene with Drebin talking with the prison chaplain (Eric Christmas) about his life of crime.
- An extra scene of the getaway. After Drebin and Rocco accidentally come up under a funeral, they dig more and Drebin sticks his head up on a football field, with the football ready for a free kick right on top of his head.
- SoundtracksHip to Be Square
by Bill Gibson, Sean Hopper & Huey Lewis
Performed by Huey Lewis & The News (as Huey Lewis and The News)
Courtesy of EMI Records USA, A Divsion of ERG
Under license from CEMA Special Markets
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- ¿Y dónde está el policía? 33 1/3: El insulto final
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.132.598 $
- Eröffnungswochenende in den USA und in Kanada
- 13.216.531 $
- 20. März 1994
- Weltweiter Bruttoertrag
- 51.132.598 $
- Laufzeit
- 1 Std. 23 Min.(83 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen