Stumme Zeugin

Waller's first feature film was this thriller, Mute witness (1995), filmed entirely in Moscow in 1993, and financed privately by himself and his co-producing partners. Some US filmers are making a cheap thriller in Moscow . Billy (Marina Zudina) is the mute make-up artist of the title who, returning to the studio for for a forgotten item is locked resulting in fateful consequences . As Billy is accidentally locked overnight in the strange studio where the movie is being made and she wanderers into the basement looking for someone to let her out. Then Billy witnesses some of the crew shooting a snuff movie with a real-life stabbing and along the way , she attempts communicate her sister Karen Hughes (Fay Ripley) . We dare you not to scream !. Nobody reduce the Silence !. She Can't Speak ! . She Can't Scream !. She Can't Beg For Mercy !. She Won't Be Silenced !. Nobody was able to silence her!

Low- budget British thriller lensed in Moscow film studio . Anthony Waller's witty , action-packed thriller seldom lets up . He milks the Moscow locations and the heroine's isolated predicament for all they're worth , only Billy's sister attempts to understand her sign-language , while brother-in-law is too obsessed by the film he's directing to attend to anyone but himself . First-timer Waller mocks both thriller genre and film biz , sometimes relying on , rather than cliched , spoofing elements . Highlight is 25-minute long chase scene with the murderers chasing Billy in the cavernous studio . Alec Guinness makes a surprise appearance in an uncredited cameo who he shot 8 years earlier in 1985.

The motion picture was well directed by Anthony Waller . Filming was complicated by its coincidence with Russia's October revolution, a diphtheria outbreak, -23 degree temperatures, local mafia extortion and last minute cast changes. Despite these initial difficulties, it was sold to Columbia TriStar as a completed movie, and was distributed worldwide in all major territories, and invited to 23 festivals, including the Cannes Film Festival, Courmayeur (Audience Award), Gerardmer (Audience and Grand Jury Award), Moscow (Audience Award), Birmingham (Grand Jury Award) Sundance, Toronto and Tokyo. In 1995, Waller co-founded the Amsterdam-based, Cometstone Pictures. In 1996, Cometstone's first production was An American Werewolf in Paris (1997), which Waller directed, co-wrote and executive produced. With a budget of $22 million, the movie was an entirely European co-production, sold to Hollywood Pictures in a negative pick-up deal for a Buena Vista release on Christmas Day 1997. Further projects Waller has directed are the psychological thriller, ¨The Guilty¨ (2000), and the supernatural thriller, ¨Nine Miles Down¨ (2009). As well as the dramatized Documentary "The Singularity is Near¨ and ¨Trader¨ and most recently, "The Piper" with Elizabeth Hurley. Rating : 6.5/10 . Well worth seeing .

An American film crew are based in Moscow with Russians making up much of the actual crew outside of the main elements. Andy is the director with his girlfriend and her mute sister Billy as makeup artist. One night after a shoot Billy finds herself locked in the large building being used as the main studio. She comes downstairs having heard a noise to find two men making a porno film that quickly becomes a snuff film before her eyes. Billy flees the men but finds herself with no evidence to back up her claim. Meanwhile the shadowy figure behind the murder plans to cover all loose ends.

I have managed to miss this film everytime it has come on TV and everytime it was in a cinema. The closest I got was taping it once but it started late and I only got 20 minutes. Happily I finally got my video skills together and caught it late the other night. I had heard average reviews of this and only hoped that it would be enjoyable – which it was.

The plot starts simple (mute girl in peril) and builds later into a bit of a wider conspiracy. The first half of the film is it's strength, real terror, genuine tension and thrills. The actual murder is horrible and shot well to let you imagine more than you see. The following pursuit is also excellent and very well directed. The second half of the film is still very enjoyable and tense but never reaches those heights again. The plot opens up to a wider conspiracy and shadowy figures and it looses much of it's tightness as a result. The film is still very good mind you and is much better than a lot of large budget thrillers.

It isn't scary but it is very thrilling. The director makes plenty of good shots to help crank it up a notch when needed, however his script does falter at the final few hurdles Zudina is good and does really well as the girl in peril. She can't scream or cry and has to carry her fear in her eyes which she does well. Ripley and Richards are more there for comedy value but do help lighten the tone. The rest of the cast are anonymous chasers and don't have too much presence, but the director has done such a good job with the tension that they don't need to be monsters, only men. Guinness is OK I guess. It's interesting to have him in such a film but did no one else notice how badly redubbed he was. It was clear he had redone his lines in a studio – the sound quality was to crisp compared to other's dialogue and it didn't match with his lips as it should have done – shame.

Overall I enjoyed this film. For the most part it is simple, tight and very effective. Great tension. All the cast really put their fear in their eyes rather than relying on screams etc to convey it. The second half of the film dips a little as the plot gets a bit baggy and slightly less convincing but by then you should be sold and it's energy carries it over some bits that drag a little. Overall a really good little thriller.

I went into this film expecting a slasher, and while Mute Witness does take influence from said style of film-making, this is much more than just your average slash flick. There are a number of thrillers that focus on a certain disability - blindness is more common (Blind Terror, Wait Until Dark, Cat o'Nine Tails to name a handful), but the implications of having a mute lead in a thriller such as this are well portrayed, and actually integral to the plot as the fact that the lead character can't speak is often the reason why she finds herself in dangerous situations that would be easy for anyone else to get out of. Our mute witness is Billy Hughes, a make-up artist working on a horror film production at a studio in Moscow. She finds herself locked in after hours one night, and after attempting to phone her sister for help, she stumbles upon what at first appears to be the making of an illicit sex flick, but soon turns out to be a snuff movie! She tries to convince the authorities of what she's seen, but finds that no one believes her story...

Recently Hostel made the headlines for showing snuff movie making in a foreign country, but this film did it first and actually does a better job. It's maybe not quite as nasty as Eli Roth's opus, but the gore is more effective, and since director Anthony Waller (who went on to direct one of my favourite modern thrillers with 'The Guilty') implements a good sense of humour into the proceedings, Mute Witness is both sufficiently gory and fun to watch. The director certainly has a talent for crafting suspenseful thrill rides, as this one never stands still. The plot is put into action quickly, and Waller constantly introduces plot twists which give a big helping hand to the overall entertainment value of the film. The acting isn't bad for a B-movie, with young performers Marina Zudina, Fay Ripley and Evan Richards delivering good performances. The atmosphere is gritty, and the Russian locations are suitably unfriendly, which helps the film to retain a foreboding atmosphere. Overall, Mute Witness is a much better film than you might expect it to be. The plot flows well, and the atmosphere and tension are spot on.

An amazing piece of film that was well-conceived and kept me on the edge of my seat. Brilliantly orchestrated in its timing, and the comedy kicked in exactly when the tension needed a release. The acting was generally well-done (the "Director" should've asked Alec Guinness for acting lessons), and the shot selections were impressive (as in elongating the hall as Billy tries to race to the door in the studio). This movie didn't let up since the opening scene...

I saw this movie over two years ago and it still sticks in my

mind. It is a movie which due to the setting and the

relatively unknown actors gives this movie a sense of

originality.

The movie has plenty of scary moments and in a lot of places is

very funny (whether always intended or not). If you are

looking for something different, then go and see this one.

You will be pleasantly suprised.