Das Dschungelbuch

My family used to own this on VHS, but I watched it to death. So I was pretty happy when I found it on YouTube. It wasn't the best version, but it didn't matter. I could still recite most of the dialog from memory. This is much much better than the animated "Jungle Book" to me because it's so much more real. Real live animals, real jungle flora, it's just perfect. I also didn't know who John Cleese was at the time, but now I can appreciate his excellent sense of humor.

Mowgli and Katherine have such wonderful chemistry as well. They have a history, and it's easier to feel for characters who do. The soldiers were well cast, with Harley being my favorite. While I prefer Cary Elwes in "The Princess Bride," he's still a good lead and bad guy. I highly recommend this to anyone who hasn't seen it yet.

Engaging, old-fashioned adaptation that captures the rousing spirit of adventure of Rudyard Kipling's classic tale. In the era of the British Raj, a young boy abandoned in the jungles of India is thought to be dead but survives after being raised by a family of wolves. Years later, as an adult, he attempts to try and rejoin civilization with the help of his only childhood friend: the genteel daughter of a British officer. Soon, circumstances put him into conflict with a scheming young officer out to plunder the jungle's enchanting lost city. Elaborate production and effects, an ideal cast, and a wonderfully adventurous feel throughout make this a thrilling ride from beginning to end. Much too intense for really young children, but lots of fun. ***

The switch here, and Jason Scott Lee does it with skill and heart of genius, is that Mowgli talks to the animals in their languages. We do not hear the animal speaking English. But from the moment Bagheera offers his tail to the tiny Mowgli and Mowgli grasps that tail, we are in intimate communication with the animals. Mowgli, his pet wolfcub and the rescued bearcub Balu follow the panther through the jungle and I went with them. Every actor modulates his or her performance to make the story happen, to balance the telling. Kitty, Mowgli's childhood friend, does not let one drop of saccharine spoil her natural young woman. Cary Elwes as a villain is frighteningly archetypal (just as he is a beautiful hero in other films). . . But the animal actors are what compel me to fork over dollars for my own copy of the video. Since they are surrounded by masterful cinema storytelling and heartfelt human performances, their work carries the main theme of this film. We know now how fragile the jungle and its inhabitants are as man approaches with guns and bulldozers. The delicate balance of man and animal, the diplomacy of Mowgli at times, the essence of courage and loyalty -- all this is portrayed. If you know the original Jungle Book and the moral spirit of its author, you recognize that the character of the jungle inhabitants is respected. In this film, while we are given an adventure extrapolated from the original literary situation, the Law of the Jungle is kept. For sophisticated Kipling see the Michael Caine/Sean Connery film "The Man Who Would Be King".

Having missed this when first released, it was a pleasure to discover that this version of Kipling's THE JUNGLE BOOK has been photographed with stunning results in WideScreen color. It features an excellent cast headed by Jason Scott Lee, Lena Headey, Sam Neill and John Cleese, all giving admirable performances.

Detailed scenic wonders of the jungle with dense foliage, rippling waterfalls, exotic plants and animals--and best of all, the majestic looking sets for the hidden city holding all the treasures, are what make the film worth watching.

The famous story has its share of jungle thrills and these have been broadened to include even more conflict in the jealousy that evolves between Mowgli and a British officer who wants to marry the girl. His only interest in Mowgli is to have him lead him to the hidden city.

As the boy who finds out that Civilization can be more dangerous than any jungle, Jason Scott Lee is the perfect embodiment of Mowgli, capturing the character's innocence and naive nature in a way that is always credible. Lena Headey makes a lovely heroine as the girl he knew as a youngster who befriends him again, against the opposition of her arrogant British officer fiancé Cary Elwes whose untimely end makes for one of the story's most exciting and satisfying scenes.

Background music by Basil Pouledoris is highly effective and Stephen Sommers directs the whole piece in workmanlike fashion with only a few scenes a bit too intense for young children.

Summing up: An adventurous tale well told in a gorgeously mounted production.

I'd better start off saying how much I love the 1967 animated film. I just loved how original, funny and light-hearted it all was. This film doesn't quite have the charm of the 1967 film, and there are some parts like the animal mauling that I found rather intense. Wilkin's death comes to mind. But there is so much that compensates; it is actually truer to the book than the 1967 film was and it is definitely worthwhile. I also think it is very underrated, the look of the film and the music should've at least guaranteed a 7.0 rating on IMDb, and whether I bring this film up to people the general impression is that a)they haven't seen it, b)it is inferior to the 1967 film or c)they hate it full stop. I admit it I do prefer the animation, as I grew up with it, but I really like this version as well. The animals are very well trained, I liked how wise Baloo was and Shere Kahn gave a good amount of menace whenever he was on screen. The film looks absolutely stunning, the cinematography is striking, the forests are lush and the waterfalls are sparkling. The costumes are fabulous, Kitty's dresses are to die for, and Lena Headey I must say looked gorgeous. The music from Basil Pouledoris, who also composed the music for the Hunt For Red October, is sweeping and rousing, and the pace and direction are slick. The performances are fine too, Jason Scott Lee is likable as Mowgli, John Cleese is wonderfully benevolent as Dr Plumford, and Cary Elwes makes a suave, handsome and charismatic villain. In conclusion, very good and underrated film. 8/10 Bethany Cox