IMDb-BEWERTUNG
7,5/10
23.566
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuPrem and Nisha meet and fall in love at the wedding of their elder siblings, but their plans to be together are put in jeopardy when Nisha's sister dies, leaving behind a baby.Prem and Nisha meet and fall in love at the wedding of their elder siblings, but their plans to be together are put in jeopardy when Nisha's sister dies, leaving behind a baby.Prem and Nisha meet and fall in love at the wedding of their elder siblings, but their plans to be together are put in jeopardy when Nisha's sister dies, leaving behind a baby.
- Auszeichnungen
- 10 Gewinne & 9 Nominierungen insgesamt
Alok Nath
- Kailash Nath
- (as Aloknath)
Reema Lagoo
- Mrs. Choudhury
- (as Rima)
Bindu Desai
- Bhagwanti Mami
- (as Bindu)
Ajit Vachani
- Professor Mama
- (as Ajit Vachhani)
Priya Arun Berde
- Chameli
- (as Priya Arun)
Redo
- Tuffy (The Dog)
- (as Tuffy)
Empfohlene Bewertungen
Some parts of the movie were a bit cheesy in my opinion, but I mean, that was kind of Bollywood's thing back then I suppose, and I do think that the cheesiness of the acting and plot is what accentuates the humor in this film. Anyways, this film was actually quite entertaining. As an American, Bollywood films don't always appeal to me, but this movie was quite good. My dad put this up on Netflix with my mom, as I walked into the room, and I was instantly hooked. It had such an adorable plot line with highly likable characters that you'll instantly fall in love with in seconds. The jokes were extremely clever as well, and of course goofy and cheesy (in a sort of odd and satisfying way). In conclusion, the film is lighthearted, romantic, humorous, and just downright adorbs.
Very good picturised.
Songs are nice. Romantic scene picturised for Madhuri and Salman are tooo good. I can watch this film 100 times.
It's perfect family drama without "saas bahu" ....
Songs are really good...
Sarees wearied by Renuka too good...she looking perfect newly married woman
Somewhere every couple relate to madhuri and salman
Good choice of story,Songs, music, drapery, shooting place
Renuka and Mohnish looking pretty... Every one played a perfect role for character...
Songs are nice. Romantic scene picturised for Madhuri and Salman are tooo good. I can watch this film 100 times.
It's perfect family drama without "saas bahu" ....
Songs are really good...
Sarees wearied by Renuka too good...she looking perfect newly married woman
Somewhere every couple relate to madhuri and salman
Good choice of story,Songs, music, drapery, shooting place
Renuka and Mohnish looking pretty... Every one played a perfect role for character...
No Spoiler but is rather lengthy and maybe too much detail for some people.
Hum Aapke Hain Koun, what can I say about it. I'll start with the fact is my favorite movie of all time. Why? I really can't say. Because believe me when I say that there have been much better movies made before and since it. I know this and yet this remains my favorite.
The story is quite simple, too simple some people say but thats not necessarily a bad thing. It's about Prem (Salman Khan) and Nisha's(Madhuri Dixit) love story. Prem is from a loving family and home, appropriately called Prem Nivas. Everyone loves everyone else including the servants and pets who are treated as one of the family. When Prem's older brother Rajesh's (Monish Behl) marriage is arranged with Pooja (Renuka Sahane), the oldest daughter of a Professor Chaudhary (Anupam Kher) and his wife (Reema Lagoo). The Professor and his wife are also school friends of Prem's kaka or uncle (Alok Nath) who has brought up the two brothers after the death of his sister and her husband.
During this 'rishta' Prem meets Nisha who is Pooja's younger sister. He immediately falls in love with her, but Nisha develops a strong dislike of him. What follows is a sweet and mischievous intercourse of jokes and pranks that they play on each other during the marriage ceremonies. While taking his bhabhi (sister-in-law) home, Prem apologizes to Nisha for anything he has done. Nisha is extremely surprised at his sensitiveness and also begins to like him.
