IMDb-BEWERTUNG
5,7/10
2384
IHRE BEWERTUNG
Nach einem verpfuschten Banküberfall nimmt eine Bande ein japanisches Mädchen auf der Flucht vor einer arrangierten Ehe als Geisel und entkommt.Nach einem verpfuschten Banküberfall nimmt eine Bande ein japanisches Mädchen auf der Flucht vor einer arrangierten Ehe als Geisel und entkommt.Nach einem verpfuschten Banküberfall nimmt eine Bande ein japanisches Mädchen auf der Flucht vor einer arrangierten Ehe als Geisel und entkommt.
Christopher Duncan
- Confused Man
- (as Christopher Duncan)
Empfohlene Bewertungen
This is a wild fun Austrailian movie that is well worth the ride The action dominates the movie with a collection of odd broken characters that you so often find in Australian movies. The story sometimes borrows themes from other 'road movies' which are fairly familiar, but the unique characters in the movie make this road movie unique in its own very strange way. Russell Crowe a la sideburns is still very cool, yet he does not dominate each scene as he has done in every movie he has made in the past 5 years. His somewhat understated presence allows his co-star Yidori (?) shine - a wonderful Japanese actress whose ingénue childlike looks contrast sharply with her bizarre change or metamorphosis from the gentle opening scenes. The classical musical romantic score is placed in a wild funny contrast to the plot,sometimes in a very campy way--yet it still works. This is not a great movie or a classic--but it has the zany features of movies like "TRUE ROMANCE', (a cult classic) I would highly recommend this movie for what it it is -- a wild action packed funny bizarre ride with a good run of crazy people--- This movie may be a 10 if you view it the Austrailian way --with a keg of good beer--wish I 'd seen this movie on the big screen but I don't recall this movie in the theater years ago-Enjoy--there are even a few good lines that will make you want to go back to it someday so a DVD purchase would not be wasted....
I picked this up at the local video store recently as I am always looking for something that might not have been first run but still might turn out to be interesting. I wasn't disappointed with this noirish little flick that featured a rather sweet love story between Russell Crowe (Colin) and Youki Koudoh (Midori)as the lovers on the lam from just about everyone - the cops, the Afghan gangsters and Youki's husband Kenji Isomorua (Yokio).
The film is essentially a road movie as the two ill-fated lovers come together after Midori leaves her husband and Colin becomes a driver for the Afghan gangsters in a robbery that goes awry resulting in Midori been taken as a hostage. What follows is chase across the Australian Outback as the naive Midori falls for the quiet Colin and they try to elude their chasers to reach their paradise on the beach.
There is some lapses of logic as the chasers find the ill-fated lovers as well as some jarring violence but this tidy little Australian film is a worthy addition to the noir genre. Worth seeing.
The film is essentially a road movie as the two ill-fated lovers come together after Midori leaves her husband and Colin becomes a driver for the Afghan gangsters in a robbery that goes awry resulting in Midori been taken as a hostage. What follows is chase across the Australian Outback as the naive Midori falls for the quiet Colin and they try to elude their chasers to reach their paradise on the beach.
There is some lapses of logic as the chasers find the ill-fated lovers as well as some jarring violence but this tidy little Australian film is a worthy addition to the noir genre. Worth seeing.
First of all, I'd like to say that this is a very unique, but also important film that is making a social commentary on the oppression that (specifically, but not exclusively,)many Japanese women suffer at the hands of their domineering and quite often abusive husbands. Because of their ancient cultural structure and social and familial pressures, these women are forced into marriages that are probably not always fulfilling, and this incredible Australian? director has tackled the telling of this poor woman's predicament, which alot of Asian women may be able to relate to, without being able to speak up about it for themselves. At the same time, this director, by bringing Russell Crowe, and a plot that revolves around a bank robbery gone awry, with plenty of action and gore, is probably going to attract viewers who otherwise wouldn't really care about the problems Japanese women face. He is therefore challenging those people to take a look at this human rights issue, and bringing it to light, which is good for everybody. The inter-racial romance is an added entertaining element, but if that's all that viewers see, then they're missing the point. Let's face it,inter-racial relationships between Japanese women and foreign men have been going on since the early days of exploration by Europeans. The director of this film, along with everybody involved must be commended for taking a gamble on a topic that obviously can be touchy, and at the same time misunderstood by the typical, shallow public. To top it off, he also manages to make an homage to the classical composer Richard Wagner, first with the guy in a wheelchair, played by the ex-Men at Work singer (forgot-his-name),who should get an Oscar for his Heroic performance, and then again with the music from Tristan and Isolde at the very end! A really Cool Flic!
