Füge eine Handlung in deiner Sprache hinzuIn 1838, Elisabeth agrees to bear a child for an anonymous landowner who'll pay her father's debt. Employed as a governess on a Sussex estate, Mr. Godwin turns out to be the landowner.In 1838, Elisabeth agrees to bear a child for an anonymous landowner who'll pay her father's debt. Employed as a governess on a Sussex estate, Mr. Godwin turns out to be the landowner.In 1838, Elisabeth agrees to bear a child for an anonymous landowner who'll pay her father's debt. Employed as a governess on a Sussex estate, Mr. Godwin turns out to be the landowner.
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But watch it a few more times and you realize how balanced the story is, how themes of birth and death parallel heat and cold, love and hate.
The script is simple because silence and secrecy drive the plot. Compared to Jane Eyre, it is rather sparse, but so what?
I gave it a 10.
Every word, every sigh, every gesture and every scene appears uncontrived yet at the same time is testament to breathtaking genius. If only director William Nicholson would bring his ensemble together again for more of the same! Just thinking about "Firelight" brings tears to my eyes. No other movie has had such an effect on me.
File this one under "U" for "Unforgettable" in the illustrated dictionary.
Searching the web, as I said, I also ran across the director's statement that I cite here:
Inspired by Nicholson's fascination with 1940s movie love stories, Firelight is a film that awakens the romantic spirit in each of us. For his film directorial debut, Nicholson wanted to create a boundless romantic story about lovers forced apart by outside forces. To do so, he had to set his story in another place and time. "To achieve that old-fashioned level of romance," the writer/director asserts, "I had to go back to a place and time when there were forces stronger than individual desires. Contemporary love stories are relationship stories because the obstacles that prevent people from loving each other are essentially self-induced. These kind of stories can be charming, but you can't build up an enormous head of steam with them. I wanted to create a story about how love can redeem people, about how it can totally change their lives. I wanted to create that tragic feeling you have when two people are perfect for each other, love each other, but yet cannot have one another." Nicholson set out to write a film in which the focus was on people and their emotions. As he worked on the screenplay, Nicholson developed a very clear and simple visual style for the film. "I wanted people's feelings to be the central issue of the film and I wanted nothing to distract from that. The idea of firelight became central to what the film is about. The story is about light, about winter, about coldness and empty rooms where the eye goes toward the one source of heat, the fire.
To conceive a good film is one thing, but to make it, is altogether different, sometimes very hard. Nicholson succeeded fantastically but praises must be given to all the cast as well, Sophie first.
Performances by the actors are uniformly excellent. Marceau and Stephen Dillane as Charles Godwin share a chemistry rarely captured on film; but also look for Dominique Belcourt as the daughter; Lia Williams as Godwin's long-suffering sister-in-law; Kevin Anderson as the visiting American who falls for Elizabeth; and veteran British actor Joss Ackland as Godwin's father whose self-indulgent hedonism dooms the family to ruin. It's never apparent that this is Nicholson's first time out as a director. Nic Morris's cinematography of the English countryside and Marceu's exquisitely beautiful face lit by firelight is something to see, and Christopher Gunning's string-laden score is dramatic and over-the-top which it really should be.
Although rife with gray and icy colors, painful family obligation, stark settings, heartbreak, euthanasia, held back emotions, and rigid social mores; the underlying theme of the Firelight is that true love conquers all. It's never really gotten the attention it deserves.
Released by Disney's Hollywood pictures, the movie played briefly in American arthouses back in 1998 and was released on VHS the next year to very little fanfare. Disillusioned, Nicholson never directed a picture again, although he hit paydirt when he co-wrote the script to Ridley Scott's Gladiator in 2000. Firelight has been sporadically available since then on demand on the Encore movie cable channel. A Region 0 bare-bones DVD was released in Hong Kong of all places; it's available on Amazon.com and ebay. If you find a copy, it's definitely worth purchasing.
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- WissenswertesThough he had been in the film industry as a scriptwriter for many years, this was William Nicholson's first directed film.
- PatzerAfter seven years, despite evolving fashions, neither hero nor heroine have made any change in hairdo or style of clothes. Nor do they look a day older.
- Zitate
Elisabeth: Do you know about Firelight?
Louisa: What about it?
Elisabeth: It's a kind of magic. Firelight makes time stand still. When you put out the lamps and sit in the firelight's glow there aren't any rules any more.
[blows out lamp]
Elisabeth: You can do what you want, say what you want, be what you want, and when the lamps are lit again, time starts again, and everything you said or did is forgotten. More than forgotten it never happened.
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Box Office
- Bruttoertrag in den USA und Kanada
- 785.482 $
- Eröffnungswochenende in den USA und in Kanada
- 135.401 $
- 7. Sept. 1998
- Weltweiter Bruttoertrag
- 785.482 $