Following this are many sweet sequences of how their love blossoms with songs aplenty in between. While the two are lost in each other and their new found relationship, fate takes a nasty turn as tragedy strikes both the households. Prem and Nisha find themselves in a delicate situation. And they call upon themselves to sacrifice their love and happiness for their families.
Music is excellent. No ground-breaking stuff nor any A.R Rahman genius of any kind. But it is entertaining, catchy and sweet and some numbers such as Didi tera dewar will remain in our memories for ever. Picturization is also excellent. Not one song should be skipped in the movie. Not even the two minute long babul song.
Performances are of course excellent. Madhuri Dixit excells as Nisha and completely convinces the audience as the sweet-hearted but mischevious sweetheart of the house. Nisha's character reminds me slightly of Rekha's Manju in Hrishikesh Mukherjee's Khubhsoorat. This is Salman Khan's best performance to date. Even though I'm quite obsessed with him, I own that he is not a very good actor. But in this movie he is flawless as the sweet and lovable Prem. The rest of the cast was also well chosen, every single one of them from Pooja to Tuffy the dog. They gave us the impression of being a real family. Many movies since have used almost all the members of this cast for other family movies.
Direction is also excellent. Sooraj Barjatiya excells at romantic cinema. The scenes between Prem and Pooja and Prem and Rajesh show the love between bhabhi and her devar and two brothers. The sweet moments between Prem and Nisha are also fantastic as they hold your heart still for several minutes. The intricacies of love, from first attraction, to love slowly growing in a young girl's heart to deep understanding are shown with intricate and realistic detail.
The one letdown is the screenplay by Sooraj Barjatiya. Some lines given to Salman are embarassing, especially the english ones where the sentences are not sentences. Pretty sad for someone who has an MBA.
HAHK was a landmark in indian cinema for many reasons. First was that it was the first movies with no violence at all. The whole marriage song craze also started. First full-fledged family drama. Since then we've had many such movies and most of the audience has become bored of them. I think the last one of this genre we'll be seeing is Kabhi Khushi Kabhie Gham. I personally love these non-violent family dramas, I don't think I'll ever get sick of them. Today, many people will say that HAHK wasn't a good movie, and I think it is because they have seen too many of the copies made after it. I still maintain that it's my favorite movie and that not only should you watch it but also own it. It is the Sholay of our times although I never liked Sholay :)
Hum Aapke Hain Koun, what can I say about it. I'll start with the fact is my favorite movie of all time. Why? I really can't say. Because believe me when I say that there have been much better movies made before and since it. I know this and yet this remains my favorite.
The story is quite simple, too simple some people say but thats not necessarily a bad thing. It's about Prem (Salman Khan) and Nisha's(Madhuri Dixit) love story. Prem is from a loving family and home, appropriately called Prem Nivas. Everyone loves everyone else including the servants and pets who are treated as one of the family. When Prem's older brother Rajesh's (Monish Behl) marriage is arranged with Pooja (Renuka Sahane), the oldest daughter of a Professor Chaudhary (Anupam Kher) and his wife (Reema Lagoo). The Professor and his wife are also school friends of Prem's kaka or uncle (Alok Nath) who has brought up the two brothers after the death of his sister and her husband.
During this 'rishta' Prem meets Nisha who is Pooja's younger sister. He immediately falls in love with her, but Nisha develops a strong dislike of him. What follows is a sweet and mischievous intercourse of jokes and pranks that they play on each other during the marriage ceremonies. While taking his bhabhi (sister-in-law) home, Prem apologizes to Nisha for anything he has done. Nisha is extremely surprised at his sensitiveness and also begins to like him.
Following this are many sweet sequences of how their love blossoms with songs aplenty in between. While the two are lost in each other and their new found relationship, fate takes a nasty turn as tragedy strikes both the households. Prem and Nisha find themselves in a delicate situation. And they call upon themselves to sacrifice their love and happiness for their families.
Music is excellent. No ground-breaking stuff nor any A.R Rahman genius of any kind. But it is entertaining, catchy and sweet and some numbers such as Didi tera dewar will remain in our memories for ever. Picturization is also excellent. Not one song should be skipped in the movie. Not even the two minute long babul song.
