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Nil by Mouth

  • 1997
  • 16
  • 2 Std. 8 Min.
IMDb-BEWERTUNG
7,3/10
10.662
IHRE BEWERTUNG
Ray Winstone in Nil by Mouth (1997)
A rough, short-tempered patriarch of a working-class family sees his life and the relationships around him slowly unravel.
trailer wiedergeben1:57
1 Video
99+ Fotos
Psychological DramaTragedyDrama

Ein rauer, aufbrausender Patriarch einer Arbeiterfamilie sieht sein Leben und die Beziehungen um ihn herum langsam zerfallen.Ein rauer, aufbrausender Patriarch einer Arbeiterfamilie sieht sein Leben und die Beziehungen um ihn herum langsam zerfallen.Ein rauer, aufbrausender Patriarch einer Arbeiterfamilie sieht sein Leben und die Beziehungen um ihn herum langsam zerfallen.

  • Regie
    • Gary Oldman
  • Drehbuch
    • Gary Oldman
  • Hauptbesetzung
    • Ray Winstone
    • Kathy Burke
    • Charlie Creed-Miles
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    10.662
    IHRE BEWERTUNG
    • Regie
      • Gary Oldman
    • Drehbuch
      • Gary Oldman
    • Hauptbesetzung
      • Ray Winstone
      • Kathy Burke
      • Charlie Creed-Miles
    • 103Benutzerrezensionen
    • 44Kritische Rezensionen
    • 76Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 2 BAFTA Awards gewonnen
      • 9 Gewinne & 9 Nominierungen insgesamt

    Videos1

    Trailer
    Trailer 1:57
    Trailer

    Fotos113

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    Topbesetzung29

    Ändern
    Ray Winstone
    Ray Winstone
    • Raymond
    Kathy Burke
    Kathy Burke
    • Valerie
    Charlie Creed-Miles
    Charlie Creed-Miles
    • Billy
    Laila Morse
    • Janet
    Edna Doré
    • Kath
    Chrissie Cotterill
    • Paula
    Jon Morrison
    • Angus
    Jamie Foreman
    Jamie Foreman
    • Mark
    Steve Sweeney
    Steve Sweeney
    • Danny
    Terry Rowley
    • M.C. in Club
    Sam Miller
    Sam Miller
    • Club Comic
    Leah Fitzgerald
    • Michelle
    Gerry Bromfield
    • Drug Dealer
    Neil Maskell
    Neil Maskell
    • Schmuddie
    Sid Golder
    Sid Golder
    • Old Guy in Window
    John Blundell
    John Blundell
    • Man with Knife
    Kenan Hudaverdi
    • Laundrette Owner
    Everton Nelson
    Everton Nelson
    • Street Violinist
    • Regie
      • Gary Oldman
    • Drehbuch
      • Gary Oldman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen103

    7,310.6K
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    Empfohlene Bewertungen

    8JohnBoyRoy

    Sobering and shocking, although hope remains...

    This is a piece of debutant film making at its best.

    Oldman set about to create a gritty and colourful portrayal of the rough end of life in Saafff Lhaandan and in that respect he was f**kin sucessfull you bunch ah chaaaants!

    The camera work is disjointed and initially appears clumsy, but the expertly chosen angles and focuses soon become enthralling. It is nicely gritty and rough around the edges. Take a special note of the excellent sound design - it really adds to the overall atmosphere of the cityscape Olman so expertly creates.

    The narrative progression is pretty much non-existent. Like all realist films its not really about what is happening, but the broader issues exposed by smaller events within the film. These include some brutal moments from Winstone and also some heavy drinking/clubbing binges.

    The acting is so good and so believable that I forgot I was watching a film - it is almost a documentary and those not familiar with the actors within the film may be fooled into thinking that is what they were watching.

    Olman also introduces some subtle symbolism (the moment with the red balloon for example) but is never heavy handed or distracting.

    Winstone and Burke really are stunning in this film, and the ending is a brilliant piece of ambiguity and hope. CHeck out Winstone's subtle touching moments with his daughter - it brings a tear to the eye.

