Eingerahmt von ihrem rücksichtslosen Erzfeind, muss ein ungleiches LAPD-Duo seine Unterschiede beiseite legen, um sogar den Punktestand mit dem bösen Königspin zu erreichen, der sie ein für ... Alles lesenEingerahmt von ihrem rücksichtslosen Erzfeind, muss ein ungleiches LAPD-Duo seine Unterschiede beiseite legen, um sogar den Punktestand mit dem bösen Königspin zu erreichen, der sie ein für allemal hinter Gitter brachte.Eingerahmt von ihrem rücksichtslosen Erzfeind, muss ein ungleiches LAPD-Duo seine Unterschiede beiseite legen, um sogar den Punktestand mit dem bösen Königspin zu erreichen, der sie ein für allemal hinter Gitter brachte.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Marc Alaimo
- Lopez
- (as Mark Alaimo)
Philip Tan
- Gunman
- (as Phillip Tan)
- …
Edward Bunker
- Capt. Holmes
- (as Eddie Bunker)
Empfohlene Bewertungen
This is pretty good for what it is-Stallone and Russell's take off of Lethal Weapon. Stallone does a pretty good job being the low key guy here, Russell the loose cannon, there are gun fights, fights, escapes, the great prison getaway, fun byplay between the two leads, oodles of belief suspending needed and scads of stunt doubles used all through here.
My memory is mostly of Sly in the glasses, the Pickup from Hell, a lotta car chases and a real 'this is a spoof' air to it all.
Palance chews the scenery, Brion James does his usual good villain work....what more could you want?
*** outta ****, you get what you pay for here, and a little extra...
My memory is mostly of Sly in the glasses, the Pickup from Hell, a lotta car chases and a real 'this is a spoof' air to it all.
Palance chews the scenery, Brion James does his usual good villain work....what more could you want?
*** outta ****, you get what you pay for here, and a little extra...
The #1 reason why I love brainless action movies from the 80s and 90s? Because of the actors playing the bad guys! Just look at this baby; - Jack Palance, Brion James, Robert Z'dar, Clint Howard... Sure enough, the stars of the film are Sly Stallone and Kurt Russell, but for people who always root for the villains - like me - films like "Tango & Cash" are delightful! The set-up for this buddy-action movie is that the two best cops of Los Angeles are framed by big-shot drug/weapon dealer Palance, and end up in prison amidst the vengeful cons they locked away themselves. Plausibility and coherence are of minor importance, but "Tango & Cash" works perfectly because both Stallone and Russell prove themselves to be masters of self-parody, and the chemistry between them is awesome. Good stunt work, James Bond like gadgetry and an incredibly sexy Yazoo-dance by Teri Hatcher only make the film even more amusing.
Sylvester Stallone and Kurt Russell play polar opposite Los Angeles cops who are framed by an arch nemesis and forced to team up in order to clear their name.
Unashamedly macho and very much of its time, this is daft energetic fun that's full of octane inventive action and ever quotable one liners. Stallone is Tango, the smart dressed sophisticated policeman, Russel is Cash, the slobbish act first - ask questions later copper, both men very different but both excellent at their jobs.
Pic gets by mostly on the chemistry between Stallone and Russell, who put much zest into their respective characters bickering and bantering. Action is well put together by director Andrey Konchalovskiy, but unfortunately the final third of the piece starts to sag as our mismatched cops start to respect and befriend each other and the plot reaches the inevitable conclusion.
It doesn't help matters that Jack Palance's main villain is only a bit part player, or that his head henchman Requin (the usually ace Brion James) gives us a quite appalling British accent. Add in Teri Hatcher who is in it purely for dressage and as a cypher between the two boys, then it's a picture not without problems. Yet the script and star turns from the leading duo ensure this remains a favourite of many whom lapped it up back in the backend of the 1980s. 7/10
Unashamedly macho and very much of its time, this is daft energetic fun that's full of octane inventive action and ever quotable one liners. Stallone is Tango, the smart dressed sophisticated policeman, Russel is Cash, the slobbish act first - ask questions later copper, both men very different but both excellent at their jobs.
Pic gets by mostly on the chemistry between Stallone and Russell, who put much zest into their respective characters bickering and bantering. Action is well put together by director Andrey Konchalovskiy, but unfortunately the final third of the piece starts to sag as our mismatched cops start to respect and befriend each other and the plot reaches the inevitable conclusion.
