Nacht über Manhattan

If you enjoy straight-up, old-style dirty cop/courtroom stories, this may be the last of the great ones, filmed in 1997. Sidney Lumet directs. There are some really fine, passionate scenes that make you care about the characters. Three-fourths of the plot is roughly predictable, but this movie has the glow of being a fine, original, boiler plate version for many cop stories to come. Moody jazz trumpet score, including songs by Wynton Marsalis. And wow, what a cast: Andy Garcia, Ian Holm, Lena Olin, Richard Dreyfuss, James Gandolfini, Dominic Chianese. What more can I say?

This movie introduces you to the complexities of the judicial system. It starts with the idealistic view. It leaves you to make the choice of what is right and what is wrong. You'll have to decide for yourself what is or would be justice. From the politics, the backroom deals and the downright corruption it's all there. It certainly isn't pretty because nobody's perfect. The acting is great but I've always felt Andy Garcia is a fine actor. The entire cast was well chosen and you feel their emotions and believe them as their character. The story moves along well and there are enough twists to keep you interested. This isn't a movie that leaves you cheering for more. It does however make you think about the complexities of justice. When your outside looking in things always look different than when you are inside looking out.

Overall rating: 8 out of 10.

Here's yet another film with a too low IMDb average. Really 6.6. I'm so glad I came to view this film, a few years back. I just came to view it again, where I enjoyed it as much as last time. I love Sidney Lumet films. He makes good ones, rarely a bad one. I mean, he gave us Network, Equus, Family Business, and the lesser known, Guilty As Sin. This is just another one that holds up to the others, and another one on Lumet's notch of good films. This one has been constructed gingerly, attentively, as far as plot and story goes. One would even say judiciously, with great performances to boot, Dreyfuss, and Ron Leibman, a scene stealer, and terribly underused actor, most of his stuff t.v. related. Corruption runs high in a few cop beats, where Garcia's cop father (Holm, really good) is shot badly by a burst of machine gun fire, when a drug bust goes bad. Three beats were called in, where there should of only been one, which leads us to consider a few bad apples were involved. Even Garcia's father could be bad too like his partner and childhood mate, Joey (the late great Gandofini) a modest performance. Garcia, an ex cop, now a promising lawyer, is assigned to this criminal case, by Leibman who runs a law firm, to the disgust and anger of a slick lawyer adversary, Colm Feore (just another top form performance here), where the big black drug dealer, a nasty piece of work in a quite threatening performance, by Shiek Mahmud- Bey is caught, so it's really gonna get heated in that courtroom, where you don't want this black dude mad. Garcia's amusing remark, a moment I loved, sealed that deal. The turning point or second story, let's call it, takes off when a black book is recovered from one of the dead cops in that failed bust, a number of cops names including Holm's, all supposedly on the take are in there, and things get really juicy, plot wise, which sees Garcia back in the court room. This film has really been constructed thriller wise, as many characters, mostly the ones in question, aren't telling us everything. Dreyfuss's admittance about his teenage daughter to Garcia in those spa room scenes was something unexpected too. The film is very well written, all of it, it's treatment, etc, all shaped to perfection, solely by Lumet, the first scene in the lecture room, with budding lawyers, grabbing us straight away, with in your face frankness. The film has a very well researched feel, Garcia's performance though, not as good as the others. The character's choices and their situations, make sense, and we very well understand. If you're a cop and you go crooked, well the ball's in your caught, baby. Highly underrated and very much recommended cop/courtroom drama, Dreyfuss's performance as the black guy's defendant, the one you'll remember. He's brilliant.

I liked this film, this is not a great movie but it's a good one, and the most important thing was that it didn't bore me for a moment.

The performances are good, the plot is interesting and clever. What I didn't like about it was that the shots of the film looked like a movie made for TV.

The plot is about how Sean Casey ,an assistant district attorney working for just six months, improves very fast in his way up at his job but he is going to discover many dirty things about policemen and politics and is at this point where he will have to make difficult decisions that will put in text his principles.

If you like intelligent police or court movies, this one is for you.

NIGHT FALLS ON MANHATTAN (1997) *** Andy Garcia, Richard Dreyfuss, Ian Holm, Lena Olin, James Gandolfini, Ron Leibman, Shiek Mahmud-Bey. Excellent, gritty and absorbing crime drama dealing with Garcia as an assistant DA who becomes an overnight sensation after tackling a disturbing case of a drug dealer killing three cops on a raid gone awry that leads to a sticky web of corruption, lies, deceit and ultimately personal integrity. Garcia and Holm as his cop father, give superb performances as does Leibman as his teeth gnashing mentor (a delightful to watch turn) and Gandolfini as Holm's partner with some skeletons in his closet. Based on Robert Daley's book `Tainted Evidence' and adapted by the film's director Sidney Lumet with colorful panache of a true helmsman. – Letterman stooge Leonard Tepper is an extra in the jury (!)

A newly elected district attorney (Andy Garcia) finds himself in the middle of a police corruption investigation that may involve his father (Ian Holm) and his partner.

This was a pretty good film. At first, I thought it was going to be about tracking down and then convicting the cop killer. But we find out that the killing, tracking and convicting are all accomplished relatively quickly, and only serve as a premise to open up the idea that certain police officers were working with the drug dealers.

This is very well scripted, very well acted. And knowing a little bit about police corruption, the story does not even seem far fetched. Though it does have its darkly comical moments, such as having the killer strip naked for reporters.