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Chicago Cab

  • 1997
  • R
  • 1 Std. 36 Min.
IMDb-BEWERTUNG
6,4/10
2143
IHRE BEWERTUNG
Chicago Cab (1997)
DramaKomödie

Füge eine Handlung in deiner Sprache hinzuA Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.A Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.A Chicago cab driver's night shift becomes a kaleidoscope of humanity. With each fare, his initial cold demeanor softens, revealing unexpected depth amid cameos from familiar faces.

  • Regie
    • Mary Cybulski
    • John Tintori
  • Drehbuch
    • Will Kern
  • Hauptbesetzung
    • Paul Dillon
    • Tim Gamble
    • Olivia Trevino
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    2143
    IHRE BEWERTUNG
    • Regie
      • Mary Cybulski
      • John Tintori
    • Drehbuch
      • Will Kern
    • Hauptbesetzung
      • Paul Dillon
      • Tim Gamble
      • Olivia Trevino
    • 43Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Fotos11

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    Topbesetzung43

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    Paul Dillon
    Paul Dillon
    • Cab Driver
    Tim Gamble
    • Religious Father
    Olivia Trevino
    • 4-Year Old Girl
    Moira Sinise
    Moira Sinise
    • Religious Mother
    • (as Moira Harris)
    Rana Khan
    • Pakistani
    Darryl Theirse
    Darryl Theirse
    • X-Hat
    Michael Ironside
    Michael Ironside
    • Al
    Shanesia Davis
    • Lawyer
    • (as Shanesia Davis-Williams)
    Laura Kellogg Sandberg
    • Bug-Eyed Woman
    Phillip Edward Van Lear
    Phillip Edward Van Lear
    • Father-to-Be
    • (as Phillip Van Lear)
    Ora Jones
    Ora Jones
    • Pregnant Woman
    Michael Shannon
    Michael Shannon
    • Crack Head
    Shulie Cowen
    Shulie Cowen
    • Stoner Girl
    Andrew Rothenberg
    Andrew Rothenberg
    • Homer
    Tracy Letts
    Tracy Letts
    • Sports Fan
    Carol Hall
    • Mega Shopper
    Tim Reinhard
    • Geek
    Hubert Taczanowski
    • Immigrant
    • Regie
      • Mary Cybulski
      • John Tintori
    • Drehbuch
      • Will Kern
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen43

    6,42.1K
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    Empfohlene Bewertungen

    8tomimt

    A taste of life

    I saw "Chicago Cab" by accident, while flipping through channels. Soon I noticed I was stuck watching this seemingly plotless movie about a guy, who has driven a taxi in Chicago for about 4 months.

    A plotless movie might sound boring, even waste of time, but with great writing, good actors and good director "Chicago Cab" dwells up to be nicely cut slice from a population of big city, in example, religious family, married couple pregnant with their first born, etc.

    Acting is overall very good, but Paul Dillon makes outstanding job in the role of Cab Driver. Without his subtle performance this whole movie could fall in pieces.

    "Chicago Cab" balances between drama and comedy. Some things in this movie are so surprising and well thought of, that they made me laughing out loud. Some things made me sad, or feel compassion towards the Taxi Driver or his customers.

    This is a movie, which can be recommend for people, who want to see little different kind of drama/comedy or are just fed up with all regular actors of this specific genre.

    8/10.
    stevewest-1

    A good film

    Unfortunately I only caught this movie part of the way through on TV, but this movie piqued my interest immediately. Having driven taxi's myself for 13 months straight back in 2000/01 I always like to see what it's like for cab drivers elsewhere, how the driver responds to situations etc..

    The Christmas eve I spent behind the wheel I got probably less than one passenger an hour, but I noticed that the atmosphere was definitely different from the typical weekday/weekend. So to busy Chicago, where the bald-headed driver is ferrying around a wide variety of people. He handles most things in a relaxed and fairly unstressed manner, and shows concern for others, but unfortunately is in that place in life which would see him earning his way by being behind the wheel of a taxi.