    Classic in the modern sense of the word.
    9fertilecelluloid

    Hellish domestic drama

    This is hellish domestic drama from director/writer Gary Oldman. It feels real because, for him, it was real, it was his life growing up in South London. Ray Winstone as the abusive Ray is amazing, as is Kathy Burke as Ray's wife and full time punching bag Valerie. Oldman employs a rough and ready style and gives the actors lots of room to move and react within the frame. The result is an incendiary experience, a film that leaves you gasping for fresh air and in awe of the superb performances, sharp cutting, great sound design and unapologetic subject matter. It doesn't angle for simple solutions to its powerhouse issues and isn't all misery, either. It's about strength and the the power of personal responsibility. Superb.
    Stig-4

    Oldman cuts to the bone

    In Sturges' classic "Sullivan's Travels," a swank film director announces to his butler: "I'm going out on the road to find out what it's like to be poor and needy, and then I'm going to make a film about it." The butler snorts: "It you permit me to say Sir, the subject is not an interesting one. The poor know all about poverty, and only the morbid rich would find the topic glamorous." Love it or hate it, Nil by Mouth digs deep inside and never lets you go. Unlike Sullivan, Oldman had only to look inside himself to find his subject. He does an honest and remarkable job. Of course a film of this type is not going to win any Oscars - Oldman didn't make it to please anyone. Most will find this nihilistic and depressing, and they're right. Suffice to say, Oldman is a natural craftsman. If he continues to follow his heart and gut, who knows what else he might accomplish. A remarkable debut.
    9bulkmail1

    A must see movie-an Oldman masterpiece.

    What a well made and stunning movie of life on a British council estate of a family with a violent father and poor cow mother , one of the types of women that gets a regular beating from the old man and yet still go back to him. the performances by Ray Winstone and Kathy Burke should have got them award after award. with more cursing than I've heard in a movie, although its typical for a low class family in those types of situations, with a drug using , stealing relative and strong acting from Laila Morse (garys sister) a must see movie, but make sure the kids are in bed !! the movie also has a great soundtrack which I cant find anywhere !
    bob the moo

    Not a great film but truly a powerful and engaging experience

    Much more an experience than a narrative-based film this project. Gary Oldman's directorial debut betrays some of his weaknesses but shows a lot of strength with a subject that he also scripted. From the very start we find ourselves in the type of pub/club that, as an educated liberal I find incredibly intimidating. I'm not trying to be elitist (although I'm sure it will come across that way) but the characters in this film are instantly recognisable to me and very frightening. People who carry their frustrations without knowing what they are angry at and ultimately are just out and out angry at everything whether it be just a minor bump in a pub. This is the world of the film and within it we have a loose narrative about a problem within the family of Billy, who is a junkie but the main thrust is less about a specific story but rather just putting the audience in the middle of this trapped and violent family and leaving us to find our own way.

    This approach makes the film a little weak structurally and does produce some scenes where Oldman relies on heavy use of music to just play over silent scenes but mostly it works. The way that it does work is that the experience is so visceral and convincing that the viewer doesn't care so much that it lacks a story with star, middle and end but rather feels the scenario and characters. Oldman directs in the grim and smoke of the environment and, while not technically impressive to watch, it works with the theme and content. What he does very well is draw some great performances from the British cast. Winstone has become famous off the back of characters like this and he nails not just the anger but the misplaced sense of frustration and inadequacy; he doesn't wear it like a badge but merges it really well into his character so that it is easy to just see him as an angry thug. Burke is better known as a comedic actress but she is tremendous here – really convincing and full of fear, when she says she feels so very old I really believed her. Creed-Miles feels a bit out to one side but is also strong – as are Morse, Morrison and others in supporting roles.

    Nil By Mouth is not a fun or pleasant film and the language is extreme and endless. Nor is it a great film in regards structure, flow or narrative. However what it is very good as is an experience which is convincing and uncomfortably real. Poverty is terrible in any place and being trapped in it for generations is worse; Oldman does not pity his characters nor does he blame others for their problems but he makes them both sympathetic but also repugnant and it is the overall experience of watching that make thes film one worth seeing.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The song the grandmother sings in the pub at the end of the film was dubbed; the actual singer was Gary Oldman's mother.
    • Patzer
      A boom mic is visible in the supermarket parking lot.
    • Zitate

