IMDb-BEWERTUNG
5,9/10
1584
IHRE BEWERTUNG
Der Aufstieg und Fall einer schönen Schauspielerin. Sie steigt aus ärmlichen Verhältnissen auf und wird zur Favoritin des Sonnenkönigs Ludwig XIV.Der Aufstieg und Fall einer schönen Schauspielerin. Sie steigt aus ärmlichen Verhältnissen auf und wird zur Favoritin des Sonnenkönigs Ludwig XIV.Der Aufstieg und Fall einer schönen Schauspielerin. Sie steigt aus ärmlichen Verhältnissen auf und wird zur Favoritin des Sonnenkönigs Ludwig XIV.
- Auszeichnungen
- 3 Nominierungen insgesamt
Beatrice Palme
- Geneviève
- (as Béatrice Palme)
Francisco Casares
- Gorgibus
- (as Paco Casares)
Eric Boucher
- Brécourt
- (as Éric Boucher)
Empfohlene Bewertungen
Full of "cultural one-liners" like this, probably more common back then, in those times rules by language, than nowadays', this film is both for history and luxury buff as for those interested in social and class distinctions, the poor role of artists in the royal court, etc.
"Mharek" from Montréal writes: "one of the rare history movie that isn't done from a celebrity point of view".
This film is obviously a feast for Sophie Marceau lovers. We learn she dances quite well, for instance. Female director Véra Belmont drools on her figure as much as on royalty's excesses. As the Brazilian reviewers aptly puts it: "Sophie shines in all takes". But unlike later films starred by her like "L'âge de raison", in this film the plot is good, photography and music are superb, so you get carried away by the action, not just her looks.
Of course a stellar cast helps: the superb Bernard Giraudeau, a likable Patrick Timsit, a royally hateable Thierry Lhermitte, heartthrob Lambert Wilson, beautiful Marianne Basler and Polish rising star "Estelle Skornik".
Jordi Savalls performs the best period piece you could imagine. You get to see Versailles and Vaux-le-Vicomte in a new light, not as easy at it seems. There are some moving & emotional scenes, it's not only a "postcard movie" technically speaking.
As the NZ IMMB reviewer writes: "no one can make them like the French....". Showing both the grandeur and decadence, as the scholarly reviewer "dbdumonteil" writes on this site. side by side, as in real life, the French know what they're talking about when they do films about kings.
My favourite scenes have to do with water: the "public bath" of the Sun King and Marquise, and her dancing while it starts to rain in the beginning, shot like a TV publicity but effective.
Maybe a tad too long, and the ending may disappoint, but absolutely worthy watching!
PS: Some reviewers and plot summaries on this site do suggest the ending, so, dear reader, you're friendly warned :) .
"Mharek" from Montréal writes: "one of the rare history movie that isn't done from a celebrity point of view".
This film is obviously a feast for Sophie Marceau lovers. We learn she dances quite well, for instance. Female director Véra Belmont drools on her figure as much as on royalty's excesses. As the Brazilian reviewers aptly puts it: "Sophie shines in all takes". But unlike later films starred by her like "L'âge de raison", in this film the plot is good, photography and music are superb, so you get carried away by the action, not just her looks.
Of course a stellar cast helps: the superb Bernard Giraudeau, a likable Patrick Timsit, a royally hateable Thierry Lhermitte, heartthrob Lambert Wilson, beautiful Marianne Basler and Polish rising star "Estelle Skornik".
Jordi Savalls performs the best period piece you could imagine. You get to see Versailles and Vaux-le-Vicomte in a new light, not as easy at it seems. There are some moving & emotional scenes, it's not only a "postcard movie" technically speaking.
As the NZ IMMB reviewer writes: "no one can make them like the French....". Showing both the grandeur and decadence, as the scholarly reviewer "dbdumonteil" writes on this site. side by side, as in real life, the French know what they're talking about when they do films about kings.
My favourite scenes have to do with water: the "public bath" of the Sun King and Marquise, and her dancing while it starts to rain in the beginning, shot like a TV publicity but effective.
Maybe a tad too long, and the ending may disappoint, but absolutely worthy watching!
PS: Some reviewers and plot summaries on this site do suggest the ending, so, dear reader, you're friendly warned :) .
The film is a very good story I like the cast, principally Bernard Giraudeau, Patrick Timsit, Thierry Lhermitte and the muse Sophie Marceau who in that time was the most beautiful actress of the cinema of all universe!! It is my opinion about her. Sophie shines in all takes, every angle and in each glance. She gets reach her apex when she is dancing... Marceau is the star of the movie but the writers are good, they were precise with the scenery, wrote interesting dialogs and could figure on a good cast. Direction well-made by Vera Belmont. I just thing about the end of the film was not so good, they would get more tension in the last scene, my impression it was made on the run...But anyway, I like very much this film!
I wasn't interested in the story, mainly because I didn't see the point. Sophie Marceau is the only bright sight in the movie.
The first virtue is the performance , beautiful at whole, of Bernard Girodeau as Moliere. He gives the playwriter so well known by his admirers. The second, off course, Sophie Marceau . And, sure, the tension , familiar in its traits for the fans of French historical drama. A film about theater, love and rivalry, giving slices from Moliere and Racine, proposing the embroidery of rising and fall of an actress . So, just beautiful.
I guess that we in this century about to end have learned to live better than in Marquise's century. As with other French films of this type, the result captures the decadence of the age and the director has painted a gorgeous picture of the period. One critic said that she saw no point to the story...there definitely was one and it was made in America...."All About Eve" so it just goes to show that there isn't a lot that is new....still the movie was really worth a look for no one can make them like the French....unless you are an Italian.
Wusstest du schon
- WissenswertesSophie Marceau created the controversy at the end of the film by refusing to support it: "This shoot was a hell, I kept one of the worst memories of my life, I did not get along with Véra Belmont ( ...) Sincerely, I do not want to defend the film. " To which the director replied: "She loves me one day, the next day she hates me, I think she does not like to be run by a woman. She saw the Marquise much more petty-bourgeois than I can imagine her, she's the kind of actress, when you disturb her in what she's decided to do on the set, she hates you. "
- Patzer(at around 1h 25 mins) When a couple of bottles are knocked over and tumble to the ground, they don't shatter and you can clearly hear from the sound that they are made of plastic.
- Crazy CreditsThe title appears twice in the opening credits. First thirty seconds in after the names of the main actors and then again about 3 minutes and 25 seconds in just before Véra Belmont's director credit.
- SoundtracksL'amour médecin
Written by Jean-Baptiste Lully
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Marquise - Die Rolle ihres Lebens
- Drehorte
- Château de Vaux-le-Vicomte, Vaux-le-Vicomte, Seine-et-Marne, Frankreich(Royal castle and gardens)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 70.000.000 FRF (geschätzt)
- Laufzeit
- 2 Std.(120 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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