Der Sheriff einer vorstädtischen Gemeinde in New Jersey, die von Polizisten aus New York City bevölkert wird, entdeckt langsam, dass die Stadt eine Front für Mafia-Verbindungen und Korruptio... Alles lesenDer Sheriff einer vorstädtischen Gemeinde in New Jersey, die von Polizisten aus New York City bevölkert wird, entdeckt langsam, dass die Stadt eine Front für Mafia-Verbindungen und Korruption ist.Der Sheriff einer vorstädtischen Gemeinde in New Jersey, die von Polizisten aus New York City bevölkert wird, entdeckt langsam, dass die Stadt eine Front für Mafia-Verbindungen und Korruption ist.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Arthur J. Nascarella
- Frank Lagonda
- (as Arthur Nascarella)
Victor Williams
- Russell
- (as Victor L. Williams)
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Copland is one of those film that gets better and better the more you watch it. The story is gripping and the acting in straight from the top drawer and top of the performances is from Sylvester Stallone. Not normally known for his acting ability, Stallone pulls out his finest performance .To say he is the best in this film is a massive compliment considering the company he performed with in Copland. Robert De niro , Harvey Keitel and Ray Liotta all put in memorable displays , of which you would expect but Stallone still stands out. He plays the sheriff of a sleapy town called Garrison who's occupants are all members of the New York police Department.Because of an accident while saving someones life he is unable to pass the medical to get in the NYPD therefore as a sheriff he is not respected amongst the population of the town.He learns that an influential group of cops are crooked and are planning to kill to save their own necks. Totally Gripping. 8 out of 10.
Freddie Heflin is a sheriff in a New Jersey suburb mainly populated by NYPD cops seeking a break from the big city. Freddie lives in awe of the cops, unable to join due to deafness in one ear. However he is forced to confront Donlan and his colleagues when an IA officer Tilden begins to investigate the killing of two unarmed black men by, and subsequent suicide of Donlan's nephew Murray Babitch.
This `independent' thriller boast a deep cast and certainly had a lot to shout about in the run up to it's release. The problem is with the actual story that the film has to work with. The start is exciting with Babitch's killing of two black motorists but it is also quite stretched. Similarly the denouncement is exciting but is quite easy to see it coming. However the middle section is good, as it relies on the characters and the actors to develop the story - although there is probably too much history to squeeze into a short time.
Stallone proves that he can act, being excellent in a particularly unglamorous role, carrying extra weight for the part and looking like he took lessons from De Niro. The rest of the cast would find it hard to be bad - De Niro and Harvey Keitel rekindle their Scorsese partnership and both are good here. Liotta, Rapaport, Patrick and Sciorra are all excellent in smaller roles. Even small roles are played by heavyweights - Emmerich, Moriarty, Spencer, Vincent and Garofalo (who only seems to have 2 scenes!)
Overall the film benefits from a fantastic cast but needed a much stronger plot to justify the depth of the performances.
This `independent' thriller boast a deep cast and certainly had a lot to shout about in the run up to it's release. The problem is with the actual story that the film has to work with. The start is exciting with Babitch's killing of two black motorists but it is also quite stretched. Similarly the denouncement is exciting but is quite easy to see it coming. However the middle section is good, as it relies on the characters and the actors to develop the story - although there is probably too much history to squeeze into a short time.
Stallone proves that he can act, being excellent in a particularly unglamorous role, carrying extra weight for the part and looking like he took lessons from De Niro. The rest of the cast would find it hard to be bad - De Niro and Harvey Keitel rekindle their Scorsese partnership and both are good here. Liotta, Rapaport, Patrick and Sciorra are all excellent in smaller roles. Even small roles are played by heavyweights - Emmerich, Moriarty, Spencer, Vincent and Garofalo (who only seems to have 2 scenes!)
Overall the film benefits from a fantastic cast but needed a much stronger plot to justify the depth of the performances.