    It looks like taxi driving is basically the same thing no matter where you are, mainly ferrying around city folk, the carless people and those who are intoxicated to varying degrees. I've felt the fear that the taxi driver felt when he picked up John Cusack's character, when the person won't tell you where they want to stop off. Are they going to do a runner? is there a dead end around the next corner where five guys with clubs lie in wait? Probably 99 times out of 100 it's a false alarm, but the 100th time...

    At the end of the film I sympathised with the cabbie, where he's worn out, he's got the echoes of dozens of conversations in his head, and he's had some good times and some bad times. And back at it again the next day...
    JeffG.

    A good, if mismarketed film.

    Don't let the box art or bad title change fool you (the movie was originally called "Chicago Cab"). This is not a B-horror movie, but an interesting and well done film about a day in the life of a cab driver. He spends the day going through a long shift and picking up all sorts of eccentric passengers. Although we don't really get to know much about the cab driver, the viewer nevertheless feels some sort of attachment to him. The last twenty minutes of the film (which starts with Julianne Moore's character and continues right to the end of the film) is alone worth the rental.

    I recommend this movie for those who are looking for something a little different from the norm. I'm still mad though about how this film has been mismarketed.
    10Frankjwilliams

    The greatest movie to see alone, late at night, when it's Christmas-time

    I saw this movie around Christmas 2002, it was about 02.00 am, I thought I'd make one more walk around the channels. Then I saw a guy in a cab on BBC, and the colors of the movie seemed okay -You know, when a movie is really dumb, or bad, it often has intense and bright colors-. I wasn't doing anything at the moment, so I left it on. Then I became more and more interested in it, and decided to turn of the computer and focus only on the movie. I think this is a movie that truly represents the spirit of Christmas, although I am still not sure what the hell that may be, I'm sure this is it. Paul Dillon, whom I did not know beforehand plays his character brilliantly. He's a quiet guy, who somehow got into the job of cabdriver. He has to work on Christmas-eve and he gets all these strange people in his cab who tell him about what happened to them lately, and that's it! Fantastic. From there you see him trying to say the right things, and that maybe is the most beautiful thing about this movie. The movie is really easy going, you can just sit, do nothing, just watch and let it pass by. Therefore, when watched alone, late at night, at Christmas-time, this is the perfect movie for the moment, and deserves 10 out of 10 points.
    8chicklet-2

    indie

    I have seen my share of independents. I love the standards like Clerks and of course Raising Arizona. I've also seen some of the fringes of independent films, though I am by no means an expert. However, I can say that this one ranks in the upper tiers of independent film stratification. It was highly enjoyable and often comedic while at the same time thought-provoking and meaningful on a real life level. Another enjoyable aspect of the movie is spotting the famous faces who turn up, like Laurie Metcalf, Michael Ironside, John Cusak, Gillian Anderson, and most impressively Julianne Moore. It is Moore's part that sparks the greatest conversation in the film examining the limits of human ability. I recommend this one to anyone in the mood for something a little off the beaten path but not so far you can't find your way back.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The original play, "Hellcab", opened in Chicago in 1992.
    • Zitate

      Cab Driver: Why does everything have to be so fucked up?!

    • Crazy Credits
      The film's copyright date in the credits is 1998, despite premiering in 1997 and being completed that same year. This means the date might have been added ahead of time, in anticipation of a theatrical release in 1998.
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: One True Thing/Rush Hour/A Soldier's Daughter Never Cries/Permanent Midnight/Touch of Evil/Chicago Cab (1998)
    • Soundtracks
      Joy to the World
      Performed by Chet Baker

      Music attributed to George Frideric Handel (as George F. Handel) (1685-1759)

      Lyrics by Isaac Watts (1674-1748)

      Arranged by Paul Sutin

      Published by Dinemec

      Courtesy of Dinemec Jazz

    Top-Auswahl

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    FAQ18

    • How long is Chicago Cab?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 2. Oktober 1998 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Hellcab
    • Drehorte
      • Chicago, Illinois, USA
    • Produktionsfirmen
      • Child's Will Productions
      • GFT Entertainment
      • New Crime Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 23.946 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.947 $
      • 13. Sept. 1998
    • Weltweiter Bruttoertrag
      • 23.946 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 36 Min.(96 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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