Eine Rettungscrew untersucht ein Raumschiff, das in einem schwarzen Loch verschwand und nun zurückgekehrt ist.... mit jemandem oder etwas Neuem an Bord.Eine Rettungscrew untersucht ein Raumschiff, das in einem schwarzen Loch verschwand und nun zurückgekehrt ist.... mit jemandem oder etwas Neuem an Bord.Eine Rettungscrew untersucht ein Raumschiff, das in einem schwarzen Loch verschwand und nun zurückgekehrt ist.... mit jemandem oder etwas Neuem an Bord.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
- Girl on Monitor
- (Nicht genannt)
- Event Horizon Crew Member
- (Nicht genannt)
- Event Horizon Crew Member
- (Nicht genannt)
Empfohlene Bewertungen
It seems appropriate I chose to watch this after "Snow White", the OTHER 1997 Sam Neill horror film (but he's more like the Neill from "In the Mouth of Madness" here than the Neill from "Snow White"). Never a bad time to catch two connected movies back to back.
I can't help but compare this film to other Paul Anderson films such as "Resident Evil" or "Mortal Kombat". There is a distinct look he is good at with technology and particularly the costumes. While I doubt Anderson designed the costumes, you get a sense he likes characters with jumpsuits. If I had to guess who directed this film without knowing, Anderson would be my first guess based on his scenery alone.
Paul Anderson also loves the techno-industrial music in his films (Orbital, The Prodigy, KMFDM) -- he's like a more lighthearted David Fincher in this way. I grew up on industrial music, so this really works for me. But also, I see metal or more specifically industrial crucial to good horror -- to really make the point, see Charlie Clouser's contributions to "Saw II". The whole violence and alienation vibe that is given off by industrial is very appropriate to horror.
The film in general is very likable. Sam Neill is an amazing actor, Laurence Fishbourne (after being Cowboy Curtis but before being Morpheus) is wonderful. And there's a sense of gore that is more hinted at than shown (most of the gore scenes are very quick, leaving an impression on your mind for you to create your own imagery). Many horror space movies are just really stupid (do I need to mention "Leprechaun in Space"?) or follow the same paths, but this one really stands out as unique. It needed both the horror and space aspects to work.
I could compare this to "Doom" (the game or the movie) with the portal to Hell in space... but I won't. Or how about comparing it to "Solaris" (George Clooney's only bad film) with the images of dead friends coming back to life? This is vastly superior, by far. Really, I can't stress enough how awful "Solaris" is.
The inclusion of the tesseract is really great. I don't think they used the word "tesseract", but they used the idea. I grew up with "A Wrinkle in Time" and another book about tesseracts (or, more precisely, wormholes since "tesseract" just illustrates extra dimensions and not so much how to travel through them) and this always gets me pumped. If such things are really possible, the future will be awesome.
Well, anyway, if you're looking for a horror film that's unlike all others you've seen -- but good -- this is a wise choice. Sam Neill cannot steer you wrong, and the elements needed for a good movie are in place here. It's not like the "Citizen Kane" of horror, but maybe the "Jurassic Park" of horror. Check it out.
The story, a ship, 'Event Horizon' has disappeared and seven years later as reappeared. A crew is set with the task of going to this vessel and discovering if there is anyone left alive and to salvage the ship if possible. On board this crew, a Dr. Weir, who is the man who invented the special engine used to propel the ship forward. Of course, it does this by opening a black hole and we will learn over time that where it leads, no man should go. As they explore the ship, stranger and stranger things keep happening and hampering any chance of the rescue team making it out alive!
I thought all the actors and actresses did good. I knew Sam Neil would be good and so is Lawrence Fishborne. The.visuals are really good too and the film has a very good atmosphere essentially being a spaceship that is haunted. I just think it would have been better with more extended peeks into hell, because who wasn't curious to see what the makers of the film came up with? Unfortunately, they got a squeamish test audience who thought it was too much and us horror fans are left to wonder. Of course, my biggest question is how the heck did a copy of the film with the extra scenes end up in a Transylvania salt mine?
So, I liked this film as I have been trying to watch all the supernatural horror in space I can. Got The Dark Side of the Moon too. Wanted Nightflyers, but that is not even on DVD. The only other one I can think of is Lifeforce which does have some cool visuals, but mainly takes place on earth. This one is probably the best of the ones I know, but could have been even better had they left the deleted scenes in.
Event Horizon is a horror sci-fi goldmine. Sam Neil and Laurence Fishburne bring the heat in this one. The cold, calculating, tough captain vs the conniving doctor of evil. The supporting cast is excellent as well. Jason Issacs is always a treat and Joely Richardson was an impecable addition.
