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Jackie Brown

  • 1997
  • 16
  • 2 Std. 34 Min.
IMDb-BEWERTUNG
7,5/10
394.422
IHRE BEWERTUNG
BELIEBTHEIT
1.034
20
Robert De Niro, Samuel L. Jackson, Bridget Fonda, Pam Grier, Michael Keaton, and Robert Forster in Jackie Brown (1997)
Official Trailer ansehen
trailer wiedergeben1:22
24 Videos
99+ Fotos
DrogenkriminalitätKapernDramaKriminalitätThriller

Eine Frau mittleren Alters gerät in einen riesigen Konflikt, der ihr entweder Gewinn bringen oder sie das Leben kosten wird.Eine Frau mittleren Alters gerät in einen riesigen Konflikt, der ihr entweder Gewinn bringen oder sie das Leben kosten wird.Eine Frau mittleren Alters gerät in einen riesigen Konflikt, der ihr entweder Gewinn bringen oder sie das Leben kosten wird.

  • Regie
    • Quentin Tarantino
  • Drehbuch
    • Quentin Tarantino
    • Elmore Leonard
  • Hauptbesetzung
    • Pam Grier
    • Samuel L. Jackson
    • Robert Forster
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    394.422
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.034
    20
    • Regie
      • Quentin Tarantino
    • Drehbuch
      • Quentin Tarantino
      • Elmore Leonard
    • Hauptbesetzung
      • Pam Grier
      • Samuel L. Jackson
      • Robert Forster
    • 673Benutzerrezensionen
    • 198Kritische Rezensionen
    • 62Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 9 Gewinne & 24 Nominierungen insgesamt

    Videos24

    Official Trailer
    Trailer 1:22
    Official Trailer
    Jackie Brown
    Trailer 1:14
    Jackie Brown
    Jackie Brown
    Trailer 1:14
    Jackie Brown
    Jackie Brown
    Trailer 1:14
    Jackie Brown
    Jackie Brown
    Trailer 0:27
    Jackie Brown
    Jackie Brown: Blu-Ray
    Trailer 1:32
    Jackie Brown: Blu-Ray
    Blaxploitation Movies & Black Power in the 1970s
    Clip 4:51
    Blaxploitation Movies & Black Power in the 1970s

    Fotos231

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    + 225
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    Topbesetzung46

    Ändern
    Pam Grier
    Pam Grier
    • Jackie Brown
    Samuel L. Jackson
    Samuel L. Jackson
    • Ordell Robbie
    Robert Forster
    Robert Forster
    • Max Cherry
    Bridget Fonda
    Bridget Fonda
    • Melanie
    Michael Keaton
    Michael Keaton
    • Ray Nicolette
    Robert De Niro
    Robert De Niro
    • Louis Gara
    Michael Bowen
    Michael Bowen
    • Mark Dargus
    Chris Tucker
    Chris Tucker
    • Beaumont Livingston
    LisaGay Hamilton
    LisaGay Hamilton
    • Sheronda
    Tom Lister Jr.
    Tom Lister Jr.
    • Winston
    • (as Tommy 'Tiny' Lister Jr.)
    Hattie Winston
    Hattie Winston
    • Simone
    Sid Haig
    Sid Haig
    • Judge
    Aimee Graham
    Aimee Graham
    • Amy, Billingsley Sales Girl
    Ellis Williams
    • Cockatoo Bartender
    • (as Ellis E. Williams)
    Tangie Ambrose
    Tangie Ambrose
    • Billingsley Sales Girl #2
    T'Keyah Crystal Keymáh
    T'Keyah Crystal Keymáh
    • Raynelle, Ordell's Junkie Friend
    • (as T'Keyah Crystal Keymah)
    Venessia Valentino
    • Cabo Flight Attendant
    Diana Uribe
    Diana Uribe
    • Anita Lopez
    • Regie
      • Quentin Tarantino
    • Drehbuch
      • Quentin Tarantino
      • Elmore Leonard
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen673

    7,5394.4K
    1
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    7Leofwine_draca

    The forgotten one

    Out of all the films in Tarantino's career as director, JACKIE BROWN is the one people are least likely to have seen. This may be because it's the director's most subtle and relaxed movie, and also the only one in which the material he directs isn't his own; instead this is an adaptation of an Elmore Leonard novel. This doesn't mean it's at all bad, and in actual fact it's entertaining to watch Tarantino try something different for a change.