Performances are of course excellent. Madhuri Dixit excells as Nisha and completely convinces the audience as the sweet-hearted but mischevious sweetheart of the house. Nisha's character reminds me slightly of Rekha's Manju in Hrishikesh Mukherjee's Khubhsoorat. This is Salman Khan's best performance to date. Even though I'm quite obsessed with him, I own that he is not a very good actor. But in this movie he is flawless as the sweet and lovable Prem. The rest of the cast was also well chosen, every single one of them from Pooja to Tuffy the dog. They gave us the impression of being a real family. Many movies since have used almost all the members of this cast for other family movies.
Direction is also excellent. Sooraj Barjatiya excells at romantic cinema. The scenes between Prem and Pooja and Prem and Rajesh show the love between bhabhi and her devar and two brothers. The sweet moments between Prem and Nisha are also fantastic as they hold your heart still for several minutes. The intricacies of love, from first attraction, to love slowly growing in a young girl's heart to deep understanding are shown with intricate and realistic detail.
The one letdown is the screenplay by Sooraj Barjatiya. Some lines given to Salman are embarassing, especially the english ones where the sentences are not sentences. Pretty sad for someone who has an MBA.
HAHK was a landmark in indian cinema for many reasons. First was that it was the first movies with no violence at all. The whole marriage song craze also started. First full-fledged family drama. Since then we've had many such movies and most of the audience has become bored of them. I think the last one of this genre we'll be seeing is Kabhi Khushi Kabhie Gham. I personally love these non-violent family dramas, I don't think I'll ever get sick of them. Today, many people will say that HAHK wasn't a good movie, and I think it is because they have seen too many of the copies made after it. I still maintain that it's my favorite movie and that not only should you watch it but also own it. It is the Sholay of our times although I never liked Sholay :)
This movie can definitely listed among the top 5 movies of all time . It Is a breezy movie with an ingradient of all nice things . It has ear soothing music, good performances and extremely good-good happenings going on . You wont feel bored even for a second .Though without a strong story , it is pure entertainment at its best .
It was on 5th August 1994 that Sooraj Barjatya's Hum Aapke Hain Koun (HAHK) premiered at Liberty cinema, Mumbai. A unique strategy devised by Rajshri Productions; they released their close to three hour thirty minutes long film only in one theatre per city in a bid to curb video piracy. The film prints used to be taken back from these cinemas every night to Rajshri office and resend the next morning just in time for the matinee show.
Like it happened with Sholay (1975), quite a few critics wrote off HAHK as a flop in it's first week dismissing it as an extended Marwari wedding video. But then the audience was clearly impressed with director Sooraj Barjatya's adaptation of Rajshri's own 'Nadiya Ke Paar' (1982). HAHK picked up with strong word of mouth and ran for 125 weeks (that's more than two years!!) at Mumbai's Liberty cinema. This film brought families back to theatres and audience (specially ladies) used to come dressed up as if they were actually attending a marriage!!
Salman Khan and Madhuri Dixit had worked earlier in Saajan (1991) and Dil Tera Aashiq (1993) but their chemistry in HAHK was something else altogether. Truly awesome! Particularly, Madhuri looked super gorgeous and her dresses became a style statement for years to come. Madhuri herself, became the nation's heartthrob and even the late MF Hussain's heart went dhak dhak for her as he announced a film called Gaja Gamini (2000) to be directed by him just for her.
HAHK broke all box office records emerging the biggest hit of all time, took home five Filmfare awards including Best actress for Madhuri Dixit and also won the coveted National award for Best Film providing wholesome entertainment that year.
I saw HAHK first at Rajshree cinema (Gandhinagar) which was specially decked up to resemble a wedding hall. The gigantic screen used to get illuminated with lights during the two popular songs - "Didi Tera Devar Deewana" and "Joote Le Lo". This film was also the only one after Raj Kapoor's Sangam (1964) and Mera Naam Joker (1970) to have two intermissions (atleast in its initial weeks).
