IMDb-BEWERTUNG
5,4/10
13.067
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuPeter Brackett and Sabrina Peterson are two competing Chicago newspaper reporters who join forces to unravel the mystery behind a train derailment.Peter Brackett and Sabrina Peterson are two competing Chicago newspaper reporters who join forces to unravel the mystery behind a train derailment.Peter Brackett and Sabrina Peterson are two competing Chicago newspaper reporters who join forces to unravel the mystery behind a train derailment.
- Regie
- Drehbuch
- Hauptbesetzung
Empfohlene Bewertungen
This is a wonderfully entertaining love story, spiced up with adventure and intrigue. Nick Nolte plays the rough, tough male chauvinist while Julia Roberts charms us with her usual warm and attractive personality. The two are competing newspaper reporters who while chasing after the same headline story stumble upon a government and corporate conspiracy to conceal the truth about genetically enhanced milk producing cows. The director has beautifully combined the excitement of uncovering the conspiracy with the excitement of Nolte and Roberts falling in love. The interaction and chemistry between Nolte and Roberts is acted out superbly, never too much, never too little just enough to keep you excited with them to the very end.
Well, I wouldn't exactly describe this as a timeless classic, a thought provoking movie, or one of the legendary love stories of the silver screen. Still, it's a fun romance and an entertaining way to spend a couple of hours.
The tale revolves around two rival Chicago reporters, one relatively novice, Sabrina Peterson, the other the more seasoned, well known Peter Brackett, who are both hot on the trail of a train derailment story. Of course competition between them is intense (and so at times is the chemistry) as the two exchange false leads, fibs, barbs, and witty repartee. Lots of predictable action, chases, and mystery as to the identity of the bad guys.
The lovely, always endearing Julia Roberts plays the journalistic sharp cookie, Sabrina, with Nick Nolte convincing in the role of her rival, Brackett. At least the pair are not hopping into bed within the first half hour (in refreshing contrast to most modern films), leaving a little time for storytelling and character development.
This is definitely describable as a "flick" (for guys or chicks); its spirit is in keeping with its title. Personally, I'm a great Julia Roberts fan. This isn't her best picture but, nevertheless, it's quite watchable.
The tale revolves around two rival Chicago reporters, one relatively novice, Sabrina Peterson, the other the more seasoned, well known Peter Brackett, who are both hot on the trail of a train derailment story. Of course competition between them is intense (and so at times is the chemistry) as the two exchange false leads, fibs, barbs, and witty repartee. Lots of predictable action, chases, and mystery as to the identity of the bad guys.
The lovely, always endearing Julia Roberts plays the journalistic sharp cookie, Sabrina, with Nick Nolte convincing in the role of her rival, Brackett. At least the pair are not hopping into bed within the first half hour (in refreshing contrast to most modern films), leaving a little time for storytelling and character development.
This is definitely describable as a "flick" (for guys or chicks); its spirit is in keeping with its title. Personally, I'm a great Julia Roberts fan. This isn't her best picture but, nevertheless, it's quite watchable.
That this film fails on so many levels and still remains watchable, if not actually enjoyable, must be a credit to someone involved in the production; it's just not immediately clear who.
There are three main problems with the movie. One, the attempt to graft the noirish elements onto a hi-tech industrial-intrigue plot, which results in an uncomfortable mix of pulp culture from two generations: the hardboiled detectives of the '40s thrust into the realm of today's potboiler mystery bestsellers. Whereas the earlier style was streamlined, and relatively simple and focused, today's genre authors seemingly compete for who can make the most convoluted plot with sidetracks, red herrings and subplots galore. This contrast leaves the film trying to go in two directions at once.
Two, the relationship between the leads is never quite satisfactory. Roberts and Nolte are just not cut out for their cut-out roles, and while they try gamely, it's tough to buy them as reporters who bicker, and almost impossible to imagine them falling in love, even though its obvious from the first reel that this is where the story will take them. Three, the film is far too long, and it becomes a chore to maintain attention and interest in what happens.
On the plus side, there are some redeeming features. The plot plays its cards close enough to its chest that some elements of the ending come as an untelegraphed surprise. The comic touches are successful enough, especially in the bickering between the two as they try to out-do each other in getting the scoop for their respective newspaper. The camera work and editing employ some tricks to freshen up some scenes and the cuts between them. The only problem here is that once the same trick is employed more than once or twice it becomes a little tiresome.
We're left with a very standard piece of work, but one that works just hard enough to keep it relatively entertaining but not quite memorable, even for Nolte and Roberts fans.
