Letters from a Killer

Patrick Swayze portrays a death row inmate that gets a new trial, when a witness testifies that he wasn't the killer of his wife several years earlier. He is re-tried and found not guilty, but this is just the beginning.

He becomes a successful writer, and one of the women that recorded a taped message would later frame him for the murders that occur on film. He is eventually stalked, a la Clint Eastwood in Play Misty For Me (1971), but in this film, he is framed and later vows to find the real killer.

The scene in the apartment near the film's end is horrifying, where a meat cleaver and a handgun are present, which makes this film like a Friday the 13th or Nightmare on Elm Street flick, and one that would view this particular scene would remember it for eternity.

Letters from a killer has a very unusual storyline. It starts off quite confusing and uninteresting, but as it goes on the excitement gets more and more. Then at the end, you are at the edge of your seat, with all the gun shooting and racing about. I think that this is a film worth watching, but if you miss the beginning, you will probably find the rest of the film hard to understand.

I taped this off HBO largely because it was in HD and might be OK. It turned out to be a very competent thriller, nicely constructed and at about 100 minutes pretty much perfect time, and should keep you guessing to the end. I wasn't a fan of Patrick Swayze but I have to say he is perfectly cast in this, and turns in a very credible and watchable performance. If you are looking for a movie with action and twists for a wet afternoon that doesn't insult your intelligence, you could do an awful lot worse than to watch this. Interestingly line dance scene was choreographed by swayze's mother (Patsy Swayze).

This movie took a while to get on its feet, but when it does, it's surprisingly good. At first, you keep asking yourself, when will this movie get going...Also, Swayze's character is shady..it's hard to tell who he is. Maybe that was the point, but who knows. You want to feel for him, because he is a victim, yet at the same time, he seems to be hard and you sort of have to ask yourself...maybe he IS the killer? That doesn't last long, because we find out it can't be him...he may be a user but he's not a killer. I loved the woman who played Lita, very sexy in an unconventional way, and I'd like to see her in more films. I thought a lot of the story was flawed when it came to reason, but it didn't hinder it much overall. Entertaining thriller, good acting, I'd recommend it.

I didn't expect too much from this movie which had no cinema release in the UK, but for its first hour or so it's a competent and original drama, and it just about holds you until its end. Race Darnell, played by Patrick Swayze, on Death Row for killing his wife, exchanges letters in the form of casette recordings with four women, each of them thinking she is his sole support. But one of them discovers the truth, and turns nasty. Soon after, his conviction is reversed; he gets out, and meets up with the women one by one, trying to find out who's threatening him. But before he identifies her, she starts killing the others, using the same method he was supposed to have used with his wife.

From then on, the film becomes more implausible, and more gory. Also, though tension is first built up with Swayze going on the run, it's then reduced by cutting away from the action to show the Feds having discussions about who the killer is, instead of them simply pursuing Race implacably. A nice touch - or a digression, depending on your point of view - is a buddy-buddy friendship between Race and one of his former wardens, Horton (Roger E Mosley) who's a fan of cowboy stories. You're kept guessing until the last few minutes, though mainly because one of the characters acts irrationally, and the Feds climb some stairs very slowly! All in all, it's worth a look on TV, or as a bargain rental.