It doesn't help matters that Jack Palance's main villain is only a bit part player, or that his head henchman Requin (the usually ace Brion James) gives us a quite appalling British accent. Add in Teri Hatcher who is in it purely for dressage and as a cypher between the two boys, then it's a picture not without problems. Yet the script and star turns from the leading duo ensure this remains a favourite of many whom lapped it up back in the backend of the 1980s. 7/10
Kurt Russell and Sylvester Stallone are the reason why this run-of-the-mill action flick actually works. There's nothing innovative or special about the film, it's nothing we haven't seen before (maybe just Russell in drag) but the film is entertaining as hell thanks to it's two stars.
Stallone is Tango and Russell is Cash, two cops who get set up and sent to jail. They break out and go after the bad guys to clear their names.
The film has got some excellent action scenes, particularly inside the prison and during the break out. It's got some nice eye candy courtesy of one Teri Hatcher. The script also delivers some very funny lines now and then. Couple that with the fact that I actually do like Stallone do comedy and Russell has always been somewhat of a mini favourite; Tango and Cash is very worthy of my time every once in a while.
Downsides; Excellent actor Jack Palance is horrible in the cliché ridden bad guy role (I can't figure out if he's trying too hard or not at all) and the film has a really silly final 10 minutes where the action goes from cool to basically slapstick. Still, early 90's action fans should enjoy this flick.
Stallone is Tango and Russell is Cash, two cops who get set up and sent to jail. They break out and go after the bad guys to clear their names.
The film has got some excellent action scenes, particularly inside the prison and during the break out. It's got some nice eye candy courtesy of one Teri Hatcher. The script also delivers some very funny lines now and then. Couple that with the fact that I actually do like Stallone do comedy and Russell has always been somewhat of a mini favourite; Tango and Cash is very worthy of my time every once in a while.
Downsides; Excellent actor Jack Palance is horrible in the cliché ridden bad guy role (I can't figure out if he's trying too hard or not at all) and the film has a really silly final 10 minutes where the action goes from cool to basically slapstick. Still, early 90's action fans should enjoy this flick.
The only reason this film is worth watching, is named Sylvester Stallion and Kurt Russell. The movie is an average, Cop fighting bad guy film; nothing special. But the chemistry and humor between Sylvester and Kurt was extremely entertaining to see. They work great together adding so much humor and fun to the show as they flex their beautiful muscles and fight off the bad guys.
Wusstest du schon
- WissenswertesWhen Brion James was originally hired to play Requin, it was a very small role with only two lines. In an effort to give the character something that would make him stand out, James decided to speak in a horrible "cockney" accent. Sylvester Stallone loved it, and re-wrote the script to give Requin a much bigger role. The same thing happened with Face, played by Robert Z'Dar, who was originally not meant to appear after the opening scene but Sylvester Stallone and Andrei Konchalovsky took a liking to Z'Dar and thought his appearance was so striking he deserved a larger role in the film.
- PatzerAt the beginning of the movie when the truck is bearing down on Tango and he fires at the truck, the windshield "spiderwebs", as it should, since it would be safety glass. However, when the two men fly through the windshield after the truck is stopped, there are no bullet holes in it and it is clearly a plate glass windshield (due to how it shatters).
- Alternative VersionenThe film's distributor actually self-censored the British theatrical version before submitting it to the BBFC. In addition to the footage the BBFC demanded cut, the UK theatrical release also tones down the electrocution of a villain, edited footage of visible bloodletting during the finale, omits some footage of Lopez being riddled with bullets, another head-butt, a throat chop, a villain pushing his fingers into Cash's blood wound, and Cash putting a grenade down a villain's trousers. All footage was reinstated for video.
- SoundtracksBest Of What I Got
Performed by Bad English
Courtesy of CBS Records, Music Licensing Department
Produced by Richie Zito
Written by John Waite, Jonathan Cain and Neal Schon
Top-Auswahl
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Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
We're celebrating the iconic Sylvester Stallone with a look back at some of his most indelible film performances, from Rocky and Rambo, to Joe in the new superhero movie Samaritan.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Tango y Cash
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 55.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 63.408.614 $
- Eröffnungswochenende in den USA und in Kanada
- 6.628.918 $
- 25. Dez. 1989
- Weltweiter Bruttoertrag
- 63.408.614 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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