Die Maschine

This was one of those rare cases in which the opposite occurs: a movie that should have been stupid and hokey but turned out to be well-done and a good thriller. Yes, a very pleasant surprise.

A man invents a machine which can switch the inward beings (at least the brain) of two humans so....the doctor winds up being a killer while the killer becomes him, the doctor in actions and thoughts. This "fact" is hidden because the two people still have the old face and body of the person they used to be, so no one else can see the two people have switched "identities.""

Anyway.....there is very good suspense in this film as the good guy tries to save his wife and family from being killed by the deranged human. Yeah, I know....it sounds confusing and stupid, but it isn't. The film also boasts a few shocking scenes and twists at the end. Recommended.

The psychiatrist Marc Laxroix (Gérard Depardieu) is a studious scientist of the brains of criminals. He has an unhappy and loveless marriage with his wife Marie Lacroix (Nathalie Baye) and they have a boy, Léonard Lacroix (Erwan Baynaud). Marc has also a mistress, Marianne (Natalia Wörner), who is also his confidante. Marc has secretly built a machine to study the mind of a person to another one in his old house, but he has not tested it yet, and Marianne is the only person who knows. When the serial-killer Michel Zyto (Didier Bourdon) is sentenced to life in the institution where Marc works, he decides to study the mind of the psychopath. Then he brings Zyto to use the machine and their minds are exchanged. When Marc asks Zyto to press a green button to restore their minds, Zyto refuses and uses Marc's body to lock up Marc trapped in his body in the institution. Further, he goes to Marc's house to stay with his family. Will Marc retrieve his body?

"La Machine" is a dark film with a creepy and tense story that could be darker with a different and less commercial conclusion. The plot holds the attention of the viewer until the ending and the direction and performances are top notch, highlighting Gérard Depardieu. Unfortunately this film was only released on VHS. My vote is eight.

Title (Brazil): "Memórias do Mal" ("Memories from Evil")

A psychiatrist (Gerard Depardieu) and his woman-stabbing patient accidently exchange minds with a machine (the machine) he developed. The maniac overthrows him before the transfer-back process and stays in the body. Now the psychiatrist is locked away in the clinic and the madman is at home with the psychiatrist's wife and child.

Queer sounding story but nevertheless a fascinating, exciting "mind-exchange" movie.

8/10

this film is superb. I found the idea excellent and do not remember having seen something like it. Depardieu is brilliant as usual one would say; he deserves very special acknowledgment for this film where his talent is more than useful and very well utilized. Didier Bourdon is also very good in a part quite different from what he usually does; he shows in this film that he can be much more of an actor than what he has be doing for years with Les Inconnus on the funny side (although this was very good too); Nathalie Baye is a good an actor as she is beautiful, and the little boy (Erwan Baynaud) should not be forgotten; he was only 11 when he played this film. This film should be much more famous and appreciated. I first saw it around 1995 when it first came out, and saw it again today (feb 2005) with the same pleasure. It definitely is one of the 12 best films I know.

"La Machine" is a violent, very well-made thriller, which proves that when the French aren't too preoccupied with "art" or "social shock", they can make a genre movie just as good as any similar American product. The director shows remarkable attention to detail, and the performances are versatile enough to help you "buy" the various transformations of the characters. Not an exceptional movie, but a gripping one. (***)