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9 1/2 Wochen in Paris

Originaltitel: Love in Paris
  • 1997
  • 12
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
3,0/10
4927
IHRE BEWERTUNG
9 1/2 Wochen in Paris (1997)
Sinnliche RomanzeDramaRomanze

Füge eine Handlung in deiner Sprache hinzuJohn heads to Paris hoping to meet his ex from 9 1/2 Wochen (1986), but instead ends up with her former friend, Lea.John heads to Paris hoping to meet his ex from 9 1/2 Wochen (1986), but instead ends up with her former friend, Lea.John heads to Paris hoping to meet his ex from 9 1/2 Wochen (1986), but instead ends up with her former friend, Lea.

  • Regie
    • Anne Goursaud
  • Drehbuch
    • Elizabeth McNeill
    • Mick Davis
  • Hauptbesetzung
    • Mickey Rourke
    • Agathe de La Fontaine
    • Angie Everhart
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    3,0/10
    4927
    IHRE BEWERTUNG
    • Regie
      • Anne Goursaud
    • Drehbuch
      • Elizabeth McNeill
      • Mick Davis
    • Hauptbesetzung
      • Mickey Rourke
      • Agathe de La Fontaine
      • Angie Everhart
    • 32Benutzerrezensionen
    • 5Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Another 9 1/2 Weeks
    Trailer 1:17
    Another 9 1/2 Weeks

    Fotos38

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    Topbesetzung43

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    Mickey Rourke
    Mickey Rourke
    • John Gray
    Agathe de La Fontaine
    Agathe de La Fontaine
    • Claire
    Angie Everhart
    Angie Everhart
    • Lea Calot
    Steven Berkoff
    Steven Berkoff
    • Vittorio DaSilva
    Dougray Scott
    Dougray Scott
    • Charlie
    Werner Schreyer
    • Gilles
    Faisal Attia
    • Drug Dealer #2
    Philippe Beglia
    • Hotel Raphael Doorman
    Christin Amy Artner
    Christin Amy Artner
    • Kahidijah
    • (as Christine Brandner)
    Sandra Cervik
    Sandra Cervik
    • Hotel Maid
    Lana Clarkson
    Lana Clarkson
    • Woman at Fashion Show
    Cyrille Cohen
    • Auctioneer
    Sophie Dolce
    • Cafe Marly Hostess
    Carolin Dichtl
    • Dominatrix
    Andrea Eckert
    • Celeste
    Kurt Freimuller
    • M. Durand
    John Gentry
    • Hotel Raphael Concierge
    Laurent Hennequin
    • Mover #1
    • Regie
      • Anne Goursaud
    • Drehbuch
      • Elizabeth McNeill
      • Mick Davis
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen32

    3,04.9K
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    Empfohlene Bewertungen

    3smatysia

    Bo-o-o-o-ring

    This film truly bored me. Roarke looks terrible, Angie Everhart's character went nowhere. The storyline is incomprehensible.
    5Scoopy

    wouldn't be that bad if it weren't so damn dark!

    Let me start with the good points: the movie is on a high quality print, the art direction is lovely, the sets are sumptuous, the exteriors are shot in Paris and the French countryside (how bad can you screw that up)

    And that's about it. The entire movie is shot in a corny blue lighting scheme, and most of the sets are also blue. Given the presence of such a beautiful woman, Miss Everhart, and given that she did some rare-for-her topless scenes, some clearer lighting might have been sexier.

    Talk about a lack of Chemistry between leads. These two never seem to like each other at any time.

    Rourke looks better suited to do a sequel to Angel Heart than 9 1/2 Weeks. He's aging ... gracelessly. He looks like a ventriloquist's dummy that recently had his hair refitted. Despite his physical appearance, Rourke gives it his best shot, and he's pretty effective as a man locked inside himself, tortured by past mistakes and chances never taken. This could have been very effective opposite Kate Blanchett or Emma Thompson or Gwyneth, but just seems to echo unnoticed off Everhart.

    Miss Everhart is a presence. Unfortunately, sound developed before color, and there were never any silent color movies, which would have been perfect for her.

    She has a magnificent physical aura, at 5'11", with the mane of hair, the supermodel looks, and the ability to fill out a sweater with extraordinary curves. But the girl went to the Royal Kathy Ireland Academy of Dramatic Arts. In terms of depth, she makes Pam Anderson seem like Soren Kirkegaard. She delivers every line with the chirpy intonations of a high school cheerleader. Surely there is more to her than this? What possessed someone to cast her in this role as a successful and powerful career woman?

    Well, what else is there to say about a pseudo-arty piece of erotica that isn't erotic? Missing the right leads, and missing any chemistry between them ... what else could redeem the movie? Plot? You want plot? Maybe you should try to re-watch Sleuth instead of renting this movie.
    htbt

    Not as terrible as most have made it out to be.

    First off I LOVED the original 9 1/2 weeks, let me remind you that this film was previously close to 3 hours long and very faithful to the book (at least that is what I have read) apparently test audiences felt it was too disturbing so the director, Adrien Lyne was forced to cut A lot of parts. this is why the film looks disjointed - if you haven't noticed, the editing was pretty bad. I even read the Mickey Rourke had wanted Lyne to stick to his guns and let the film stay faithful to the book.

    if you haven't read the book yet.. PICK IT up - its by far the best erotic novel I've ever read, its short and to the point.. apparently it is based on a true story - so it intrigues me even more.

    back to my review on this sequel, lets face it folks most sequels are always bad.. its hard to make a great sequel period. when I first heard that there is a sequel to this film I was in shock - I felt that they should leave the story alone. but many of us who have watched the original have often wondered what became of the two protagonist... this sequel takes us there.

    the biggest turn off was Angie Everhart's acting... yes she is gorgeous (not as gorgeous as Kim Basinger in my opinion) but looks only go so far - she was merely eye candy, watching her scenes was painful.

    Mickey was great as the tortured John. I agree with another reviewer that the filmmakers made a wise choice to start the sequel where the original left off. I'm sure others would have liked john to move on - but that sometimes isn't reality. In theory the story was good, it just wasn't executed that well.

    I really felt deeply sad for him and the fact that he could not be with the one woman he loved - even when confronted with gorgeous women - its just not the same chemistry as he had with liz. I like the fact that elizabeth liked the games John played without having to tell him directly - she was almost like a child - which John liked. whereas lea wanted john to play with her sooo bad - it seemed pathetic.

    anywho.. the acting on everhearts part made the film bad for me... overall the film wasn't that bad. I think most audiences are use to the typical films which Hollywood feeds us with, this one was different. It was extremely sad and painful - a love story so intense and so amazing, one in which its main protagonist has to move on with his life knowing that he will never be with the love of his life ever again.
    Clara-11

    Sad

    All that really stands out in my mind is the poor acting from "Lea". This movie lacked all purpose, and what made it worse was the poor excuse for acting from an otherwise talented model. Slow moving, lacked any depth in it's scenes, and made the first movie look like a masterpiece. Overall, not very good at all.
    Michael_Elliott

    The Most Unerotic Erotic Movie Ever Made?

    Another 9 1/2 Weeks (1997)

    1/2 (out of 4)

    What on Earth were they thinking? John Gray (Mickey Rourke) travels to Paris to try and track down Elizabeth but after learning that she's now married he starts up a relationship with a young fashion designer (Angie Everhart). I think 9 1/2 weeks in hell would be much more pleasant that trying to sit through this film. It has one of the worst reputations in the history of sequels and it's easy to see why. It would be like trying to make a Friday THE 13TH film but instead of violence, gore and Jason you threw in singing, good vibes and Barney the dinosaur. I'm really not sure what the producers were thinking but this here is perhaps the most unerotic erotic movie ever made. They clearly were just wanted to cash in on the notoriety of the first movie and I understand that. I'm fine that they were simply wanting to make money but for the life of me why would they deliver something like this? There's very little sex, little nudity and there's nothing erotic that happens. The majority of the overbearing 105-minute running time features the two stars just going into various clubs and getting in trouble. They flirt, they talk, they talk some more and then they go home to do nothing. Director Anne Goursaud might have been given an impossible task but she didn't help matters any. The pacing of the film is downright horrid, the lack of style just made for an ugly mess and I'm really not sure why she decided to make everything so dark. The entire film just seems like a bad nightmare that you can't wake up from and this includes the two leads. Rourke and Everhart have zero chemistry together and Rourke appears bored out of his mind and wishing he was anywhere but in front of the camera. ANOTHER 9 1/2 WEEKS is a really bad movie on all levels and it's even poor when compared to much of the direct-to-Cinemax trash that was making the rounds during this period.

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    Handlung

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    • Wissenswertes
      Originally planned to be a direct sequel to 9 1/2 Weeks, but was heavily rewritten when Kim Basinger declined to reprise the role of Elizabeth.
    • Zitate

      Beautiful Blonde: Who is Elizabeth?

      John Gray: [exhales; no response]

      Beautiful Blonde: Last night you called me Elizabeth.

    • Verbindungen
      Featured in WatchMojo: Top 10 Movie Sequels You've Never Heard Of (2015)
    • Soundtracks
      Come Alive
      Composed by John Wallace and William South

      Publisher: J. Wallace published by Empire Music Ltd. and W. South

      Published by International Media Holdings / Leosong Copyright Service Ltd. (PRS)

      Performed by Heavy Shift

      Courtesy of China Records and Discovery Records

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    FAQ15

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    Details

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    • Erscheinungsdatum
      • 12. Juni 1997 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Frankreich
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Neuneinhalb Wochen in Paris
    • Drehorte
      • New York City, New York, USA
    • Produktionsfirmen
      • Jones Film
      • M6 Films
      • NTTS Productions Ltd.
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    Technische Daten

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    • Laufzeit
      • 1 Std. 45 Min.(105 min)
    • Sound-Mix
      • Dolby
      • Dolby SR
    • Seitenverhältnis
      • 1.33 : 1

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