Sylvester Stallone is excellent in this slow-moving, absorbing film about cops on the take. Sly goes through what must be one of the longest slow-burns in movie history as the dumb, passive sheriff who only has his job thanks to the grace of crooked cop Harvey Keitel and protects him and his gang because of it. When it finally dawns on him, as it was inevitable it would, that he's been played for a fool, the results are explosive. It's well written, with a strong storyline, great dialogue and excellent performances all round (especially from Robert de Niro, Keitel and Ray Liotta). But it stands or falls on Stallone's portrayal of the central character, and he rises surprisingly majestically to the occasion. A very restrained, sensitive performance in a cracking good film.
I can see this one with a little bit better ratings than it has. At least it deserves it imo. It was definitely worth its 2 hours of time.
To start off, Liotta and Stallone are the stars of this one....Hands down. Keitel and Deniro aren't in it enough to get high praise. Ray Liotta got all the lines and Stallone played..well...Stallone...in a dramatic role. To me Stallone has 3 films he can stand by when he gets done with acting...Rocky...Rambo...Cop Land. Why Cop Land? Well...cause it's easily his best dramatic role and it's in a darn good film. Not everyone was ready to see Stallone in a dramatic role but I think by this time his career was on fumes. I read somewhere where he said this film ruined his career for 8 years. Couldn't get any roles. I think at this time eh was pretty much washed up to film goers and this was a last gasp. To blame this film on his lack of roles, I think he should re-watch it and see that he did a good job.
Ray Liotta is one of those actors that's criminally overlooked. He's done so many good dramatic roles that I think that he just mixes in with what's out there now and you don't get to see him anymore. With anything worthwhile anyhow. His lines are the best in this film. His hyper personality and down on his luck persona in this one just flat out works.
Don't see this one just for the all star cast. See it for Liotta and Stallone's performances. They really are stellar in this little gem.
To start off, Liotta and Stallone are the stars of this one....Hands down. Keitel and Deniro aren't in it enough to get high praise. Ray Liotta got all the lines and Stallone played..well...Stallone...in a dramatic role. To me Stallone has 3 films he can stand by when he gets done with acting...Rocky...Rambo...Cop Land. Why Cop Land? Well...cause it's easily his best dramatic role and it's in a darn good film. Not everyone was ready to see Stallone in a dramatic role but I think by this time his career was on fumes. I read somewhere where he said this film ruined his career for 8 years. Couldn't get any roles. I think at this time eh was pretty much washed up to film goers and this was a last gasp. To blame this film on his lack of roles, I think he should re-watch it and see that he did a good job.
Ray Liotta is one of those actors that's criminally overlooked. He's done so many good dramatic roles that I think that he just mixes in with what's out there now and you don't get to see him anymore. With anything worthwhile anyhow. His lines are the best in this film. His hyper personality and down on his luck persona in this one just flat out works.
Don't see this one just for the all star cast. See it for Liotta and Stallone's performances. They really are stellar in this little gem.
Many people see Silvester Stallone as just another action movie hero who can't do anything but that. However, unlike other action movie stars, (Schwarzenegger, Van Damme, Seigal etc..) Stallone made his breakthrough with a movie that wasn't really an action movie at heart. He gave forth an excellent performance in Rocky and set a standard for himself that just seemed to fall and fall as his career progressed. He starred in cheesy action movie role after cheesy action movie role until finally people began associating him with nothing but that. Now finally, over twenty years after Rocky, Stallone comes back and shows people that he can be more than an action hero if he wants to. Stallone's performance in Cop Land shows vulnerability, anger, admiration, fear and many other emotions that were rarely present in any of his movie except Rocky. I'm sorry to say that I was one of the many people who took Cop Land for granted when it came to theaters simply because I didn't believe Stallone could do anything but cheesy action movies. Today, I finally rented it out of pure curiosity and was shocked at how far I was from the truth.
