L.A. Psycho

It has Rob Lowe, which is good, but unfortunately the movie was just bad. There was a lot of random yelling, the acting was somewhat wooden in places and way to campy in others, and while you were apparently supposed to care about the peril Rob was in, you just didn't. As Rob so eloquently yelled somewhere in one of his paranoid tirades, 'Rat p*ss'. Yeah, that about sums it up.

After viewing this film into about the middle of the picture, I began to think it was a comedy and found it quite funny. Then, all of a sudden, things started to get crazy and Rob Lowe(Walter Woods),"Austin Powers in Goldmember",'02, wakes up with a young lady in bed with him who is very much dead. James Belushi ,(Harrison/Oliver)," Return to Me",2000, visits Walter Woods apartment and all hell breaks loose. It was very difficult for me to consider this a thriller after having laughed so much during the first half of the film! Everyone will see this picture in a different WAY!

I thought it was a very thrilling movie. The most people that don't enjoy those kind of movies are semi-blind and used to see only those 8.0+ mainstream movies. This isn't like that. This actually has a different vibe to it. If you truly are a thriller fan you will love it.

I thought that the movie was well done and very suspenseful. Rob Lowe did a very good job in this movie, there was never a dull moment in this film. It is filled with twists and turns that kept me rivotted to my seat. I did not lose interest for one minute.

Architect Rob Lowe is Living in Peril when he travels to Los Angeles to present his drawings to wealthy builder James Belushi. And after he rents a flat in grumpy Dean Stockwell's apartment building, he has to deal with these two eccentric gentlemen as well as a sexually aggressive neighbour, a happy-go-lucky German, and an angry truck driver who was recently fired by his employer after Lowe complained about his driving.

This obscure film by the Swedish Ersgård brothers is worth a look, if not because of the story in itself, then because of the film's eccentric, evocative tone. An important factor in this is the nostalgic musical score and set direction, which together create an almost Hitchcockesque mood. The Ersgård brothers obviously knew what they wanted, and the film is also suspenseful on its own quirky level. There are lots of characters, entanglements and situations, and although our protagonist's choices sometimes seem more driven by the plot than by common sense, the film's stylized nature allows it to get away with that. The Ersgård brothers made a few more movies in the years following this, before disappearing from the scene.