There are three main problems with the movie. One, the attempt to graft the noirish elements onto a hi-tech industrial-intrigue plot, which results in an uncomfortable mix of pulp culture from two generations: the hardboiled detectives of the '40s thrust into the realm of today's potboiler mystery bestsellers. Whereas the earlier style was streamlined, and relatively simple and focused, today's genre authors seemingly compete for who can make the most convoluted plot with sidetracks, red herrings and subplots galore. This contrast leaves the film trying to go in two directions at once.
Two, the relationship between the leads is never quite satisfactory. Roberts and Nolte are just not cut out for their cut-out roles, and while they try gamely, it's tough to buy them as reporters who bicker, and almost impossible to imagine them falling in love, even though its obvious from the first reel that this is where the story will take them. Three, the film is far too long, and it becomes a chore to maintain attention and interest in what happens.
On the plus side, there are some redeeming features. The plot plays its cards close enough to its chest that some elements of the ending come as an untelegraphed surprise. The comic touches are successful enough, especially in the bickering between the two as they try to out-do each other in getting the scoop for their respective newspaper. The camera work and editing employ some tricks to freshen up some scenes and the cuts between them. The only problem here is that once the same trick is employed more than once or twice it becomes a little tiresome.
We're left with a very standard piece of work, but one that works just hard enough to keep it relatively entertaining but not quite memorable, even for Nolte and Roberts fans.
OK, once you get past the age difference of nolte and roberts, the film is enjoyable. I would have rather seen someone a little younger in Nolte's role, but other than that, i found the film enjoyable and well written. Where the film struggles however is editing. I actually think the film is about 20 minutes too long. There are a lot of traveling too and fro scenes that could have been edited out.
Where the film succeeds is the acting quality. As I said above, the age difference in the leads is distracting, the chemistry in the actors is very likable (including a nice set of guest spots in the beginning, including Robert Loggia). Many of the montages used to illustrate the developing rivalry are well done and the clues in the film are very intelligent.
Ultimately though, the best part of the movie is the fact that it is clean. A nice tribute to the tracy/hepburn days.
Where the film succeeds is the acting quality. As I said above, the age difference in the leads is distracting, the chemistry in the actors is very likable (including a nice set of guest spots in the beginning, including Robert Loggia). Many of the montages used to illustrate the developing rivalry are well done and the clues in the film are very intelligent.
Ultimately though, the best part of the movie is the fact that it is clean. A nice tribute to the tracy/hepburn days.
This movie is a fun mystery with all the elements I enjoy - one of my favorites in a long list of good movies. The chemistry between the main characters is very good. I like that I knew the two would get together, and throughly enjoyed that their getting together was so entertaining. He said she said, was tasteless and full of junk John Hughes' style, and this one is way better than that one, even if Kevin Bacon and Elizabeth Perkins are two good actors, and it had one scene that is a memory in itself...
The main reason I like it, though, is that the idea of news reporters actually digging into a story because there is something being hidden is a nice thought. I rarely see a news story these days that I feel like they have even made any effort. They sure don't follow up with anything locally so this movie is a nice difference. I realize there were complaints by some that there was too much going on and that the story didn't follow one thing, but that's kind of the way that movies go. There was the main story being chased by two reporters that were rivals and had an obvious attraction. The "love story" is kind of behind the scenes which is better in my opinion because it is really more of an action suspense movie anyway. The humor is OK but not horrible. It is a 90's movie so you can't expect it to be as good as one from nowadays!
Overall rating: 7 out of 10.
The main reason I like it, though, is that the idea of news reporters actually digging into a story because there is something being hidden is a nice thought. I rarely see a news story these days that I feel like they have even made any effort. They sure don't follow up with anything locally so this movie is a nice difference. I realize there were complaints by some that there was too much going on and that the story didn't follow one thing, but that's kind of the way that movies go. There was the main story being chased by two reporters that were rivals and had an obvious attraction. The "love story" is kind of behind the scenes which is better in my opinion because it is really more of an action suspense movie anyway. The humor is OK but not horrible. It is a 90's movie so you can't expect it to be as good as one from nowadays!
Overall rating: 7 out of 10.
Wusstest du schon
- WissenswertesJulia Roberts and Nick Nolte reportedly did not get along throughout filming. Nolte would go on to say that this was the worst movie he had ever done while Roberts later said that Nolte was the worst actor she had ever worked with.
- PatzerDuring rainy highway "chase" scene the odometer shows the car traveling over 5 miles in under 10 seconds.
- Zitate
Peter Brackett: Where did you say you were from? Bitchville?
- SoundtracksGood Morning, Chicago
Written and Arranged by Steve Tyrell and Bill Rechenback
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 30.806.194 $
- Eröffnungswochenende in den USA und in Kanada
- 7.827.002 $
- 4. Juli 1994
- Weltweiter Bruttoertrag
- 30.806.194 $
- Laufzeit
- 2 Std. 3 Min.(123 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen