I love Trouble - Nichts als Ärger

Well, I wouldn't exactly describe this as a timeless classic, a thought provoking movie, or one of the legendary love stories of the silver screen. Still, it's a fun romance and an entertaining way to spend a couple of hours.

The tale revolves around two rival Chicago reporters, one relatively novice, Sabrina Peterson, the other the more seasoned, well known Peter Brackett, who are both hot on the trail of a train derailment story. Of course competition between them is intense (and so at times is the chemistry) as the two exchange false leads, fibs, barbs, and witty repartee. Lots of predictable action, chases, and mystery as to the identity of the bad guys.

The lovely, always endearing Julia Roberts plays the journalistic sharp cookie, Sabrina, with Nick Nolte convincing in the role of her rival, Brackett. At least the pair are not hopping into bed within the first half hour (in refreshing contrast to most modern films), leaving a little time for storytelling and character development.

This is definitely describable as a "flick" (for guys or chicks); its spirit is in keeping with its title. Personally, I'm a great Julia Roberts fan. This isn't her best picture but, nevertheless, it's quite watchable.

When a train crash happens, veteran newspaperman Peter Brackett is sent from the Tribune to cover the story despite him being a columnist. At the scene of the crash he meets the beautiful young reporter Sabrina Peterson who he tries to hit on without much success, before dismissing her as an inexperienced youth. The next morning she scoops him in the Globe, getting an angle on the story that he didn't have. This sparks a rivalry between the two journalists but, as they find out more about the story they find themselves in mortal danger and are forced to form an uneasy partnership.

In case you are film-illiterate, this film has even called a character `Thin Man' to help you realise what it is clearly aspiring to be. The fast talking, battling characters aspire to be like those in the Thin Man series. However the main problem here is that this film has none of the wit, spark or fun of that series at it's best; instead it is all a bit lifeless and flat. The plot is good but it doesn't decide to be a mystery thriller until very late in the game; the final set piece is good but, because the film had been aiming for `playful' up till that point, it just doesn't work out well and it can't just suddenly create tension out of nowhere.

The rest of the film tries to be light and witty but it doesn't manage it either. A major fault in this regard is with the script; it doesn't have any really good lines or sequences. As much as I accept that Woody Allen is not everyone's cup of tea, he would have been the perfect part of a writing team here - witty dialogue in The Thin Man style is really his thing. The other problem is with the cast. Nolte and Roberts may both be big names, but they sadly have ZERO chemistry and this is a big problem. The two have no lines and their lack of spark just makes it worse, to compare this with the Thin Man series does that a great disservice. The support cast fares a bit better and contains quite a few famous faces such as Rubinek, Rebhorn, Loggia, Dukakis, Levy, Martin Smith and Gleason. They all do OK but they can't help the failings in the script, atmosphere and in the two stars.

Overall this is just about watchable but it's hard to ignore what it clearly intended to be. It is pretty much a big failure as it fails to amuse, excite or entertain on anywhere near the level that it was aiming for.

OK, once you get past the age difference of nolte and roberts, the film is enjoyable. I would have rather seen someone a little younger in Nolte's role, but other than that, i found the film enjoyable and well written. Where the film struggles however is editing. I actually think the film is about 20 minutes too long. There are a lot of traveling too and fro scenes that could have been edited out.

Where the film succeeds is the acting quality. As I said above, the age difference in the leads is distracting, the chemistry in the actors is very likable (including a nice set of guest spots in the beginning, including Robert Loggia). Many of the montages used to illustrate the developing rivalry are well done and the clues in the film are very intelligent.

Ultimately though, the best part of the movie is the fact that it is clean. A nice tribute to the tracy/hepburn days.

That this film fails on so many levels and still remains watchable, if not actually enjoyable, must be a credit to someone involved in the production; it's just not immediately clear who.

There are three main problems with the movie. One, the attempt to graft the noirish elements onto a hi-tech industrial-intrigue plot, which results in an uncomfortable mix of pulp culture from two generations: the hardboiled detectives of the '40s thrust into the realm of today's potboiler mystery bestsellers. Whereas the earlier style was streamlined, and relatively simple and focused, today's genre authors seemingly compete for who can make the most convoluted plot with sidetracks, red herrings and subplots galore. This contrast leaves the film trying to go in two directions at once.

Two, the relationship between the leads is never quite satisfactory. Roberts and Nolte are just not cut out for their cut-out roles, and while they try gamely, it's tough to buy them as reporters who bicker, and almost impossible to imagine them falling in love, even though its obvious from the first reel that this is where the story will take them. Three, the film is far too long, and it becomes a chore to maintain attention and interest in what happens.

On the plus side, there are some redeeming features. The plot plays its cards close enough to its chest that some elements of the ending come as an untelegraphed surprise. The comic touches are successful enough, especially in the bickering between the two as they try to out-do each other in getting the scoop for their respective newspaper. The camera work and editing employ some tricks to freshen up some scenes and the cuts between them. The only problem here is that once the same trick is employed more than once or twice it becomes a little tiresome.

We're left with a very standard piece of work, but one that works just hard enough to keep it relatively entertaining but not quite memorable, even for Nolte and Roberts fans.

This is a wonderfully entertaining love story, spiced up with adventure and intrigue. Nick Nolte plays the rough, tough male chauvinist while Julia Roberts charms us with her usual warm and attractive personality. The two are competing newspaper reporters who while chasing after the same headline story stumble upon a government and corporate conspiracy to conceal the truth about genetically enhanced milk producing cows. The director has beautifully combined the excitement of uncovering the conspiracy with the excitement of Nolte and Roberts falling in love. The interaction and chemistry between Nolte and Roberts is acted out superbly, never too much, never too little just enough to keep you excited with them to the very end.