    Of course, his trademarks are still apparent for the fans. The dialogue is as zippy and frenetic as ever, and the characters the usual bunch of double-crossing low-lifes you'd expect to see in RESERVOIR DOGS and PULP FICTION. There's a huge set-piece late on in which takes place in a shopping mall that manages to be just as entertaining as the chop-em-up showdown of KILL BILL: VOLUME 1 even if the on-screen events are more laid back.

    As with every other Tarantino movie I've seen (all of 'em, with the exception of DEATH PROOF), the cast is remarkable for its breadth and daring. Once again, Tarantino isn't afraid to pick forgotten or non A-list types as central characters. When he incorporates A-listers, like De Niro here, he does an about turn and casts them against type. It pays off. De Niro is hilarious as a no-good hoodlum and seems to be loving the chance to play something other than a slick mob boss.

    Elsewhere, we get cult favourite Robert Forster (ALLIGATOR) who gives what I think is his best ever performance; Michael Keaton, playing a pretty weird/wired cop; Bridget Fonda as a stoner; Chris Tucker, not annoying for once; Samuel L. Jackson as a cold-blooded, almost reptilian character and, of course, Pam Grier. While I appreciate Grier's iconic status - I've seen a fair few of the '70s flicks that made her famous - I don't think she's quite the actress that Tarantino hoped for when casting her, but she's adequate at least. Add in a Sid Haig cameo and there you have it: a typically offbeat, original and enjoyable Tarantino outing with a cast to die for.
    8claudio_carvalho

    The Sting

    The middle age stewardess Jackie Brown (Pam Grier) smuggles money from Mexico to Los Angeles for the arms dealer Ordell Robbie (Samuel L. Jackson). When she gets caught by the agents Ray Nicolette (Michael Keaton) and Mark Dargus (Michael Bowen) with ten thousand dollars and cocaine in her purse, they propose a deal to her to help them to arrest Ordell in exchange of her freedom. Meanwhile Ordell asks the fifty-six year-old Max Cherry (Robert Forster), who runs a bail bond business, to release Jackie Brown with the intention of eliminating her. Jackie suspects of Ordell's intention and plots a complicate confidence game with Max to steal half a million dollar from Ordell.

    "Jackie Brown" is another great movie by Quentin Tarantino. The story of a sophisticated swindle shows the return of Pam Grier to a lead role and Robert Forster in an important role. The scene in the department store is original, with different perspectives of the same event. However there is a hole since it seems that there is no investigation with the seller but the marked bills. Otherwise she would tell that Jackie Brown had found a bad with towels in the fitting room. My vote is eight.

    Title (Brazil): "Jackie Brown"
    MovieAddict2016

    Quentin strikes again.

    Where does a director go after making two colossal worldwide hits?

    "Reservoir Dogs" (1992) and "Pulp Fiction" (1994) were two of the greatest movies ever made, and they launched director Quentin Tarantino into the realm of Mainstream Hollywood Director. Most of the time, a director faced with this reality will sink into a slew of really bad movies, but so far Tarantino has been either extremely lucky or extremely talented - his third feature film, although lacking in the brutality of its predecessors, contains just as much wit. Based upon the Elmore Leonard novel "Rum Punch," it's packed with the clever dialogue that Leonard is known for in his writing. It's also got a good amount of style, too. It's not a typical Tarantino movie, but is that necessarily a bad thing? In this particular instance, no.

    Jackie Brown (Pam Grier) is a flight stewardess forced into running jobs for Ordell (Samuel L. Jackson), a ruthless criminal who has no respect for life - or death, for that matter. However, during one of her smuggling efforts, a couple of FBI Agents (including Michael Keaton) nab her and offer her a deal: If she helps them get Ordell, she will be let free from custody. The Feds do not know who Ordell is, but they know he exists, and that is where Jackie comes in. She reluctantly agrees to participate in their sting operation, but all is not what it seems. And when $500,000 dollars disappears from his retirement fund, Ordell stops, thinks, and arrives upon the conclusion that we all anticipate with glee: Jackie Brown did it.

