Face - Abgerechnet wird zum Schluß

This is one of the best British Gangster movies of all time! Sadly overlooked. Robert Carlyle is brilliant and authentic in his delivery as a gang leader with a conscience. Like 'Clockers' this is a movie that makes you think. This is not just a gangster/robbery movie. It looks into the lives of each character and their interaction with society and each other. It looks at trust and conscience. The dialog is the best I have heard in this sort of movie and very real. Brilliant performances from all! Great story and ending. Why this was not promoted properly at the time I don't know. Its better than the middle class made Lock Stock, and on a par with The Long Good Friday. Watch and enjoy.

This British crime film has got superb casting: every single performace is rock-solid and Robert Carlyle absolutely shines. Cast also includes an extra-terrestrially beautiful lady, Lena Headey. And the storyline is flawless -- full of interesting characters, believable enough, and deliciously crooked but free of annoying twists for twists' sake.

Yet, somehow, the movie never quite reaches brilliance, but falls into the "quite nice" category instead. Directing and cinematography is a bit too conservative; a few original tricks (just a hint of artistic touch, some surprising angles, tinted scenes or anything at all) could have spiced the movie just enough to make it more memorable. And although the music in the action parts is appropriate, the clichéd saccharine sound squandering backing the more romantic moments is dismaying. This would have been a much better movie already if those sequences would have been void of music.

So it is not a masterpiece despite the potential, but I liked it a lot nonetheless. Recommended to all who have an affinity for British quality movies. (7.5/10)

This is one of those unusual films where the actors all did their parts quite well and convincingly, however, the film itself seemed to be lacking something. I am sorry to say that part of the issue is with the editing.

I don't mind edits that tend to jump between past and present, but there just wasn't enough to demonstrate why Ray the alleged former socilist had turned to a life of crime. Therefore the jump-cut references fail to make the connection between his memory of a fateful protest in his youth and the man he was today.

The acting was brilliant, and each artist did a superb job, which is why I give it a 7. You could see that perhaps the writer had intended a more meaningful story, but some of it must have ended up on the cutting room floor.

Carlyle at his best, great script and a fantastic cast. I would strongly recommend anyone who has not seen this film as yet to get it immediately. British cinema is finally starting to move away from romantic comedies and period pieces, and showing that they can make excellent films on small budgets. Another must see, is Lock, Stock and two Smoking Barrels.

Believe it or not, Britain did make decent gangster films prior to Guy Ritchie's arrival with 'Lock Stock' style of film-making. And, one of those that has and probably always will be eclipsed by Ritchie's way of film-making will be 'Face.' And that's slightly surprising as it has two – reasonably – big names in British cinema in the lead roles – Robert Carlyle and Ray Winstone.

Perhaps one of its 'flaws' (and I put that word in quotes because, personally, I don't consider it a flaw) is the way it's directed. It's hardly an exercise in style. Ritchie's 'Lock Stock' films were that rare breed that seamlessly blended style AND substance. Well, Face does have the substance to be a great film, it just doesn't have the style.

It feels a bit like a 'made-for-TV' movie (perhaps because it was made by the BBC?) with its *slightly* bland style of direction. There's no snappy montages or cracking tunes to heighten the mood and atmosphere. This is probably why it never really appealed to the masses.

It's about a bank robbery gone wrong (yes, I know that brief summary also sums up Reservoir Dogs, but, trust me, it's nothing like that). The criminals get away with the loot, but someone wants it all and are prepared to use – lethal – force to get it.

Okay, so it doesn't have the style of Lock Stock or the instant cool of a Tarrantino movie, but it is a good little number in its own right. If you're into your gangster films and aren't looking for something 'uber-cool' then you could do worse than watch this one.

You'll probably find it on TV late at night, or as part of a TV/Movie streaming service. If so, it's definitely worth a watch.

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