Das Monster

I was told by my Doctor to laugh a lot as it will help me improve my situation. Well, after watching Robert Benigni in the Movie" Il Mostro," I could not Stop laughing. I have seen it more than 6 times, and each time is like watching it for the first time. Wonderful prescription for anyone needing to laugh a lot. I intend to buy the film soon, for it is my prescription for good health. In fact i plan on watching it again with my family very soon. The acting by all in the Movie was done very professionally. The scenes, in itself was very good. I especially enjoyed the scene on the scaffold and the one where everyone was chasing him down the street.

What an excellent movie 'Il Mostro' is! It is absolutely certain that it will destroy you from the first moment.

Make sure you watch it in Italian audio though. A lot of Benigni's (as of course any other actor's) performance comes out of projecting his lines and Benigni always sounds hilarious.

And don't expect to see 'scary movie' here. This is quality comedy, with great script and a genius actor.

Don't miss it!

9/10

Before ascending to his insurmountable zenith with LIFE IS BEAUTIFUL (1997, 8/10), Roberto Benigni's THE MONSTER is a winsome farce about an innocent layabout Loris (Benigni) is wrongly identified as a serial women-slaughterer at large, in order to catch him red-handed, the police force assigns a young policewoman Jessica (Braschi) to go to great lengths to entice him into the irrepressible perpetration (ultimately, a red riding hood costume), therefore, a spate of funny sketches ensure while Loris' resistance is ultra-impenetrable.

Benigni is a superb comedian, a do-it-himself practitioner, skilfully concocts lewd yet never graphically offensive sex-related slapstick in this larger-than-life scenario, individually, each skit is authentically rib-tickling, the opening one which causes the false impression for the entire film, is that Loris confuses a middle-age woman Claudia (Pieri Palombi) for a nymphomaniac, and predictably his overt seduction turns into sexual harassment. It is funny no doubt, but a bit too cheesy to be taken seriously since each laughter is arbitrarily calculated, easily anticipated, and provoked by mere happenstance - this is the key tone of the film, all the antics are in your face, but you cannot complain too much since they are well-crafted.

However, the wholesomeness of the story fail to survive under the barrage of giggling-inducing escapades, there is no credible rationality in finding the whodunit, the chemistry between Loris and Jessica never reach its threshold of romance, but the husband-wife team makes it up by the synchronous walking-like-midgets loveliness, witnessed by a distinguished resident (Girotti) every time. Rest of the cast is uniformly one-dimensional yet fundamentally enjoyable, Michel Blanc is hysterical as the doctor who is determined to diagnose Loris in person, the segment where he and his pills-chomping wife Joland (Lavanant) visit Loris and Jessica for dinner is the high-water mark for paranoid ridicule. Jean-Claude Brialy is the testy proprietor, Ivano Marescotti is Loris' sole business supplier, Laurent Spielvogel is the livid police chief and Franco Mescolini is his amiable Chinese teacher, perhaps one of them is the culprit?

The exaggeration of physical gestures and the Italian style of uninterrupted monologue may not be appealing to all its audience over the world, some minor goofs (e.g. the stalking video camera is ludicrous enough to only capture Loris' escape route while completely oblivious of the chaser, the antique dealer) are to some extent detrimental to the core of the story.

On the other hand, one should not nitpick a feel-good comedy, which is the most demanding genre for filmmakers because every culture has its unique language of humor, a true universally appreciated one is like a needle in s haystack, and THE MONSTER is almost there, it is among the very rarefied above-average hierarchy to say the very least.

Roberto Benigni's "The Monster" is a laugh-a-second romp that is truly reminiscent of the greater works of Charles Chaplin, Buster Keaton and Peter Sellers. Benigni stars as a loser who works for a mannequin company who unwittingly becomes caught up with the authorities who believe that he is the titled character, a man who has been raping and murdering women all over the city. Naturally, Benigni is not the guy they are after but all the strange coincidences make him appear to be the criminal. Undercover beauty Nicoletta Braschi (Benigni's real-life wife) tries to trap Benigni by enticing him in the most creative ways. The film is great fun, but it is very adult-oriented with sexual situations and innuendos galore. Overall "The Monster" is a really great film and Benigni fans will love it more than most others. Plot resolution late hurts the film, but not enough to keep it from being very successful overall. 4 stars out of 5.

The movie is built around Loris, the character played by Roberto Benigni. who delivers his best performance. He is 100% believable in this role. The movie has almost all classic ingredients of a great comedy and they work.

Roberto Benigni's character captures that facet of most of us men at some point in our lives. A lazy and not so well organized guy, far from hansom looking, who'd like to have a lot of women and money, but is not yet successful with either, improvising plans and schemes to get them fast and easy, getting himself in trouble instead, and plunging into more trouble the more he tries to sort things out.

Eventually the police is after him (the police surveying tape is hilarious), and as goofy as Benigni's character is, the police match him with style. They dispatch a bait to unleash the monster within, and Loris has to go great lengths to avoid unleashing that monster =))

Watch this movie in Italian with subtitles, don't let some lousy dubbing spoil your experience.