    His partner in crime, Louis (the wonderful Robert De Niro), also decides to double-cross Ordell, with the help of a sexy blonde ditz named Melanie (Bridget Fonda), The movie's twisting plot line and intersecting story lines is very reminiscent of "Pulp Fiction," and De Niro's underrated performance is a real stand-out. The movie's quite well made and enjoyable.

    Don't misinterpret what I'm saying. This is no "Reservoir Dogs," nor does it want to be. It's not in the same vein as Tarantino's other movies, at least not at a superficial level. However, it is extremely entertaining, helped along by a great cast and a terrific script. The only difference here is that Tarantino did not come up with everything by himself. He adapted the screenplay from another source, something he usually doesn't do. But there's also a little-known fact that Roger Avary co-wrote some of "Dogs" and "Fiction" with Tarantino, as well as sparked the idea for some of his films. Here, Quentin adapts Leonard's novel and does justice. People who say it isn't as good as his other movies because it's recycled obviously don't know what they're talking about.

    Tarantino started out as a video store clerk, and is the movie buff's filmmaker. Not only does Tarantino share a deep passion for films, but he also knows what most of the real movie enthusiasts want. He has yet to disappoint me with any of his directorial efforts. His own life story would make an interesting movie, and indeed it did with "True Romance," partially based on Tarantino's own self-image of himself. (A geek working at a comic book store falls in love and goes off of an adventure into a new realm -- in Tarantino's own case, it was film-making. For Clarence, from "True Romance," it was drugs and murder.)

    Tarantino has a flair for raw energy in all of his films, and "Jackie Brown" is no exception. The movie is bursting at its edges, packed with wild antics and the occasional fierce brutality. The movie was criticized by Tarantino's die-hard fans for being too different from his other films. However, the mistake of many directors is to repeat the same formulas over and over again. One must at least give Tarantino credit for trying new things in each of his films. If anything, the only thing that Tarantino likes to insert into all his films is a large source of energy. And is that a bad thing?

    4.5/5 stars.
    ametaphysicalshark

    Tarantino's best film, a tremendously entertaining thriller

    Quentin Tarantino takes on Elmore Leonard? At first look not such a good idea but coming to "Jackie Brown" several years after its more or less lukewarm initial reception (released after so-called masterpiece "Reservoir Dogs" and the inventive and infectious "Pulp Fiction", "Jackie Brown" was seen as something of a disappointment) and being able to assess it without putting in context of Tarantino's filmography, "Jackie Brown" is surprising.

    It is, without question, Tarantino's most mature and complete work to date as a director. Mature in the sense that Tarantino here is not preoccupied with 'homages', references, style (not too much, at least), or indulging himself in his fantasies. Tarantino, for once, is primarily a storyteller, and the approach works stunningly well. "Jackie Brown" is a fantastically entertaining crime thriller that not only does justice to Leonard's source material, but in some senses improves on it (admittedly, the novel this is based on is hardly his best work). The cast is a dream for this sort of movie, and contains what is as of 2008 Robert De Niro's last truly memorable performance, the music fits perfectly, the atmosphere created is the sort you can lose yourself in for the running time of the film (which feels significantly shorter than it is), and the screenplay, with its witty exchanges, striking characters, and plentiful plot twists, keeps the viewer more than entertained. This is a truly engaging film.

    Tarantino movies do it for me. I don't think he's one of the greatest directors of all time or anything, but he is a talented director with the capacity to make tremendously entertaining films. While many would prefer him to do films like "Kill Bill" I think "Jackie Brown" is a far better representation of his talent. He's certainly not completely out of his element here, there's plenty of 70's retro cool in this film, but thankfully it is contained and kept from going overboard.

    Expect another "Pulp Fiction" and disappointment is an understandable reaction, but if you go into this with an open mind and expect nothing in particular you might just find that "Jackie Brown" is not only Tarantino's best but one of the most entertaining films of the 90's.

    9.5/10
    Infofreak

    Tarantino's sleeper. An underrated gem of a movie.

