Mitternacht im garten von gut und böse

It is 4 years since I first saw this movie (and commented on it before reading the book on which it is based). Having since read the book twice, I thought it time to look at the movie again. I can now see why some of those who had read the book are so dismissive of the movie.

I still think it is an interesting, well cast film - but it could have been done better - and that is a pity. There is of course no reason to expect a movie to be an exact replica of a book, but when it is such an excellent book it is a pity that Eastwood chose to alter things unnecessarily. Too much of his daughter (charming though she may be), too much Lady Chablis (fascinating ditto). These additions took up time and space where the actual story could have been fleshed out more.

In spite of these minor quibbles, I still think it is an interesting story - and to fans of the book I say - accept it for what it is - it is a fascinating film, entertaining and well worth watching.

Definitely in that order. It increases comprehension. In fact, from reading some of the other reviews here, it may be the only way to enjoy this movie.

A great read; a better-than-I-expected screen adaptation. I had to see it, because I couldn't imagine how such a character-driven work would be handled on film. I will tell you that I was predisposed to think that it would not be handled well, but I was pleasantly surprised.

All in all, this movie manages to do a good job of condensing the book into a non-butt-busting film length, while remaining generally faithful to it. The length and the slowness of the movie are really the only ways to convey the meanderings of the book. It's part of the way this movie creates the slow Southern atmosphere that is such an integral part of the story. Savannah is a character in the book, and the only unifying force other than the author. It's easier to convey that in words than pictures, but Eastwood has done a good job of getting the point across here.

The casting is mostly great, particularly the supporting characters. Irma P. Hall's portrayal of Minerva is somehow soothing and slightly menacing, just as the woman seems in the book. I didn't know how the casting of the actual Chablis would affect the film, but she really delivers the goods without seeming like stunt casting.

I was irritated by what I felt were John's and Chablis' too-active roles in the court case, but I suppose I can understand the reasoning behind it. I don't have to like it, but I understand it. Just as irritating, and entirely disposable, was the romantic subplot. These two elements seemed out of the role of observer that Berendt makes for himself the book. Also, the Mandy character is sapped by taking a big, beautiful, interesting woman and making her a generic cute chick. Alison Eastwood does what she can with this bland creation, but I have a feeling that the movie character never would have been featured the book.

No, it's not the book, but no movie ever could be. A slavish adaptation would have been a truly boring film, not to mention way longer than this effort. (Can you say, "Just rent the AudioBook?") And no, it's not a twisting, turning thrill-ride, because the book isn't exactly jam-packed with plot. It is, however, a decent movie if viewed on its own terms and for its own merits. And after you've read the book.

I am at a loss as to how anyone can not like this film. It was pure genius. Cusack plays a somewhat stereotypical character (which was very appropriate for the movie, it created a perfect contrast between the cultures of New York and Savannah). Kevin Spacey was nothing short of amazing, better than in The Usual Suspects, and almost as good as in American Beauty. Lady Chablis was also excellent. I especially enjoyed watching Lady Chablis and Jim Kelso's relationship mature and change throughout the film. I have seen the movie numerous times and plan to see it again. Though, it is not for those who wish to go to a movie to be simply entertained. Highly recommended....

10/10

I got the chance to view this recently on video and to me it left me in total awe. This is Clint Eastwood's best movie to date in a line of good movies that include his directorial debut from "Play Misty For Me" to his brandish westerns like "The Outlaw Josey Wales" to his Oscar winning "Unforgiven",to even his soft hearted material ranging from his military drama "Heartbreak Ridge" to the emotional "The Bridges of Madison County". But here "Midnight In The Garden Of Good and Evil" is astounding entertainment and it features actor Kevin Spacey in one of his most gifted role of his career. The movie focuses on the happenings of Savannah,Georgia where the city of hot nights and cold-blooded murder all rolled into one. Its a rarely do movies of this magnitude show so much of true southern city they are depicting and basically get it right. It also shows in the first half of the movie the that way these houses and the designs which are depicted is incredible(yes,Mr. Eastwood has a eye for good art)and they way details are properly set,especially with the Christmas party dinner scene is perfect as well as the overall architecture of some of the most lavish houses ever bulit(if you ever go down to Savannah you must see this to believe it and its worth the trip) as well as the proper way to show courtesy of upright manners in front of your guests where hospitality is always first rate. But as far as the movie is concern(which is based on John Berendt's novel of the same title)what you see is depicted throughout the movie and the overall beauty of the city of Savannah. The people are so loving and caring that it makes you not only leave,but stay here more to see what happens next. I got the chance to read the book on this,but I take the book over the movie as a tossup,but you will not be disappointed. A grand style of entertainment at its finest hour. Thank you so much Kevin Spacey and director Clint Eastwood.

John Cusack plays John Kelso, a New York writer who goes down to Savannah, Georgia to interview Jim Williams (Kevin Spacey), a wealthy socialite and art connoisseur who likes to give expensive parties. While in Savannah, Kelso gets involved in murder, voodoo, and some eccentric characters. Kelso is a plot-convenient stand-in for John Berendt, the author of the nonfiction book upon which the film's screenplay was based.

With the film's intriguing title, maybe I was expecting too much. I really don't know what director Eastwood was trying to tell us here. The film was cluttered with disjointed subplots, which included: a murder and subsequent trial, a romance, a character study of Williams, a parade of strange characters largely irrelevant to other subplots, a travelogue of a Southern city, and some voodoo thrown in.

The acting ranged from good (Kevin Spacey) to mediocre to fairly poor. The cinematography and the production design were adequate.

This film has entertainment value for Kevin Spacey fans. But the story itself lacked focus, and it led nowhere. Indeed, the ending was ambiguous, in an irritating sort of way.

The main problem with "Midnight In The Garden Of Good And Evil" was its questionable rationale. Why was it made? Just because a film is based on a true event does not ensure a favorable cinematic outcome, especially if the film's screenplay digresses significantly from its source. Better direction would have helped a lot, as would a complete rewrite of the screenplay, based on a more cohesive premise.