Todesschlaf

Usually, when a director wants to set a dark mood, he or she relies on shadows and gloom in the camera frame. Here the exact opposite has been achieved through the perpetual midnight sun which throws the descent of Jonas Engstrom into madness all too clearly. At first the effect is subtle, but as the picture continues and there is never any nightfall one begins to feel the same bone-deep weariness and lethargy experienced by the protagonist. I watched it for the first time late at night and it completely threw me off my sleep cycle for the night. Most powerful.

I speak neither Swedish nor Norwegian, but I didn't find the subtitles a hindrance at all--indeed, I much prefer subtitles to dubbing every time. I found that I had to work harder to notice everything that was happening on screen, which was a welcome change from the constant "eye candy" that seems to be the norm coming out of the movie business these days. All of the performances were understated yet brilliant, especially, of course, that of Stellan Skarsgard. I was particularly intrigued by the opening title sequence, showing the murder through the eyes of the murderer in a disjointed and confused sped-up manner, and this point of view is a foreshadowing of how both Engstrom and the viewer will feel by the end of the picture.

I have not seen the remake yet, and I'm not sure that I want to do so. The Hollywood movie business never seems to know when to leave well enough alone. I'll be able to make a better recommendation when or if I get around to the remake.

Why does Hollywood re-make European films? Because they are so great. And this is no exception. I saw the Pacino version first then searched out this European original. Despite the bad press of the Pacino version, I did enjoy it very much.

However, this version is darker, raw and allows the view to see and feel more. A must see for those who have seen the American take of this film. A must see for those who love well acted European cinema.

I don't wish to recommend which version you should watch first, yes the story is known the second time around, but it is the character differences, how the films were made, and the use of dialogue (or not) that are important... surely. Enjoy.

Although I wasn't totally disappointed with the American version, I didn't exactly biase towards it too. The moment I learned there is an original, I wanted to see it and I expected great things from it. Well, I guess my expectations were a little too high...

The original is better, just not in the league I thought it would be. The plot is familiar, although many things seem to be very different in both versions, starting with the fact that this version is more "natural", as expected in an European film. The pacing is slow, there is little action although there is some tension and "agitation". The roles are generally well portrayed by the actors.

I used to love going to the video store because there were always so many films I wanted to see, but as my tastes became more refined, my trips to the video store have become more difficult. It's not easy to find movies who's foundation are based on cinematography and atmosphere, but this movie is just that. This movie is slow and drawn out, and if you need lots of dialogue to keep you interested in a film, this one won't work for you. But if you like eerie scenes with quiet reserved characters and a sound track that is as slow and quiet as the pacing is, then this movie is will be perfect for you. The acting leaves nothing to be desired, the story is well written, the sound track is perfectly mood enhancing, the sets are breath taking, and the cinematography is immaculate. Slow, moody, harsh, and absolutely beautiful. One of the best films I've seen in a long time.

Erik Skjoldbjaerg's 1997 film 'Insomnia' starring Stellan Skarsgard is a fine example of the rich films being offered by the foreign film market. Skarsgard plays Jonas Engstrom, a disgraced detective who, with his partner, travels to Norway to help a small town solve the murder of a 17-year-old girl. Due to the atmospheric conditions (there is 24 hour sunshine) and recent events, Engstrom is suffering from a severe bout of insomnia, which is causing problems with his work and psyche.

Not having seen Christopher Nolan's remake, I didn't know what to expect from the story, so I was pleasantly surprised by the unconventional progression of the storyline and the various twists within the script. I have only seen Skarsgard in a couple of films, but he is always fantastic, as he is in this film as well. There are few actors who can keep a straight face, yet still manage to convey complex emotion, and Skarsgard is one of them. He walked through his scenes with a somberness that is reminiscent of most M. Knight Shymalan heroes; powerful, yet weary. Skjoldbjaergs's direction is absolutely beautiful. The colors are quite sharp, and most scenes are expertly framed – most would make gorgeous still frames.

I plan to see the remake of 'Insomnia' eventually, but whether you have seen it or not, I would recommend catching the film that inspired it. 7/10.

--Shelly