    Many people were disappointed with 'Jackie Brown' when it was first released as it didn't live up to their expectations created by the more flamboyant 'Reservoir Dogs' and 'Pulp Fiction'. I admit that I was one of those disappointed fans. But as the years have gone by I have come to appreciate this movie more and more, and if you deal with what it IS and not what you thought it was going to be, you'll see that it is an underrated gem of a movie. 'Jackie Brown' is much more character driven and leisurely plotted than Tarantino's previous two movies. I haven't read the Elmore Leonard novel on which it was based so I can't tell whether this was a conscious decision by Tarantino himself, or it's because of the source material, but it might be a stumbling block for those with MTV-style attention spans. 1970s crime movie buffs will find it much easier going. The big names in the cast like De Niro, Jackson and Fonda are all very good, but the real standout performances in this movie are by 70s blaxploitation icon Pam Grier ('Coffy', 'Foxy Brown', 'Black Mama White Mama',etc.etc.) and a revelatory one from Robert Forster. Forster back in the day showed plenty of promise in movies like 'Medium Cool' but quickly found himself stuck in b-grade exploitation movies like 'Vigilante' and 'Alligator'. Fun stuff, but hardly Oscar material. Max Cherry is the best role he has ever been given, and he is superb in it. The fascinating thing about 'Jackie Brown' for me is that Tarantino's critics accuse him of making shallow and violent self-consciously hip crime films, but the central story of this movie concerns an inter-racial Middle Aged romance, something I haven't seen done in a believable or realistic fashion by Hollywood before. By doing this so well Tarantino shows he has much more depth, and is a much more interesting and braver film maker than his more acclaimed contemporaries. 'Jackie Brown' is a fine movie that hopefully one day will get the kudos it deserves. Don't overlook this one just because it isn't 'Pulp Fiction The Next Generation'!

    Samuel L. Jackson Through the Years

    Samuel L. Jackson Through the Years

    Take a look back at Samuel L. Jackson's movie career in photos.
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    Drama
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    Handlung

    Ändern

    Wusstest du schon

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    • Wissenswertes
      Quentin Tarantino met Robert Forster in a restaurant and handed him the script, saying "You're going to do this, and that's all there is to it". Forster was naturally thrilled, having had a major career slump. This film saw him come back in a big way, even landing an Oscar nomination.
    • Patzer
      During the conversation between Melanie and Louis in which they are talking about stealing the money from Jackie and Ordell, director Quentin Tarantino can be heard coughing off screen.
    • Zitate

      Ordell Robbie: Here we go. AK-47. The very best there is. When you absolutely, positively got to kill every motherfucker in the room, accept no substitutes.

    • Crazy Credits
      A copyright notice appears under the title at the beginning of the movie--a common practice for low-budget movies in the 1960s and '70s but very uncommon for 1997.
    • Alternative Versionen
      The following deleted scenes are included on the DVD:
      • Extended scene with Jackie/Sheronda in the mall's food court.
      • Extended scene with Jackie and Ray in the diner.
      • A scene where Louis and Ordell walk into the Cockatoo.
      • A scene where Jackie is discussing with Max how to set up Ordell.
      • An alternate "for your eyes only" scene.
      • Alternate opening credits sequence.
    • Verbindungen
      Edited into The Making of 'Kill Bill' (2003)
    • Soundtracks
      Across 110th Street
      (1972)

      Music and Lyrics by Bobby Womack

      Performed by Bobby Womack

      Courtesy of EMI Records

      Under license from EMI-Capitol Music Special Markets

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    Details

    Ändern
    • Erscheinungsdatum
      • 16. April 1998 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Facebook
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Jackie Brown: La estafa
    • Drehorte
      • Sam's Hofbrau Strip Club - 1751 E. Olympic Boulevard, Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • Miramax
      • A Band Apart
      • Lawrence Bender Productions
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    Box Office

    Ändern
    • Budget
      • 12.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 39.673.162 $
    • Eröffnungswochenende in den USA und in Kanada
      • 9.292.248 $
      • 28. Dez. 1997
    • Weltweiter Bruttoertrag
      • 39.694.884 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 34 Min.(154 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • SDDS
    • Seitenverhältnis
      • 1.85 : 1

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