Der Eissturm

I went to see this film with one of my friends, in a cinema I had never been to before. It was one of those rare and delightful experiences where you are the only people in the theatre. No one around to distract you. No kids munching on crisps, or couples quietly muttering sweet nothings, or idiots trying to tell the characters what to do. It was great.

The film was just brilliant. It really nearly broke my heart. Every performance is perfect. The direction by Ang Lee is deliberate and painful as he slices into you with the lives of those he makes you watch. It looks amazing, in a beautifully bleak way. It is also one the most compelling and painful movies that I have ever come across. The family life portrayed is messed up and all the relationships that are displayed are disfunctional on some level or other. But still I was forced to care for them - all of them. Such is the brilliance of the acting and the script writing.

I own this film, but I can't watch it alot. Once a year is just enough. It's to traumatic and beautiful to watch more than that.

"Ice Storm" not only describes the weather in the Connecticut countryside but is also a metaphor for the pall which hangs over a pallid and dysfunctional middle-class suburban family of four in the 1970s. Sporting a stellar cast with Ang Lee at the helm, this well crafted, sensitive, artful production takes the audience into four lives outwardly living the "American Dream" while inwardly existing in a state of empty unfulfillment and quiet desperation. The tedious and laconic nature of the film may lose the less patient audience while those with a taste for psychodrama should enjoy it.

Ang Lee is a perfectionist, and it shows here in this excellent film about relationships between friends, lovers and families. The attention to detail is second to none, this film is wonderfully crafted, the landscape is filled in every scene with the beauty of nature or the ugliness of the humans that inhabit it. The dysfunctional family is not only observed, it is clinically dissected and placed under a microscope. So many divergent paths these characters take, so many of them the wrong paths, it is hard to look away, because morbid curiosity grips all of us at times. Sigourney Weaver and Joan Allen are both outstanding here and well supported by the rest of this talented cast. Highly recommended.

First I should say, this movie could have been about my town and my family. I grew up in Connecticut and was 11 years old when the ice storm hit. My family was probably the typical dysfunctional unit of the 70's – emotionally clueless, parents headed for divorce (though we didn't know that yet), so I should have been able to relate to this film.

The problem with the movie is there's no humor, no humanity. It's just one dysfunctional, sad, deviant event after another. It's like someone from another planet was assigned a homework exercise to depict dysfunctional families on Earth. I couldn't relate to the characters and there was no one to like.

I'll give it 4 stars for the nice cinematography, the all-star cast, the good period sets and clothes. Although Toby Maguire gives his usual staring-into-space, deer-in-headlights, stupid-half-smile, what-am-I-supposed-to-be-doing-again? performance, I thought the rest of the cast did their best with the material – i.e. it wasn't the actors' fault!

Set in upscale, suburban New Canaan, Connecticut in 1973, The Ice Storm (based on a novel by Rick Moody) is a scathing social criticism of the values and ideals of upper-class American society during that time period. With the background for the movie being the Nixon Watergate scandal, the corruption is portrayed as extending all the way into the American Home through a short glimpse into the lives of two families: The Hoods and the Carvers.

Both families have two children (Carvers: two sons, Hoods: one son, one daughter), and appear perfectly normal and supportive at first glance. However, through a series of common experiences, and through the way the families struggle to communicate both within and with one another, it becomes clear there are deeply rooted problems. Director Lee uses the children to exemplify the failures of the parents, and their mistakes reflect heavily and harshly on the adults in their lives. The adults also make their own mistakes, and these are depicted as far worse - for as adults, they should know better. Their struggles in dealing with their children are at times almost comical, and show their lack of proper parenting skills. As a criticism, this structure is flawless, comprehensive, and unrelenting throughout. Except for a few fleeting scenes, the irresponsibility of the adults dominates the screen.

Of course, all these events are building up to a climax of epic proportions. The saying, "a stitch in time saves nine," comes to mind when discussing this movie. Had any of the adults taken the proper steps of good parenting anywhere along the way, the events that unfold would not have occurred. Like the failed parenting of the adults, however, it's too little, too late. Bad parenting, selfishness, lavishness, sexual promiscuity, greed, lack of communication, and foolishness lead these adults to make mistakes within their lives, the lives of their children, and the lives of their friends. And come the closing credits of this incredibly well directed, well acted film, they are the ones left to pick up the pieces.