The atmosphere in this one is everything. They pulled no punches in creating some believable space ship tech. I can't imagine how hard hitting this was in the 90s. Makes me wanna give "Alien" another go just out of horror sci-fi nostalgia.
All in all this is a real piece of 90s gold. It holds up well even today. You really can't miss with a solid sci-fi scare. None of us have been in space so it's easy to let the imagination run wild. Event Horizon is sure to cover any and every fear within the final frontier. Give this one a launch!
I first saw this in the theater in 97 and it has only gotten better with time. Great sci-fi movie with traditional horror elements. The thunderstorms and fog add to the ambience.
Sam Neil and Laurence Fishburne give fantastic performances that are not reflected in the box office earnings.
I wish we could see the original version that had test audiences fainting but apparently the film has been destroyed due to improper storage.
Highly recommend.
The cast does a good job in their roles, and the setting for the movie is dark, creepy, and perfectly done.
I have read several bad reviews in these comments, and I have seen basically two categories of such. One is that the science involved is ridiculous. This is a movie. A horror movie. A horror movie on a spaceship in the future. I think it's time to suspend your disbelief and enjoy the movie.
The second complaint I have been reading is even worse. That the movie is too scary and disturbing! I don't think I have EVER sat down to watch a scary movie and been upset that it was...scary. Perhaps the movie was accidentally placed in the children's section.
Regardless, the movie is fun and scary. Exactly what most people look for in a scary movie. I highly suggest renting this gem and enjoying it for what it is: One of the better horror movies of the late 90's.
Wusstest du schon
- WissenswertesPaul W.S. Anderson's initial cut of the film ran 130 minutes, and was so violent that both test audiences and the studio baulked at the finished product. Paramount ordered him to cut the film by 30 minutes and tone down some of the violence. Anderson has said he didn't have enough time for a proper re-edit, and believes he cut out 10 minutes too much. Although it was announced in 2012 that producer Lloyd Levin had found a VHS tape that might contain a full version of the film, Anderson revealed in 2017 that neither he nor Levin had seen it yet, as they have both been too busy to be in the same country with a VHS player. Although he believes that the condition of the copy will be too poor to use, Anderson has stated that he is still excited to see what's on it.
- Patzer(at around 53 mins) When Justin is ejected into outer space, his veins immediately start to burst and bleed heavily. This isn't very likely to happen in the short time that he is exposed to the vacuum of space. Parts of the body will probably start to bulge due to the lack of atmospheric pressure, and there will probably be some subcutaneous bleeding from ruptured blood vessels, but the human skin is thought to be resilient enough to stay intact. Also, the blood that leaves his body remains liquid; in reality, it would boil and evaporate instantly due to the lack of pressure. Not everything about the scene is unrealistic: the fact that he remained conscious is probably correct (most adults would remain conscious for 10-20 seconds), as well as the fact that he does not freeze (although deep space is extremely cold, the lack of gas molecules makes it difficult for body heat to leave the body).
- Zitate
Miller: Weir?
Dr. Weir: [laughing] The ship brought me back. I told you she won't let me leave - she won't let anyone leave. Did you really think you could destroy this ship? She's defied space and time. She's been to a place you couldn't possibly imagine. And now... it is time to go back.
Miller: [sounding bored] I know. To hell.
Dr. Weir: You know nothing. Hell is only a word. The reality is much, much worse.
- Crazy CreditsThe opening credits are sucked into a black hole. The screen viewpoint pans upward, above, and over the regular Paramount mountain before the opening credits, which usually remains stationary and then fades out.
- Alternative VersionenTwo versions were produced, the theatrical release and a "rough cut." Runtimes were, respectively, "1h 36m (96 min)" and "2h 10m (130 min) (rough cut)".
- SoundtracksFunky Shit
Written by Liam Howlett, Adam Horovitz (as Adam Horowitz), Adam Yauch, Mike D (as Michael Diamond), and Jimmy Smith (as James Smith)
Performed by The Prodigy (as Prodigy)
Excerpts from "Root Down" by Beastie Boys used Under Licence from Capitol Records.
Sample from "2-3 Break" by The B-Boys used Courtesy of Vintertainment
Sample from "Theme from 'S.W.A.T.'" by Barry De Vorzon (as Barry Devorzan) used Courtesy of MCA Records, Inc.
Courtesy of XL Recordings Ltd and Maverick Recordings Co.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- La nave del terror
- Drehorte
- Albert R. Broccoli 007 Stage, Pinewood Studios, Iver Heath, Buckinghamshire, England, Vereinigtes Königreich(Studio, interiors: engine room)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 26.673.242 $
- Eröffnungswochenende in den USA und in Kanada
- 9.511.915 $
- 17. Aug. 1997
- Weltweiter Bruttoertrag
- 26.677.289 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1