Weg aus der Hölle

The film is based on actual true events and was inspired by the reminisces of the actual women prisoners of war, many of whom became life-long friends after the ordeal. Fact-based recounting of a group of women who are imprisoned on the island of Sumatra by the Japanese during World War II and used music as a relief to their misery .During WWII a group of women are captured by the Japanese and struggle to survive in brutal POW camp in the Far East . Their confinement is recounted in unsparing and harrowing detail , as Irish/British/Dutch/Jew women find themselves interned for the long duration . As orders from Nipponese Army Administration are strict as ¨Men and women will be imprisoned separately ¨ . ¨To avoid punishments and beatings , the ladies should presume themselves to endeavor , with passive behavior not negative¨. It is an internment camp, where civilians are kept for no other reason than being of the wrong nationality , this happened, for instance, to Japanese civilians in the U.S. Meanwhile, Adrienne suffering a surreal and brutal experience ; she is cruelly attacked ; however , she attempts to lift the spirits of the inmates and the brutalized women. Later on , she creates a choir , but the film refers to the singing prisoner of war women as a vocal orchestra rather than as a choir . This P.O.W film centers women prisoners as its principal cast and subjects with a theme of utilizing music to survive the horrors of war . The final credits state that the vocal orchestra performed over thirty works in the P.O.W camp . It discontinued performing though when about half of the members had died and the remaining survivors were not well enough to participate. The real-life first concert held by the women in the actual P.O.W camp was held on 27 December 1943 and the vocal orchestra performed over thirty works in the P.O.W camp during 1943 and 1944.

¨Paradise road¨(1997) is a good film set in Singapur , directed by Bruce Beresford with an all- woman star-cast as Glenn Close as Adrienne Pargiter , Julianna Margulies as Topsy Merritt , Frances McDormand as a Jew doctor , Cate Blanchett as Susan Macarthy and Jennifer Ehle as Rosemary Leighton-Jones . And special mention to Clyde Kusatsu as cruel , brutal Sergeant Tomiashi, 'The Snake' . Interesting and strong drama , being perfectly adapted by the same director Bruce Beresford , David Giles (story) and Martin Meader (writing credits) , also producers . The film is based on the diaries, reminisces and testimonies of Helen Colijn and Betty Jeffrey as described in their books, "Song of Survival" and "White Coolies". No weakest in the cast and few in the movie , which presents the women's Japanese captors as human and inhuman at the same time with clashing cultures included . Clearly there's much longer plot in this, but director Bruce Beresford concentrates on the passionate acting of Glenn Close . It's a taut psychological drama about physical and emotional survival focusing on the tensions between Glenn Close, soldiers and camp commander well played by Stan Egi as cultured officer. Crammed with emotive moments , the picture has a string of committed performances from Glenn Close Pauline Collins , Jennifer Ehle , among others . Familiar ground is trod in this prisoner-of-war saga , but the thought-provoking story and magnificent acting help sustain interest. Colorful cinematography filmed on location in Marrickville, Sydney, New South Wales, Australia ,Penang ,Malaysia ,Port Douglas, Queensland, Raffles Hotel Singapore . Sensitive musical score , the music in the film was derived from the actual score transcripts used in the P.O.W camps which survived World War II. This superior though overlooked drama , is also laudable for a fairly portrayal of the enemy captors and being rightly directed by Bruce Beresford , this is the second war movie he directed , his first was Breaker Morant.

Other films about women on concentration camps mistreated by Japanese military during WWII are the following : ¨Three came home¨1950 by Jean Negulesco with Claudette Cobert , Patrick Knowles , and Sussue Hayakawa ¨Women on valor¨(1986) by Buzz Kulik with Susan Sarandon , Kristy McNichol and Alberta Watson set in Philippines .

First class work here. The film follows a group of women captured in Asia by the Japanese, and interned as enemy aliens. It shows the inhuman brutality that the Japanese inflicted on anyone they considered to be of an inferior race. (i.e. not Japanese) (for that matter anyone not samurai) As a coping mechanism, and partially in defiance of their captors, the women form a vocal orchestra, playing the parts of classical music with only their voices. The music soothes the women, those in the orchestra, and those who aren't. The Japanese soldiers even come to enjoy the sound, and the atrocity rate drops a couple of notches.

Stand out performances abound here. In fact I can't really single out any of the cast. They were all good, including the Japanese actors. I had thought from the reviews that the music would be the largest part of the film, with just the backdrop of the prison camp, but it really wasn't. I recommend this film.

I found this a very moving film about a group of fairly ordinary people placed in extraordinary conditions. I found myself quite involved with all the acting and the story line. Here is a film filled with outstanding and understated performances about people's ideals and courage being tested.

As to this story having been told in 2 or 3 other movies, I find that to be an incredible comment. I didn't see anyone saying that there had already been about 100 movies about men fighting in World War II when "Saving Private Ryan" came out. It is time that the stories of these extraordinary women be told. Soldiers aren't the only ones to suffer and die in wars.

Why didn't more people see this film? This is what makes it great:

As an ensemble piece it works wonderfully - the cast are truly magnificent. Glenn Close is fabulous as the 'central' character and most well known 'star', but she does not monopolise all the scenes and screen time. She blends in with what is a wonderful cast, and does so impeccably. Why she hasn't been given more kudos as an actress is beyond me - she is stunning.

The film worked perfectly because of what comes across as a genuine rapport between the female cast. Each actress brings a different element to the story - Jennifer Ehle is strong willed and beautiful, Julianna Marguilles fiesty and dominant, Pauline Collins has such a human quality which she conveys to perfection, Cate Blanchett portrays wonderfully a quiet woman with a rebellious side. All compliment and balance each other. The actresses succeed admirably in bringing to the fore the bond that grew between their real life inspirations for this story.

The direction is precise and the cinematogrpahy beautiful. Despite the bleak context, Japan still looks vibrant and colourful, full of life.

The score. I can't do justice to the score in words - the vocal orchestra formed by the women is just beautiful and poignant to listen to and really does need to be heard to be understood. Somehow the actresses manage to make the music symbolise their humanity and spirit. It works wonderfully.

Overall, this is a heartfelt film with a profound message of hope which runs all the way through it. 'Paradise Road' is one of those rare films which reminds you of the indestructible nature of the human spirit. I wish there were more films like this one, and I wish more people had have seen this film. In a word it's a gem.

I love this movie because I love the characterization of the women in it. I felt powerfully with the women, felt I knew them, felt complete identification with most of them.

I actually think it's hard to specify the actions and words that will make a character both realistic and sympathetic. Showing mere suffering won't do it. But here, Mr. Beresford has been able to stir such warm feelings (particularly toward the Roberts girl, the Glenn Close and Jennifer Ehle, her Dutch friend, and the Cate Blanchett characters). The romanticism, cheer and background of the Ehle character are particularly well drawn.

This is a far superior movie to 'Platoon', by the way - and a wonderful tribute to those who went through the awful 3.5 year ordeal.

Another thing I quite liked (these days) was to see a movie that did not attempt to make the Caucasians the moral villain relative to the other race depicted.

This is not a movie concerned with p.c. appearances - the Japanese are not shown as somehow merely "different", a difference we "simply cannot understand or judge" because of our different culture. Setting a woman on fire for bargaining for medicine for a sick elderly woman is brutality in any culture - and this movie does not attempt to minimize the moral wrong.

Bravo, Mr. Beresford.