8K N
Ok, so this isn't your typical shoot them up movie or a romantic comedy or drama in any way. It's a combination of everything, and for me it is quite effective. The story is told very well. There are funny moments, touching moments, and enough action/violence to keep the viewer interested throughout. I didn't expect anything before I saw it so I was pleasantly surprised. Obviously it is no Gladiator, but as a Russell Crowe fan I gotta say once again he does not disappoint.
I love movies that take me totally by surprise. Turned on the TV, saw a Russel Crowe movie I'd never heard of was starting in a minute and decided I'd give it a whirl. For the next 100 minutes, I don't remember breathing. What could be described as a formulaic detective, on the lam movie was packed with the little things that make movies worth watching.
It has a stellar leading cast who evolve in totally unpredictable ways over a very short period. Throw in your typical colorful Aussie characters, tribal Afghan crazies, and Japanese you'd never see act that way in Japan and let the bullets fly.
Maybe I also really enjoyed it because in a cast of misfits and crazies, the one who turned out to be the craziest (who starts off the sanest) is driving around the countryside on my motorcycle, a beautiful black Triumph Thunderbird (although it could have been a bonnie, but I don't think so).
But I really enjoyed the subtle things that separate good movies from bad. There are thematic (and landscape) shifts, accurate and slightly ugly social commentary, a little philosophizing, Afghan woman with hijaab as computer hacker, and tasty Aussie back-country scenes (the corner country bar, B&S dance), and some father/son dynamics to go with typical on the lam love developing.
So see this movie, I bet you'll find things you like about it too.
It has a stellar leading cast who evolve in totally unpredictable ways over a very short period. Throw in your typical colorful Aussie characters, tribal Afghan crazies, and Japanese you'd never see act that way in Japan and let the bullets fly.
Maybe I also really enjoyed it because in a cast of misfits and crazies, the one who turned out to be the craziest (who starts off the sanest) is driving around the countryside on my motorcycle, a beautiful black Triumph Thunderbird (although it could have been a bonnie, but I don't think so).
But I really enjoyed the subtle things that separate good movies from bad. There are thematic (and landscape) shifts, accurate and slightly ugly social commentary, a little philosophizing, Afghan woman with hijaab as computer hacker, and tasty Aussie back-country scenes (the corner country bar, B&S dance), and some father/son dynamics to go with typical on the lam love developing.
So see this movie, I bet you'll find things you like about it too.
Wusstest du schon
- WissenswertesAs a director, Craig Lahiff impressed his cast with his laid-back approach and seemingly endless patience. Actress Youki Kudoh remarked: "He's so gentle. I never saw him lose his temper, which was amazing! He was always calm and took the time to explain exactly what he was thinking, whilst still allowing me to express my ideas". Actor Robert Mammone concurred: "He brings a sense of calmness that I haven't previously experienced. I don't think I've ever seen anybody trust his actors so much, he really nurtured us". Cinematographer Brian Breheny described Lahiff's approach as "a wonderful bedside manner...Craig's not [a] confrontationalist, but he gets the shots he wants by letting things go and everyone thinks, 'Oh, I've got my own way', but in fact they haven't, he has!".
- PatzerWhen Yukio accidentally shoots his translator, he is first seen pulling back the slide of his 1911 pistol and the slide locks to the rear. The slide of a 1911 will only lock back if a) the slide lock is pressed up or b) the pistol magazine inserted is empty. Since Yukio knew nothing about firearms it is unlikely he would lock back the slide by himself, so the pistol that accidentally shot his friend was empty of any ammunition.
- VerbindungenFeatured in The Movie Show: Folge vom 25. Mai 1997 (1997)
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- Heaven's Burning
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- 1 Std. 39 Min.(99 min)
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