New York Killer - Die Kunst des Tötens

A Must See! Anthony LaPaglia, Peter Boyle and Matt Craven do a terrific job. However, it's Mimi Rogers outstanding and shocking performance of desperation, resignation, and the ability to play 'the game' on her terms using powerful emotion and sex, with the shady characters that makes this movie awesome. She does this from start to finish and you can be the judge if she's doing this out of necessity or out of pleasure, or "just to play the game". The plot is complete and has twists and turns. Originally it was released as "Bulletproof Heart". Great character study and human nature teeming with emotion in all the characters. The assassin, the old friend who's now a driver, will make you twitch while you watch this movie, and the Boss. The Boss who pushes the assassin to clean up his act with this new hit, since his last assassination was blotched up. It weaves together to create a super movie, you'll never forget!

Although just a decade ago, Anthony LaPaglia was a wild guy in movies, not the subdued leader of the hit TV program "Without A Trace." He usually played very profane guys, too. That's certainly the case here in this film which I've always seen labeled "Bulletproof Heart," (not "Killer").

Actually, all four lead actors in this movie were interesting: assassin LaPaglia, love-sex- interest Mimi Rogers, comedians Matt Craven and Peter Boyle. The latter two play comedian-types, I should say. Craven is particularly funny in this movie. Rogers is here mainly to show off her huge breasts. She shows them off particularly in a bondage-type scene that is a bit sick. (This movie isn't exactly The Sound Of Music, morally-speaking. It's pretty sleazy.)

The film has a good mixture of drama, humor, sex, violence and suspense. However, it also is a good example of Hollywood's depravity, pagan views and fatalistic viewpoints. Seeing more and more of that with my second and third viewing of this , my rating went lower and lower until I finally canned this from my collection. It's just too sordid.....but, for the first-time viewer, a real eye-opener which keeps your attention.

Lapaglia is tremendous as the icy hitman who not only thaws from the heat of passion, but burns to a cinder in the process! Mimi Rogers is good as the object of his obsession. This modern noir film should not be missed. Lapaglia stunning performance runs the gambit of emotion and melts the screen!Don't miss it!

Before the Sopranos went on air we have a hired gun, a maffiosi, a killer who doubts the real meaning of it all. In fact he wonders the meaning of meaning. Without being to psychological it is a good thriller with the question 'Will he kill her'. Possibly a little too soon it is obvious whether he will or not but as a whole it is definitely worth watching albeit just for Mimi Rogers who till the end keeps you asking whether she - as an actress - is really terminally ill or just pulling everbody's strings

How this sensational first feature failed to become a massive critical hit I am at a loss to understand. With just a few characters and a rudimentary plot, Mark Malone has fashioned a stare into the soul as bleak and uncompromising as anything since Last Tango in Paris. Lapaglia and Mimi Rogers make a heart-stopping duo thrust into a situation so replete with irony that it is almost Shakespearean. And to continue the theatrical reference, Malone uses Brechtian chapter titles to distance the audience and make the whole tragedy bearable. Finally under no circumstances should audiences miss the post-credit sequence (at the end) which perfects a classic circular structure and monumentalises the work. 'Nuf said!