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The 18th Angel - Im Namen des Bösen

Originaltitel: The Eighteenth Angel
  • 1997
  • 18
  • 1 Std. 35 Min.
IMDb-BEWERTUNG
4,8/10
1709
IHRE BEWERTUNG
Rachael Leigh Cook, Christopher McDonald, and Maximilian Schell in The 18th Angel - Im Namen des Bösen (1997)
Home Video Trailer from Columbia Tristar
trailer wiedergeben1:30
1 Video
17 Fotos
HorrorMysteryThriller

Füge eine Handlung in deiner Sprache hinzuMythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but ra... Alles lesenMythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but rather want to resurrect Satan by collecting the souls of 18 beautiful children.Mythology and religious dogma are slowly revealed when an attractive young woman is approached by a modeling agency that pulls her into an underworld of priests that are not Christian but rather want to resurrect Satan by collecting the souls of 18 beautiful children.

  • Regie
    • William Bindley
  • Drehbuch
    • David Seltzer
  • Hauptbesetzung
    • Christopher McDonald
    • Rachael Leigh Cook
    • Stanley Tucci
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,8/10
    1709
    IHRE BEWERTUNG
    • Regie
      • William Bindley
    • Drehbuch
      • David Seltzer
    • Hauptbesetzung
      • Christopher McDonald
      • Rachael Leigh Cook
      • Stanley Tucci
    • 31Benutzerrezensionen
    • 10Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    The Eighteenth Angel
    Trailer 1:30
    The Eighteenth Angel

    Fotos16

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    Topbesetzung30

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    Christopher McDonald
    Christopher McDonald
    • Hugh Stanton
    Rachael Leigh Cook
    Rachael Leigh Cook
    • Lucy Stanton
    Stanley Tucci
    Stanley Tucci
    • Todd Stanton
    Wendy Crewson
    Wendy Crewson
    • Norah Stanton
    Maximilian Schell
    Maximilian Schell
    • Father Simeon
    Cosimo Fusco
    Cosimo Fusco
    • Florian
    Venantino Venantini
    Venantino Venantini
    • Clockmaker
    Ted Rusoff
    Ted Rusoff
    • Benedetti
    Federico Pacifici
    Federico Pacifici
    • Dark-Eyed Cleric
    John Crowther
    • Mangram
    Vanessa Meadows
    Vanessa Meadows
    • Museum Guide
    • (as Vanessa Crane)
    Linda Cerabolini
    • Milla Pagano
    Orso Maria Guerrini
    Orso Maria Guerrini
    • Paolo Pagano
    Linda Gucciardo
    • Stewardess
    Fabrizio Vitale
    • Customs Agent
    Rossano Rubicondi
    • Model
    Barbara Berardi
    • Model
    Francesca De Sapio
    Francesca De Sapio
    • Gabriella
    • Regie
      • William Bindley
    • Drehbuch
      • David Seltzer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen31

    4,81.7K
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    Empfohlene Bewertungen

    4KuRt-33

    The Great Book of Horror Clichés (part 513)

    "The House of Yes", "Family Rescue", "She's All That": all decent movies starring Rachael Leigh Cook. That's why Rachael was the only reason I wanted to see "The Eighteenth Angel" (well, that and the fact it was shown just after The X-Files). The short version: not even Rachael (as Lucy) can save this disaster.

    Here's the longer version: Some of the acting is so bad it's more frightening than the horror plot (a Satanic church wants the Antichrist back and all they need is a demon clock saying when they should sacrifice 18 angelic children). The worst performance is given by Maximilian Schell: instead of acting like a satanic priest he acts like he's the evil penguin in a children's story. When he recites the satanic verses, you think he's reading the recipe for pork chops. The more the story evolves the more ludicrous it gets. If you know the horror cliches, all you have to do is make a list and wait for it to come. Oh look, spikes: somebody's bound to get killed by them. (check) Oh look, nice horses: they are probably going to kill someone. (check) Let's wait for the cameo of a cemetary. (check) Etc etc. (check) Watch out for painful mistakes: father Simeon is praying to the Devil in a pentagram (check), but apparently the makers of this movie didn't know what a pentagram is. It certainly isn't what they used a movie. (If you don't know what a pentagram looks like: watch Jacob the Liar: in that movie they needed a Jewish star, but they used a pentagram.) Add the final ingredient: referring to and stealing from other movies. Maybe they can get away with referring to Brian de Palma's Obsession (the church scene), but it's hard not to spot they borrowed some ideas from The Exorcist. Once again: bad copying only makes a bad movie worse.