      Ray: She took his dinner in to him once, me mum, in the pub, and plonked it in front of him on a tray. Knife and fork, salt and pepper. He said, "What's that?" She said, "It's your dinner. I thought you might be hungry. You ain't eaten for three fucking days. You live in here, you might as well fucking eat in here." It's funny. He didn't like that, did he? Mugged him up in front of his mates. Thought more of them cunts than he did us. Lovely. Yeah. She got a clump over that. Well, she would, wouldn't she? He was always pissed in there, weren't he? You know? We go in the pub to get our living, you know? That's where we do our business. He'd be there spunking out while we're sitting at home without a dinar, you know, thank you. And he'd promise things. You know? Promise to take us places, you know? Never did. Never took us anywhere. And when he did bother to come home he'd sit in that fucking chair, doss off with his tray in his lap. And I'd just stand there looking at him. I'd look in his face, and my mother'd go upstairs, and I'd say, "Say, Mum, ain't Daddy coming to bed?" And she'd say, "No. No, he's all right, son. He'll come up when he wakes up." He's gotta wake up to go to bed! Now, I'd stand there looking at this fucking old man, you know, my dad, you know, in that chair, that horrible fucking chair with the shiny, worn-out arms. I should've burnt the fucking thing. By the end he was hemorrhaging from both ends, you know? I used to hear him in the morning hanging on to the khazi. It was lovely. Never stopped him going to the pub, though. No, he was well enough to do that. Now, one day, right, he's staggering across the pub pissed from the night before. He's gone over, crunch, right on his mooey, like a fucking ironing board. His hooter's around here, his railings all over the fucking place. Me and me mum had to go the hospital to see him. We walked in. He's laying in bed. He's got tubes up his arms, fucking up his nose, down the back of his Gregory. He didn't look well. Fucking vodka was keeping him alive. Well, I ain't that interested, so I'm having a little mooch about, you know. I looked above his bed, and there's this sign, right, with some weird writing on it. I couldn't read too well at the time. I said to my mum, "Mum, what's that say? You know, that sign above Daddy's head. All right?" She said, "Nil by mouth." "What's that, a football score? 'One-nil, three-nil, two-nil, a geezer called fucking Nil.'" Yeah. I said, "Well, what's it mean?" She said, "It means... "

      Mark: It means nothing to eat.

      Ray: Yeah, nothing down the...

      [points into his mouth]

      Mark: Nothing down the... Yeah.

      Ray: Yeah, all right. I remembered that day, because I could've put that on his fucking tombstone, you know? Because I don't remember one kiss, you know, one cuddle. Nothing. I mean, plenty went down, not a lot came out, you know, nothing that was any fucking good. And I'd look at this man that I call Dad, you know? My father, I knew him as Dad. He was my fucking dad but he weren't like other kids' dads, you know? It was as if the word itself were enough, and it ain't.

      Mark: That ain't when he died though, is it?

      Ray: No. He lived another ten years, slippery old cunt. He died one afternoon in that fucking armchair. About right. I went round to see him, you know, when he was plotted up at me mother's.

      Mark: Hatcham Road?

      Ray: Yeah, Hatcham Road. He was upstairs in that front bedroom. Laid out.

      Mark: Free.

      Ray: Yeah. Yeah. I've gone up there, gone in. I'm sitting on the bed looking at him. He's laying there like... Mullered. And it was like he'd shrunk, you know? He was a big man.

      Mark: He was a lump.

      Ray: Yeah. You should know. You got enough clumps off the cunt.

      [sighs]

      Ray: And I just touched him, you know? He was fucking freezing cold. It frightened the life out of me. I was looking at him, you know? For the first time in my life, I talked to him. I said, "Why didn't you ever love me?"

    • Verbindungen
      Featured in Especial Cannes: 50 Anos de Festival (1997)
    • Soundtracks
      Las Vegas
      Written by Mitch Murray and Peter Callander

      Performed by Tony Christie

      Courtesy of MCA Records

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 10. Oktober 1997 (Vereinigtes Königreich)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Frankreich
    • Offizieller Standort
      • Sony Pictures Classics
    • Sprache
      • Englisch
    • Auch bekannt als
      • 切勿吞食
    • Drehorte
      • Piccadilly Circus, Piccadilly, London, England, Vereinigtes Königreich
    • Produktionsfirmen
      • SE8 Group
      • EuropaCorp
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 9.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 266.130 $
    • Eröffnungswochenende in den USA und in Kanada
      • 28.367 $
      • 8. Feb. 1998
    • Weltweiter Bruttoertrag
      • 284.477 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 8 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 1.85 : 1

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    Ray Winstone in Nil by Mouth (1997)
    Oberste Lücke
    By what name was Nil by Mouth (1997) officially released in India in English?
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