Krantiveer

OK, there is a fairly common plotline here, elevated by some intellegent dialogues and the topic of Hindu-Muslim riots in India (which were in the news then, related to the desecration of Babri mosque in India), and punctuated by the usual Indian song-and-dance numbers. Mamta looks sexy, Agnihotri looks the part of her doe-eyed lover, Paresh Rawal stretches his acting abilities and Danny is... well, the villain. Dimple is great as usual, but the real item here is Nana, who blazes across the screen (he got a Best Actor award for this), mesmerizing the viewer. Take him out, and this is yet another Indian potboiler about politics, crime, romance and bloodshed.

Long after u forget the rest of the film, u will still remember all the scenes related to Nana. In fact, the director could have made the film more focused and gripping by taking out all the silly songs and sub-plots (even though i'm a bit partial to sexy rain songs featuring starlets like Mamta, they do seem to be out of place here). Like Pacino and De Niro, Nana Patekar's acting leaves u breathless and begging for more. If u r a fan of his, this is not to be missed. If u haven't seen any of his flicks yet, this is a FINE place to get started.

Rating: 8/10

Mehul Kumar's 1994 Box-Office Hit 'Krantiveer' is dark & disturbing. It isn't a a masterpiece though, but its an effective human-drama, that arrests your attention by its brash & brutal story. But, if there is a reason why this film is unmissable, its, without a shed of doubt, Nana Patekar's Astonishing Performance as the righteous/tough hero.

'Krantiveer' is a story about vengeance, love, hatred & racial-discrimination.

'Krantiveer' comes in-tact with some masterful, hard-hitting dialogue, that leave a terrific impact. Mehul Kumar's Direction is appropriate. Cinematography is perfect. Editing is sharp.

Nana Patekar left me astonished with his National-Award Winning Performance. The Actor takes an unforgettable turn & performs fearlessly from start to end. Its a performance, that deserves to be watched & respected! He's the soul of 'Krantiveer'.

On the whole, 'Krantiveer' is an effective film, along-with a performance that's utterly unforgettable.

Krantiveer is an action crime film directed by Mehul Kumar. The film stars Nana Patekar, Dimple Kapadia, Atul Agnihotri, Mamta Kulkarni, Danny Denzongpa and Paresh Rawal.

A Juvenile disowned by his family and adopted by a miserly landlord vows to take revenge when the landlord gets killed.

Krantiveer which is now considered as one of the cult films of Indian cinema will always be remembered for the great dialogues by Nana Patekar and superb acting by all the characters. The film which was a blockbuster upon its release raises the issue of common man such as corruption, religious polarization effectively.

The plot of the film is good and execution is also good. I have read few comments in which the viewers are going gaga for the film and declaring the film as a masterpiece but in my opinion the film is decently entertaining and decently made and can't be considered as masterpiece.

The screenplay of the film is good and keep the viewers hooked to the screen, the only distraction could be the songs which comes from no where although Most of the songs were popular at the time of release of the film but now could be distraction for few viewers.

Acting is good and this film became a milestone film in the acting career of Nana Patekar, apart from Nana Patekar, Dimple kapadia, Danny and Paresh Rawal were also equally impressive. Mamta Kulkarni and Atul Agnihotri were there is the film just to dance and sing songs. Climax of the film is superb and the most powerful part of the film.

Overall a good film and one of the most important film for Nana Patekar who surely deserves an applause for this film.

Mehul Kumar's 1994 drama about the importance of battling social injustice stars Nana Patekar as Pratap, a decent but lazy man unwilling to fight for anyone's cause but his own. He is finally roused to action by a fiery reporter named Megha (Dimple Kapadia) and by the cruelty of a ruthless, exploitative businessman named Yograj (Tinnue Anand). This movie is the most talented scripture I have ever seen. This movie also starring in Mamta, Atul & Danny. The movie features one of the best direction that I have ever seen. This movie is so interesting that I watched it more than 20 times. All the actors must have take there time in making this film.

The subject matter of Krantiveer is quite interesting, and it could have been a great classic. But sadly the film is a) very very exaggerated in execution; and b) is clearly not a film confident in its own merit and in order to attract wider audiences makes use of some unnecessary romantic subplots with younger actor so as to just make it more commercially appealing. As for the first point, the film is just very theatrical. Despite a strong story and good actors, it keeps abusing its core message and pushing it too much by being quite preachy, sometimes stagy, and unrealistic. The second point is a common problem of many films of the sort where older actors lead the film. In this film, Nana Patekar and Dimple Kapadia, two great actors who had by then passed their so-called sale-by-date, were probably insufficient factors for a commercial film, and so two young charmers were recruited for the songs and romantic portions, Atul Agnihotri and Mamta Kulkarni. How funny is that. The portrayal of the communal riots and the dehumanization that takes place after is handled quite well.

Where the film scores big time and everybody already knows that is in the stupendous presence of Nana Patekar, one of India's topmost actors. Patekar is tremendous in the part - real, nuanced, fiery - and he's quite a star, which is something the producers didn't really know or understand. He creates a man who is both a character actor and a hero, and this is definitely enough of a reason to watch the film. Another reason is obviously Dimple Kapadia, a marvelous actress in her own right. Her character is sometimes stereotypically written, but in a number of hard-hitting scenes, she outdoes herself even if the context is a little theatrical. Atul Agnihotri and Mamta Kulkarni do their usual bits, giving exactly what's expected of them, which is not much, as does Danny Denzogpa, who is the most typical villain you can get. I wish director Mehul Kumar had not turned this dark subject matter into a fluffy potboiler, as also seen in the songs and some of the action. The communal strife though is handled well, and kudos to Patekar and Kapadia for their superbly played roles. Overall, a flawed film but thoroughly watchable.