Alle meine Väter

Ok... so Une Chance Sur Deux is not the greatest movie ever

made! I'll give you that. It's not even Belmondo's or Delon's

best film. But it is a very, very entertaining piece of film! If

you are a fan of both this actors (like I am) you'll just love

seeing them together in action in this film. And the production

values sure help. All in all, you'll have a great two hours of

fun. Highly recommended.

I would like Delon and Belmondo had come together for the second time at least ten years earlier. Then the action scenes would be not only more credible but more creative, too.

The story of the film is basically creative, but the action scenes take more than enough time while the real asset of the story (and of the film, too) was not the action but the relation of the three major characters. I would like to see much more scenes about the relations of the extraordinary characters and smart dialogs among them, that is, I would rather to enjoy the magnetism of the acting and personalities of the extraordinary triangle of Delon/Belmondo/Paradis than to watch the ordinary explosions, ordinary mafia guys, ordinary car chases, ordinary flying bullets and the other similarly ordinary trifles.

Delon and Belmondo must come together for a third time, and this time without waiting for ten years more. Yes it may be already late. But now is better than later or never.

A downright oddity, in fact two movies in one. The first being a comedy about two possible fathers coming to terms with the idea of being a parent. The second a tough as nails russian-mafia-flic, harsh, brutal and not for the faint of heart. Logically the two don´t melt into one and the cross cutting of the two story lines in the film´s early stages only stresses the fact.

But, on the other hand, who cares about a story or its coherence or its lack of respectively? This is a reunion movie and since it´s Alain Delon who is reunited with Jean-Paul Belmondo ("Borsalino" anyone?)all you can ask for is nonchalant banter in between casual shootouts. And that´s what you get. That´s in fact all you get. And that´s why the film well overstays its welcome.

The only reason for distinguished director Patrice Leconte to do this may have been to share a credit with not one but two living legends of the French cinema. And though Belmondo and Delon may having had fun they´re way to old for this kind of physical exercise. We will be giving standing ovations in case any of the three (stars and director) would decide to do a serious crime flic or a "serious" comedy. As for "Une chance pour deux", it isn´t neither.

The long-awaited (since "Borsalino" in 1970, I think) reunion of two of the greatest and most popular French film stars ever, Alain Delon and Jean Paul Belmondo, is a slick but disappointing action comedy. It is mildly amusing when it focuses on these two and their relationship with the daughter they never knew they had, but the secondary crime plot makes very little sense for at least the first 40 minutes, and the villainous Russian mobsters look and (over)act like refugees from a straight-to-video Steven Seagal movie. Delon and Belmondo are still fun to watch, and they have to be commended for still pulling off some hard and risky stunts at their age; as for Vanessa Paradis, she is fresh and sexy. But if you're looking for this type of "Americanized" French cinematic entertainment, the "Taxi" series (especially Part 2) does it better. ** out of 4.

Both were icons of French action flicks in the 60' and 70'. Both played together once in 1970. Now don't be fooled. This isn't reality. This is an imaginary and unlikely story where actors and viewers are accomplices. Just as in any Bond flick, weapons are big and heroes get-off easy where most mortals would kick the bucket. This time, heroes are gray just as we all are getting. Imagine Sean Connery coming out of retirement and teaming with Charles Bronson for a field day. That's what we get here.

Chances are we'll get a Hollywood remake any day now.