Cop Land is a very well made film about a small town that corrupt New York City cops have made their haven. Stallone plays the sheriff of the town, Freddy Heflin, who wanted to be NYPD but couldn't due to a hearing disorder. When Murray 'Superboy' Babitch (Michael Rapaport) shoots and kills two drugged up teenagers when he mistakes a steering wheel club for a gun in a high speed chase, his friends come in to help him. But their far-fetched plan starts to come down on them when Moe Tilden (Robert De Niro) from Internal Affairs begins investigating Superboy's alleged suicide. Things begin to go seriously wrong from here and Freddy is caught right in the middle. I thought that Stallone would have been upstaged by all his great co-stars like Harvey Keitel, Ray Liotta and Robert De Niro, but I was wrong. Stallone comes out perfectly as an aging cop with smashed dreams faced with a moral dilemma he doesn't know how to solve. In many ways he idolizes these big time New York cops but he knows that many of the things they do are wrong. In many ways Stallone's performance is far superior to that of his co-stars as he exhibits more depth and character development than any of them.
Cop Land is a somewhat unknown gem that many people overlooked for the wrong reasons. If you have any interest in the genre I would highly recommend it. Cop Land is probably the second best police murder/crime drama I've seen, only behind L.A. Confidential. At times the story has something to be desired and unlike L.A. Confidential is drags in some parts but the fantastic performances by every cast member more than make up for these minor flaws. I give Cop Land 8 stars out of 10.
Cop Land is a very well made film about a small town that corrupt New York City cops have made their haven. Stallone plays the sheriff of the town, Freddy Heflin, who wanted to be NYPD but couldn't due to a hearing disorder. When Murray 'Superboy' Babitch (Michael Rapaport) shoots and kills two drugged up teenagers when he mistakes a steering wheel club for a gun in a high speed chase, his friends come in to help him. But their far-fetched plan starts to come down on them when Moe Tilden (Robert De Niro) from Internal Affairs begins investigating Superboy's alleged suicide. Things begin to go seriously wrong from here and Freddy is caught right in the middle. I thought that Stallone would have been upstaged by all his great co-stars like Harvey Keitel, Ray Liotta and Robert De Niro, but I was wrong. Stallone comes out perfectly as an aging cop with smashed dreams faced with a moral dilemma he doesn't know how to solve. In many ways he idolizes these big time New York cops but he knows that many of the things they do are wrong. In many ways Stallone's performance is far superior to that of his co-stars as he exhibits more depth and character development than any of them.
Cop Land is a somewhat unknown gem that many people overlooked for the wrong reasons. If you have any interest in the genre I would highly recommend it. Cop Land is probably the second best police murder/crime drama I've seen, only behind L.A. Confidential. At times the story has something to be desired and unlike L.A. Confidential is drags in some parts but the fantastic performances by every cast member more than make up for these minor flaws. I give Cop Land 8 stars out of 10.
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- WissenswertesOriginally, Ray Liotta wanted the role of Sheriff Freddy Heflin, while Sylvester Stallone wanted the role of Gary "Figgsy" Figgis.
- Patzer"Municipal" Sheriffs don't exist in the State of New Jersey. All Sheriffs in New Jersey are elected at the County Government level to a three-year term and are a Constiutional position. For a small town in New Jersey Freddy Heflin would have had to be the Police Chief or similar rank. It may also be noted that no police officers in New Jersey wear tan uniforms. That uniform is far more likely seen out in the Western states.
- Crazy CreditsA police car's flashing light sweeps across the credits as they are displayed.
- Alternative VersionenA newly released Special Edition DVD restores approximately 15 minutes of scenes that were cut or extended from the theatrical version.
- SoundtracksCheck Your Woppa
Written by Roberto Arduini (as R. Arduini), Antonio Puntillo (as A. Puntillo), Max Persona (as M. Persona) and Max Aventino (as M. Aventino)
Performed by Mod 222
Courtesy of Media Records and Thump Records
Top-Auswahl
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Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
We're celebrating the iconic Sylvester Stallone with a look back at some of his most indelible film performances, from Rocky and Rambo, to Joe in the new superhero movie Samaritan.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Tierra de policías
- Drehorte
- Edgewater, New Jersey, USA(Garrison, New Jersey)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 44.862.187 $
- Eröffnungswochenende in den USA und in Kanada
- 13.510.482 $
- 17. Aug. 1997
- Weltweiter Bruttoertrag
- 44.862.187 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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