Liar - Scharfe Täuschung

Deceiver (AKA: Liar) is directed and written by Jonas and Josh Pate. It stars Tim Roth, Chris Penn, Michael Rooker, Ellen Burstyn, Renée Zellweger and Rosanna Arquette. Music is by Harry Gregson-Williams and cinematography by Bill Butler.

The gruesome murder of a prostitute finds chief suspect James Wayland (Roth) in an interrogation room undergoing a lie detector test. Two detectives, Phillip Braxton (Penn) and Edward Kennesaw (Rooker), are overseeing the test and sure of Wayland's guilt. But they are soon to find that Wayland is no push over and as the mind games start, dark secrets begin to come into play...

Without doubt it's an acquired taste, met with indifference upon its release and still causing debates on internet forums, Deceiver is one of those films that infuriates and fascinates in equal measure. As the title of the film suggests, deception and untruths are the order of the day here, not just in the claustrophobic interrogation room, but also in how the brothers Pate toy with us the audience. With its reliance on a non linear structure and convoluted plot, focusing the attention is greatly required, especially since the use of a rug-pull device will either seal or kill the deal.

As the walls close in on the interrogation room sequences and the flashbacks and character subplots flit in and out of the tale, the Pate brothers bring striking photography and angles into play. Sometimes it's a POV camera technique that has an edginess that seems to be probing for a crack in the armour of the person it looks at, at other instances it's distorted backdrops that run concurrently with the psychological chaos buzzing around the sweat tinged room. While the dialogue the characters are given crackles with the hard-boiled intensity that graced many a 40s and 50s noir thriller.

With a trio of superb lead male performances leading the way and a narrative loaded with duplicity and deviousness, Deceiver is crackerjack neo-noir. It's guilty of excess at times, and it's not hard to understand why some find the trickery too much to bare, but for those who like labyrinthine crime thrillers then this hits the spot. In fact! Repeat viewing is very much recommended. 8/10

The movie "Deceiver" was done in a very creative and unusual style. Unconventional camera angles and editing lent well to the story line's confusion and general uneasiness that the actors themselves were feeling. The film is thought provoking with excellent character portrayals. Tim Roth's performance was exceptionally believable and extremely well done. All in all, a very well thought out production that I thoroughly enjoyed!

There are two reasons to see Deceiver - one is for the great performance from the always-superb Tim Roth, and the second is for the superb performance from the always-great Tim Roth. In all fairness, the two detectives and Renee Zellweger were excellent as well. The story is convoluted in a way but sometimes that's not really a bad thing, if the convoluted-ness is done in a creative fashion, as it is here. I have to say that I saw the ending coming about three-fourths of the way through, but it was still very engrossing nonetheless, the kind of film that leaves you nodding with a satisfied smirk on your face at the end because you DID figure it out, and sometimes that's not a bad thing either.

This movie has first class acting.Tim Rooth delivers a great performance and so does Michael Rooker.The movie is very dark and mysterious.A big part of the movie takes place in a little room,but this just helps make the movie even better.The story is really clever and it reminds me a lot of Usual suspects.This movie uses good camera work and great acting to build the story,and that is they way it should be.Good thriller with lots of suspense.

The cast, the camera work, the music and the dialogue all create a dark and surreal tone that's haunting and riveting. Tim Roth, Renee Zellweger and Ellen Burstyn all dominate so completely that you can't look at anyone else when they're onscreen. It's as much an exercise in acting and "mood" as anything, but the story is fun to follow. I don't think it's supposed to be "believable" in the literal sense. How can it be when they throw in epilepsy, absinthe, prostitution, family dysfunction, etc. Every character was well-cast (LOVED the psychologist) and the tension and undertones in the actor's interactions with each other make it an impossible-to-forget movie. It's one of the few I own. The scenes with Mook (Burstyn) as well as those with Roth and Zellweger are ingenious. A movie that must be watched closely to understand the ending.