Todays generation may find HAHK to be indulgent and boring piece of cinema (atleast my son does!!) but we 90s kids, know its euphoria and influence on pop culture. Indian wedding celebrations were never the same again!!
Regards, Sumeet Nadkarni
Like it happened with Sholay (1975), quite a few critics wrote off HAHK as a flop in it's first week dismissing it as an extended Marwari wedding video. But then the audience was clearly impressed with director Sooraj Barjatya's adaptation of Rajshri's own 'Nadiya Ke Paar' (1982). HAHK picked up with strong word of mouth and ran for 125 weeks (that's more than two years!!) at Mumbai's Liberty cinema. This film brought families back to theatres and audience (specially ladies) used to come dressed up as if they were actually attending a marriage!!
Salman Khan and Madhuri Dixit had worked earlier in Saajan (1991) and Dil Tera Aashiq (1993) but their chemistry in HAHK was something else altogether. Truly awesome! Particularly, Madhuri looked super gorgeous and her dresses became a style statement for years to come. Madhuri herself, became the nation's heartthrob and even the late MF Hussain's heart went dhak dhak for her as he announced a film called Gaja Gamini (2000) to be directed by him just for her.
HAHK broke all box office records emerging the biggest hit of all time, took home five Filmfare awards including Best actress for Madhuri Dixit and also won the coveted National award for Best Film providing wholesome entertainment that year.
I saw HAHK first at Rajshree cinema (Gandhinagar) which was specially decked up to resemble a wedding hall. The gigantic screen used to get illuminated with lights during the two popular songs - "Didi Tera Devar Deewana" and "Joote Le Lo". This film was also the only one after Raj Kapoor's Sangam (1964) and Mera Naam Joker (1970) to have two intermissions (atleast in its initial weeks).
Todays generation may find HAHK to be indulgent and boring piece of cinema (atleast my son does!!) but we 90s kids, know its euphoria and influence on pop culture. Indian wedding celebrations were never the same again!!
Regards, Sumeet Nadkarni
Wusstest du schon
- WissenswertesIt was the first Hindi film to gross over INR 1 billion.
- PatzerIn didi tera diwana, madhuri dress reverses fall from left to right during song.
- Crazy CreditsIn the end titles, the initial 'Hum Aapke Hain Koun...!' shortens to 'Hum Aapke Hain...!'.
- Alternative VersionenA month after the film was released, it was taken out of theaters and replaced with a different print that included 2 new songs, Chocolate, Lime Juice, and Mujhse Juda Hokar. This is the most common version of the film. Both versions are available on EROS video. Later that year, the film was once again rereleased, this time with a few more dialogue scenes. It included a scene with Nisha's parents giving Tuffy the dog a gift, an alternative ending of the end of the song Yeh Mausum Kah Jadoo Hain Mitva, An extra scene in the temple, a scene with Nisha and Prem's brother before the ladies function, and an extended ending. This print is available on the video "Hum Aapke Hain Koun:The Original Video" (its in a red box) but it is not an original print, but a pirated one, which means the sound is muffled. Also, the print from which this was taken from was deteriorated to a certain extent, cutting out many of the ends of some of the scenes between Nisha and Prem (The kitchen scene before the engagement, and the pool scene after the ladies function). Some prints have an alternative Intermission logo (lightning strikes and the word Intermission appears, while the original print simply has the word fade in and out).
- VerbindungenEdited from Sholay (1975)
- SoundtracksChali Re Chali Babul Ki Gali
Written by Dev Kohli
Composed by Vijay Patil
Performed by Sharda Sinha
Courtesy of Saregama HMV
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Who Am I to You?
- Drehorte
- Ooty, Tamil Nadu, Indien(Ooty)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 ₹ (geschätzt)
- Weltweiter Bruttoertrag
- 5.251 $
- Laufzeit3 Stunden 26 Minuten
- Seitenverhältnis
- 2.55 : 1
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What is the French language plot outline for Mein Glück liegt in deiner Hand (1994)?
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