Hoop Dreams

The filmmakers here show an admirable dedication to their art and to the underprivileged, spending five years tracking two kids, Arthur and William, and their dreams of basketball stardom. The two subjects and their families are simple and somewhat naive, in an endearing way. Their struggles, sometimes unflattering, are put forth for us to relate to, and we all can. Of course this is about two kids and their love for basketball, and about the "road to" that takes place as they try to get there, but it's really about the way people in near-poverty live, the education system and its downfalls, the manipulation of organized sports and tendency for people to try and achieve their goals through others (Arthur's father, William's brother), and the situation between blacks and whites in America. In one scene, Arthur laments being around mainly white kids for the first time in his life, and says it'll be difficult but he'll manage. That kind of relaxed confidence is so rewarding to watch. The film has endless insights into the black urban experience. Of course not every family in the ghetto is in a position where a father is a criminal and drug user, but when two kids in the same story are in that situation, it's got to be somewhat prevalent.

It's the kind of movie that's sustaining, and there are so many transcendent, revealing moments that stand out: Arthur's mother, such an inspirational woman to watch, as she gets her nurse certification; Arthur's family talking to another family in a cafeteria, with his mother high-fiving an elderly white lady; the descent into and path out of drug addiction; and a scene where the man who recruits these boys says that sometimes he has doubts about himself when he sees the pain that's a part of these kids' lives. Spike Lee makes a brief appearance giving a speech to the kids, and his pessimism is the only sore spot in the film.

We don't have to work for any of this, we don't have to question it. There's nothing to clean away before we can get to the real thing. This is the real thing. A curious moment, however, is one scene where Arthur's mother explains to us at one point she had her electricity cut off, which suggests that the crew wasn't there to film that period. But the next scene has her walking in the dark with a lamp, that seems like an undeclared "reenactment" of something they missed, for editing purposes. But the criticism of manipulation in documentaries is tired. Yes, the possibility of tricking an audience into believing something with a documentary is greater, but unless it's political in some respect it doesn't matter. Documentaries are supposed to be presented how the filmmaker sees fit. With no license, we'd have 350-hour documentaries.

At one moment near the end, William's coach says goodbye to him and as he walks out his coach mentions that that's the system: one goes out, another comes in. It feels like we're saying bye to a member of the family. This is a life-affirming experience, a family that should be visited again. 10/10

Ten years after I first saw this film, based on the mention that Siskel & Ebert made on their show, I am still blown away by it.

A good case could be made for this being the best motion picture of all time. It is simply amazing. The characters (if I can call them that) in the film will astound you with their depth, and this movie will suck you right in... if not to the Cabrini Green projects, at least into the lives of these 2 young men and their families. You will cheer for them, feel their pain, their sadness, their triumphs... and their determination to achieve something better for themselves and their loved ones.

I bought the DVD the day it was released, and can give high praise to the good folks at the Criterion Collection. The accompanying booklet contains 3 excellent essays/articles as well as a complete list of the people in the film. The extras on the DVD are well worth watching, escpecially the commentary from Arthur & William.

To Frederick Marx, Peter Gilbert, and Steve James: Great job, guys. Your dedication to this project, and your understanding of the subject matter (that it was about more than mere basketball, from the beginning) have made a truly excellent film. Thank you.

To Arthur Agee & William Gates: You are both exemplary men, and the example of your lives, your perseverance, your awareness of yourselves and the world you live in, should serve as role models for all of us, regardless of age, color, or income. You are both heroes of mine, and have been for more than 10 years.

To the Agee & Gates families: Thank you for allowing these filmmakers access to your lives for so many years. I have wept at your hardships, and screamed joyously at your triumphs. Your dedication and love for each other is nothing short of inspirational.

If you are reading this and you have not seen this film, PLEASE go get a copy and watch it. You will not have wasted a single minute of your life by having done so.

A truly awesome film.

Engrossing documentary about two inner city kids and their struggles to make it into professional basketball.

"Hoop Dreams" made a big splash when it was released in 1994, and there was a big controversy around Academy Award time when it was deemed ineligible in the Best Documentary category. It likely would have won had it been nominated, and it ranks right up there among some of the best documentaries of all time. This is mostly due to how engrossing the storytelling is. You forget you're not watching a fictional film, which just supports the claim that truth can be more compelling than fiction.

You don't have to be a fan of basketball to enjoy this movie.

Grade: A

This film simply exemplifies the reason why I hate most Oscar voters. This movie didn't even get a nomination, and it was one of the most successful documentaries ever! This especially exhibits the encroachment of coaches, family and other parties when it comes to the well being of inner city kids, who just happen to be good basketball players. Considering the state of pro basketball now, this kind of shows how the downward cycle of basketball was seeking lower standards. Sometimes funny, often times sad and poignant, this film is easily one of the best documentaries of all time.

I'll never understand the USA's obsession with high school sports. Putting this much pressure on 14-18 year old kids and calling them athletes and referring to their basketball as a 'career' is harmful. Sure, it's an entertaining game but that's all it is. Once business takes over all bets are off and lives are ruined. The promise of the American dream of wealth and success is nothing but a bald-faced lie. These topics were briefly touched on but for the most part the movie was a rather passive documentary that simply chronicled two different boys' lives in high school basketball for four years. That in itself was interesting enough for me to give this movie a good rating. The people are compelling and it was good to know that eventually at least one of the boys came to realize that his NBA dreams were unrealistic. The movie still presents a powerful portrayal of the lower-class inner city blacks in America and the desperation they have to endure. One of the only outs for their kids seems to be sports scholarships. Enter the over-zealous coach, competitive scouts and legions of fans. It's interesting to see because no one in Canada is as obsessed with high school sports. I think it's mainly because it's the only way out for poor, inner-city blacks in America. The concept makes for an entertaining, emotional documentary.