    So it's best to skip this movie? Yes, unless you like watching Rachael Leigh Cook. In this movie she is a teenage model, so there's lots of posing and looking nice. But she was much better in the movie list I started this review with, so that's not really an argument. Also, skipping The Eighteenth Angel means you don't have to see the ending of a movie which gets worse every scene. You'll clap your hand when the titles get there: not because the movie was good, but because it's finally over.
    4sundiva

    am i the only one

    who thinks that this movie was completely lame? the only reason i watched the whole movie was because i expected a good ending at least. but even the ending is just so crappy and lame that i can't help thinking that i wasted my time on this boring movie. watch it if you are a raechel leigh cook fan, but even her performance didn't move me at all. rating - 4 out of 10 stars.
    polkablues

    Entertaining if you don't expect too much

    Far from a great movie, but at least it's better than "The Ninth Gate" and "End of Days" (the two movies it reminded me most of). Rachel Leigh Cook is stunningly beautiful, and gives a performance that makes some poor writing almost work. Christopher McDonald is surprisingly good even though (perhaps because) he is not playing the comedic jerk character he's played in almost everything else he's been in. Maximillian Schell should have just stayed home; he doesn't bring anything new or even interesting to the film. All in all, it's worth renting (or buying for three dollars, as I was lucky enough to do), even though the ending is one of the most cliched, predictable bits of cinema I've seen in a long time. The menacing glare straight into the camera at the last shot just doesn't seem as clever as it used to be. For that matter, I'm not convinced it ever was clever.
    6Vomitron_G

    Monastery of Malice

    I re-watched THE EIGHTEENTH ANGEL some time ago because I was given an ex-rental copy of it. I remember watching it some years ago and thinking that it wasn't too bad, though I couldn't remember why. After revisiting it, I still think it's not too bad. And I still can't really figure out why. Let's see... The story was ambitious. The production values were okay. The film had a decent look and some visceral effects in the make-up department. The acting was good and so was the cinematography. That monastery up the hill looked creepy, just like it should in a horror movie... Ergo, this film ain't too bad.

    It's along the lines of films like THE OMEN (1976) and BLESS THE CHILD (2000), but it's more on par with the latter than the first. Given the fact it has less star-power and was filmed on a smaller budget, I do consider THE EIGHTEENTH ANGEL and admirable effort. The only thing that really bothered me, were some plot holes I just couldn't wrap my head around. I won't go into it now and I'll steer away from writing a synopsis too. What matters is that I found it to be an okay movie and I've seen worse. Much worse.
    Cal Hawks

    fantastic work of art

    I first saw this movie a couple of years ago. I liked walking around blockbuster and renting movies that had cool boxes. That's not always the best way to do it, but in this case, it was. The Eighteenth Angel is one of the best movies I've ever seen. The plot turns are exquisite, and i just loved it when I discovered the meaning of the title. I don't want to give away to much but I highly recommend this movie to anyone who has not seen it.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Though shot for a theatrical release, the film made its debut on the Starz! network.
    • Patzer
      Norah refers to a clam as a crustacean; clams are mollusks.
    • Crazy Credits
      The producers gratefully acknowledge The City and Town Hall of Formello, Italy The Sorbo Monastery, Italy
    • Verbindungen
      References Unwahrscheinliche Geschichten (1959)
    • Soundtracks
      Theme from 'The Twilight Zone'
      (Unwahrscheinliche Geschichten (1959))

      Written by Marius Constant

    Top-Auswahl

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    FAQ15

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    Details

    Ändern
    • Erscheinungsdatum
      • 6. Dezember 1997 (Japan)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Der achtzehnte Engel
    • Drehorte
      • Formello, Rom, Latium, Italien
    • Produktionsfirma
      • Rysher Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 25.000.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 35 Min.(95 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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