Ein Mann, ein Mord

Absolutely enjoyable movie with a great 80's soundtrack. Action, romance, comedy. If you're a John Cusack fan this is one for the list. I'm not a fan of Minnie Driver but even she is tolerable in this flick. Basic premise; a hitman goes to his high school reunion.

About the same time as this film was made there was a spate of hitman focused comedy dramas (from Leon to Coldblooded) so this risked being viewed in the same way as these. This is strictly a comedy - there's no deep soul searching here, the analyst is also in it for comedy value.

The story is funny and lively, the soundtrack reminded us that not all 80's music was rubbish and the whole feel of the film is one that it must have been fun to make. John Cusack is excellent as the hitman, he just seems to bring the character to life and play him in a jokey way without making fun of the film, Dan Akroyd gets the best role he's had in years as the hitman trying to get Cusack to join his union, while Minnie Driver is girly and fun - the whole cast are excellent in fact!

The film is not a classic by any means and many see it as a down side that it ignores any serious issues or that the film is set so far away from reality but for me this is part of the fun. Sit down, don't take it seriously and just enjoy the ride!

One of the complaints about movies these days, and justifiably so, is that they're predictable. This movie is not predictable, and I never thought I'd be able to say that about a movie with four credited writers. Every time you think you can guess where it's going, it throws a curve. It was also very funny, which is nice because good comedies are becoming a rare species. John Cusack continues to show what a great actor he is as hitman Martin Blank. He doesn't wink at the audience, saying, Oh look, I'm a hitman, but plays him as normal, with the right amount of misgivings and tenacity. Minnie Driver is quite good as the woman he's still obsessed with (although she was good in GOOD WILL HUNTING, she should have been nominated for this performance), and Alan Arkin and Jeremy Piven were good, as ever, in support. The surprise, however, is Dan Aykroyd. Just when I was prepared to write him off forever, he comes through with a great performance here. The soundtrack is terrific too, avoiding the cliched 80's songs to provide a fresh, and compatible, score.

Although not nearly as popular as it deserves to be, GROSS POINTE BLANK has become an increasingly respected cult flick in the year following its theatrical release and it's not hard to see why. The movie is probably the only film on earth that is able to blend comedy, graphic violence, and romance together perfectly, which is what makes it such a classic. John Cusack is excellent as Martin Q. Blank, a hit-man who attends his ten-year high school reunion. At first he doesn't want to, but decides to go since he has a case there and he wants to see his old girlfriend Debbie (Minnie Driver) again. This dark comedy is heavy on exciting action, suspense, gunfire, laughs, and fun, but it doesn't have not quite enough character development for my taste (a bit more on how Martin became accustomed to killing would have been nice). Still, GROSSE POINTE BLANK was one of the best films of 1997 and one of the better comedies of the 1990s. There were rumors of a sequel happening for a while, though the chances of that happening are slim to none. Too bad.

Good movie. Particularly the part where John Cusack is using the frying pan to put his point across to the bad guy on the kitchen floor. It's hard not to belly laugh. I thought it took cues from 'Blue Velvet', with its uncommon blend of humour and ultra-violence.

I read that parts of the dialogue were contributed by Cusack and a couple of [real-life] school friends, though cannot confirm this. It's believeable though - for example when he meets the legal guy propping up the bar at the re-union. His offering of the pen, the aside that Cusack should 'read the cap' and asking to use the funny quip - 'they all seem kinda related' - must have been based on a real person. Too sad to be fiction.

Minnie [cab] Driver, Joan Cusack and Dan Ackroyd personalise their performances very well. The support cast were excellent too. The music was an oddly enjoyable mix and the fight sequence with the pen was the most realistic (and exhausting) I'd seen. It was the attention to small detail which swung it in the end though. Cusack's buddy's coke-fuelled, paranoid banter was spot on ("Jenny Slater, Jenny Slater") as was the burning the fingers on the furnace, to name just two random details. The effect of this, is that they all add up to a movie which you can enjoy watching many times. And that makes it a rare gem.